Kenneth Tyler

Tyler, Kenneth E.
Tyler, Ken

American, born 1931

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  • This image is a minimalist line drawing featuring a person lying down in a reclining position. The drawing shows the upper body of the figure with emphasis on the head and hand. The facial features are depicted with simple lines, with curly or wavy hair falling around the head. The clothing is suggested with a few lines against the body. There are no visible jewelry or objects being held, and the background is plain with a suggestion of a corner in the top right quadrant. The composition uses negative space and sparse lines to create a serene and uncluttered look.

    Reclining Nude from Of Nature, Of Man

    Peter Takal, Kenneth Tyler, Tamarind Institute

    1963/1964

    One from a portfolio of 20 lithographs on wove arches paper  Accession ID  1964.8.1587.3

    Not on view
  • The image depicts an artistic sketch of a person's upper back, shoulders, and head, with the head turned away from the viewer. The subject is positioned upright, with the head slightly tilted to one side. The hair is styled in a loose, voluminous updo, with soft curls visible at the edges. The facial features are not visible as the person is turned away, showcasing the back of the head and neck. The person is wearing a garment with a high collar, patterned with a series of fine dots. The background is plain and neutral.

    Head of a Woman from Of Nature, Of Man

    Peter Takal, Kenneth Tyler, Tamarind Institute

    1963/1964

    Lithograph in brown and black from a portfolio of 20 lithographs on wove bfk rives paper  Accession ID  1964.8.1587.15

    Not on view
  • The image depicts a composition of flowing lines and textured areas creating movement across the canvas. The lines converge to form shapes resembling a delicate silhouette, possibly a seated figure or the contours of a face in profile, with softer, blurred edges suggesting transient motion. The overall impression could evoke drifting fabric or gentle contours of nature blending into the background, enhancing the abstract quality of the scene.

    Eclipse from Of Nature, Of Man

    Peter Takal, Kenneth Tyler, Tamarind Institute

    1963/1964

    One from a portfolio of 20 lithographs on wove bfk rives paper  Accession ID  1964.8.1587.18

    Not on view
  • The image shows swirling lines and circular shapes forming an abstract outline of a human head in profile. The patterns within the head include spirals and cross-hatched textures, resembling intricate jewelry or ornate headgear. The depiction suggests a figure wearing an elaborate hat or helmet, with bold outlines and detailed textures similar to ancient cultural carvings or engravings.

    Head I

    Kenneth Tyler, Tamarind Institute

    1963

    Lithograph (zinc and stone) in gold, ochre and brown-black on white arches paper  Accession ID  1984.34.1069

    Not on view
  • The image features a combination of broad rectangular shapes and irregular lines overlapping and intersecting in an abstract manner. The shapes have a rough, textured quality resembling natural elements like tree bark or geographical maps with uneven terrain. Dark and light contrasts highlight the rugged texture, resembling stone surfaces or wood grain patterns. The abstraction prompts a reflection on natural and organic forms in the environment.

    Untitled

    Louise Nevelson, Kenneth Tyler, Tamarind Institute

    1963

    Lithograph in black on nacre wove paper  Accession ID  1984.34.433

    Not on view
  • The image shows a torn-paper silhouette with a light brown shape against a dark background. Prominent spiral lines abstractly extend from the left side. The spirals resemble curls of hair against the profile of a woman's face. The swirling lines and textured background contribute to an abstract representation.

    Head III

    Kenneth Tyler, Kenneth Tyler, Tamarind Institute

    1963

    Color lithograph on wove bfk rives paper  Accession ID  2022.173.45

    Not on view
  • The image features an irregularly shaped form with rough edges, encircled by a textured, circular background. The central shape resembles an elongated, distorted silhouette. The surface of the shape is marbled with a mixture of blacks and yellows, with white, meandering lines. The circular backdrop has dappled gray and beige tones.

    Head II

    Kenneth Tyler, Tamarind Institute

    1963

    Lithograph (aluminum and zinc) in yellow, two beiges and two greens on white arches paper  Accession ID  1984.34.1070

    Not on view
  • The image shows overlapping rectangular and linear shapes in black and white. The central rectangular form is encased in a thick outline. Textured lines within and around the central shape suggest tree bark or stone carvings. White splashes highlight the rough texture. Darker areas frame the central forms, resembling curtains or a darkened sky.

    Untitled

    Louise Nevelson, Kenneth Tyler, Tamarind Institute

    1963

    Lithograph in black on nacre wove paper  Accession ID  1964.8.2442

    Not on view