Maurice Sánchez

American, born 1945

Displaying 13 - 24 of 28

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  • ""

    Untitled

    Barbara Kruger, James Miller, Maurice Sánchez

    1988

    Photo-offset lithograph in red on rives bfk wove paper  Accession ID  1999.117.4.h

    Not on view
  • The image shows a collection of soft, elongated vertical shapes converging towards the center on a dark background. The composition might evoke a flowing waterfall or the folds of drapery. Light and dark colors enhance the shapes' presence in the image.

    Four Rays

    Susan Rothenberg, Maurice Sánchez, James Miller, Derrière l'Étoile Studios

    1980-1983

    Acidtint lithograph in black on john koller handmade paper  Accession ID  1986.84.6

    Not on view
  • ""

    Altamira Elegy

    Robert Motherwell, Maurice Sánchez, Brooks Arnold, Skira/Rizzoli

    1980

    Lithograph in white and black on arches wove paper  Accession ID  1981.61.1.2

    Not on view
  • The image displays an abstract composition with various shapes resembling elongated limbs and dark, shadowy forms. There are suggestions of a reclining figure with intertwined legs in the foreground, while the background features swirling patterns that evoke a liquid or wave-like appearance. Above, there are jagged, angular protrusions that resemble sharp mountain peaks or fragmented shards. The abstract nature of the image invites comparisons to scenes of repose or natural landscapes, blending forms and textures in a surreal manner.

    Sunset Boulevard III

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.287

    Not on view
  • The image shows soft, blurred lines creating an abstract silhouette resembling a human figure. The shape suggests a head, shoulders, and angular section that could be a bent knee, hinting at a seated posture. The form appears like a person sitting and resting an arm on a surface. Light and shadow interact to create a shadowy echo effect, emphasizing the fluidity and motion within the form, giving the impression of a reflection or double image of the figure.

    Untitled (1)

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.273

    Not on view
  • ""

    Number One

    Maurice Sánchez, Tamarind Institute

    1968

    Lithograph (aluminum) in blue and red on white arches paper  Accession ID  1984.34.775

    Not on view
  • This is a drawing of abstract shapes and lines. The image presents a set of flowing, organic lines that suggest a form. The lines are light and appear to be sketched in a single color, giving the drawing a soft and minimalistic feel. The composition is simple, using variations in line thickness and shading to add depth and dimension to the abstract shapes. The background is plain, allowing the viewer's focus to remain on the lines and forms that overlap and interweave.

    Untitled (1)

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in beige on copperplate deluxe wove paper  Accession ID  1984.34.276

    Not on view
  • The image shows a series of curved and angular black lines and smudges on a white background. The form suggests a human figure with a discernible arm, leg, and back-like shape that may resemble someone stretching or in motion. The abstract composition leaves the figure partially formed, with hints of a head, torso, and limbs, allowing the viewer to interpret the incomplete visual cues as a human body.

    Untitled (1)

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in black on copperplate deluxe wove paper  Accession ID  1984.34.275

    Not on view
  • The image features organic, flowing lines and a textured surface forming an abstract composition. The shapes resemble mountainous landscapes, potentially snow-capped peaks merging into a misty sky. Light and shadow create depth and guide the eye across the surface like rugged terrain.

    Untitled

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in gray and blue on arches wove paper  Accession ID  1984.34.289

    Not on view
  • This drawing depicts abstract, shadowy forms with minimalistic outlines and shading. The composition includes an indistinct shape resembling a seated figure or form, executed with soft edges and diffuse lines. The use of negative space is prominent, emphasizing the ethereal and ghostly presence of the subject. The drawing uses a grayscale palette to convey depth and dimension. The overall effect is delicate and subtle, capturing the viewer's imagination.

    Untitled (1)

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in beige on copperplate deluxe wove paper  Accession ID  1984.34.274

    Not on view
  • ""

    Number Three

    Maurice Sánchez, Tamarind Institute

    1968

    Lithograph (aluminum) in red, yellow and black on copperplate deluxe paper  Accession ID  1984.34.776

    Not on view
  • The image shows soft curves and elongated, vertical shapes in pale colors blending into one another. The forms could resemble a landscape or waterfall.

    Untitled

    Michael Mazur, Maurice Sánchez, Tamarind Institute

    1968

    Lithograph in beige and blue on copperplate deluxe wove paper  Accession ID  1984.34.288

    Not on view