George Sugarman

American, 1912 - 1999

Displaying 13 - 21 of 21

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    Black and White

    George Sugarman, Tamarind Institute

    1965

    Lithograph (stone) in black on copperplate deluxe paper  Accession ID  1984.34.958

    Not on view
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    Litho Drawing II

    George Sugarman, Tamarind Institute

    1965

    Lithograph (aluminum) in yellow, pink, black and light green-gray on white arches paper  Accession ID  1984.34.957

    Not on view
  • The image features geometric shapes and lines forming an abstract composition with bold use of color. Large purple forms outlined in brown against an orange background are intersected by lines, creating a pattern that may resemble letters or numbers. The design could hint at a logo or a modernist interpretation of typography.

    Yellow and Purple

    George Sugarman, Tamarind Institute

    1965

    Lithograph (aluminum) in violet and yellow-orange on white arches paper  Accession ID  1984.34.955

    Not on view
  • The image displays black looping lines on a bright yellow background. Below these lines is a larger, stylized trumpet or horn shape in yellow with black borders, creating an abstract composition suggesting musical instruments and flowing movement.

    Yellow and Black

    George Sugarman, Tamarind Institute

    1965

    Lithograph (zinc and aluminum) in yellow and blackon copperplate deluxe paper  Accession ID  1984.34.960

    Not on view
  • This is a drawing of handwritten text on a light-colored background. The phrases are written in a slightly darker tan hue and are arranged in a poetic manner. The text reads: "TAKE ME TO THE WORLD WHERE I NEVER KNOW. GOWANN. FABONN GOWANN. WHITE WITHOUT WHITE WHITE WITHIN WHITE. GOD! IT'S ALREADY IN THE MORNING. KABONN GOWANN KABONN. QUIET WHITE SOUND OF LOVE. KIMIJI AKAGAWA" The text appears to be created by hand, possibly with a brush or flowing pen. A signature is present at the bottom of the image.

    Poem

    George Sugarman, Tamarind Institute

    1965

    Lithograph (aluminum) in orange-beige on buff arches paper  Accession ID  1984.34.951

    Not on view
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    Red and White

    George Sugarman, Tamarind Institute

    1965

    Lithograph (stone) in red on crisbrook waterleaf paper  Accession ID  1984.34.949

    Not on view
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    The Second Green, White and Orange

    George Sugarman, Tamarind Institute

    1965

    Lithograph (aluminum) in orange and green on crisbrook waterleaf paper  Accession ID  1984.34.954

    Not on view
  • There are bold, jagged shapes intersecting across the canvas. An abstract assembly of sharp, angular, red shapes is on a chaotic grey and white backdrop. The top section features abstract shapes resembling a stylized row of footprints or stones, creating a layered effect. The visual elements collectively evoke objects like interlocking chains and lightning bolts in an abstract composition.

    Red, White and Grey

    George Sugarman, Tamarind Institute

    1965

    Lithograph (aluminum) in red and gray on white arches paper  Accession ID  1984.34.956

    Not on view
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    Purple and White

    George Sugarman, Tamarind Institute

    1965

    Lithograph (aluminum) in blue-violet on white arches paper  Accession ID  1984.34.969

    Not on view