John Altoon

American, 1925 - 1969

Displaying 13 - 24 of 32

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  • ""

    Untitled

    John Altoon, Tamarind Institute

    1968

    Lithograph (aluminum) in brown on crisbrook waterleaf paper  Accession ID  1983.18.130

    Not on view
  • ""

    Untitled

    John Altoon, Tamarind Institute

    1968

    Lithograph (aluminum) in pink, three greens and light yellow on german etching paper  Accession ID  1983.18.117

    Not on view
  • ""

    Untitled

    John Altoon, Tamarind Institute

    1968

    Lithograph (aluminum) in yellow-green and pink on german etching paper  Accession ID  1983.18.118

    Not on view
  • ""

    Untitled

    John Altoon, Tamarind Institute

    1968

    Lithograph (zinc) in yellow, two greens and violeton german etching paper  Accession ID  1983.18.123

    Not on view
  • ""

    Untitled

    John Altoon, Tamarind Institute

    1968

    Lithograph (stone) in blue on uncalendered rives paper  Accession ID  1983.18.129

    Not on view
  • This image features undulating lines and shapes creating a sense of motion across the canvas. On the left side, there are bulbous blue and red forms tapering downward. To the right, a curving structure in pink hues with rough textures and pockets of gold is depicted. Scattered across the scene are small, colorful bits and scribbles in shades of blue, yellow, and red.

    Untitled

    John Altoon, Tamarind Institute

    1968

    Lithograph (zinc) in orange, ochre, blue and red on german etching paper  Accession ID  1983.18.121

    Not on view
  • The image depicts a series of curved and angular lines forming an abstract composition. On the left side is a shape resembling a crouched figure, with broad strokes for clothing and hair. On the right, another figure appears to be raising an arm with exaggerated facial features. In the center, there is a bold yellow shape that could be seen as an abstract representation of a rose, connecting these figures. The scene incorporates familiar human forms and objects through a unique and abstract artistic style.

    Untitled

    John Altoon, James Webb, Charles Ritt, Gemini G.E.L.

    1967

    Lithograph in blue and yellow on rives bfk wove paper  Accession ID  1981.5.143

    Not on view
  • ""

    Untitled

    John Altoon

    1966

    Pen and black ink with airbrush on illustration board  Accession ID  1997.116.4

    Not on view
  • The image displays a series of flowing, curved lines and shapes that intertwine in a complex layout. It appears abstract and depicts humanoid figures, with elements resembling facial features and limbs. The forms are loosely drawn, creating a sense of movement. Some shapes suggest figures holding objects, resembling puppeteers or performers on a stage. Hints of red and yellow color accentuate certain areas, adding to the abstract composition.

    Untitled

    John Altoon

    1966

    Pen and black ink with airbrush on illustration board  Accession ID  1997.116.6

    Not on view
  • The image shows intricate swirling lines and shapes forming an abstract composition. Central to the artwork is a large elongated shape resembling a dog with flowing body and exaggerated limbs, with a figure on top. The composition conveys movement, as if the animal is in motion. Jagged lines on the right suggest a rocky cliff or mountainous terrain, contrasting with the smoother lines of the animal figure. The abstract nature of the image and interplay of organic forms evoke a familiar scene of a rider on a large creature traversing a rugged landscape.

    Untitled

    John Altoon

    1966

    Pen and black ink on illustration board  Accession ID  1997.116.5

    Not on view
  • The image displays flowing lines and soft, rounded shapes intersecting across the canvas in an abstract composition. On the left, there is a form with undulating lines resembling a leafy tree or plant. To the right, a trapezoid shape holds a depiction of a tall object, possibly a person, against a blue splash, reminiscent of a framed picture. In the center, angular lines create an outline resembling a roof or tent, with small triangular shapes at the bottom that could represent sails. The artwork connects various shapes and ideas, blending familiar scenarios within surreal interpretations.

    Untitled

    John Altoon

    c. 1966

    Pen and sepia ink with airbrush on illustration board  Accession ID  1997.116.3

    Not on view
  • The image displays an abstract composition with various overlapping shapes and lines. A dominant dark blue form is situated on the left side, resembling an arch or a large umbrella. This shape transitions into a textured mass of scribbled lines in black and orange. To the right, vivid pink and purple hues blend in a semi-circular shape. Below, smaller shapes in blue and orange, connected by pinkish limbs, create a whimsical appearance. The interplay of colors and forms in the image results in a dynamic and abstract visual experience.

    Untitled

    John Altoon, Kenneth Tyler, Tamarind Institute

    1965

    Color lithograph on rives bfk wove paper  Accession ID  2019.109.65

    Not on view