Billy Al Bengston

American, 1934 - 2022

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  • The image features two overlapping circles with varied line densities. In the center, crosshatched lines form a shaded area, while the right side contains jagged, outlined shapes. This abstract composition suggests natural objects coming together.

    Players Dracula Undecimo

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone) in black on magnani italia paper  Accession ID  1983.18.281

    Not on view
  • The image shows a circular shape in a light tone at the center of a rectangular canvas that is mainly pale. The composition resembles a moon or sun peeking through thin clouds in a minimalist sky. The gradient adds a dream-like quality, with the circle serving as a focal point against the monochrome background.

    Winona's Dracula

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone) in light pearly-orange and light pearly-blue on calendered rives paper  Accession ID  1983.18.255

    Not on view
  • The image shows faint, curving, and overlapping lines forming an abstract pattern against a light background. The shapes resemble stylized letters or a word flipped upside down. The interaction of these shapes creates an impression similar to cloud formations or the waves of a mirage.

    Rocket Dracula Quinto

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone) in light pearly-gray on copperplate deluxe paper  Accession ID  1983.18.289

    Not on view
  • The image shows fine, parallel lines slanting across the canvas, creating a subtle texture. In the center, an abstract circular shape contains a delicate floral-like outline. The use of pink gives a soft character to the design, suggesting the presence of natural elements.

    Saga Dracula Segundo

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone and aluminum) in pink and green-gray on rives bfk paper  Accession ID  1983.18.261

    Not on view
  • The image is divided into three panels featuring unique abstract compositions. The left panel displays a cluster of overlapping ovals and rounded shapes with subtle lines creating a sense of depth. The central panel showcases a swirling pattern of faint lines and blurry textures. The right panel features a small cluster of dark lines.

    Players Dracula Grande

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone and aluminum) in black and gray on magnani italia paper  Accession ID  1983.18.283

    Not on view
  • The image shows layered dark shapes - a small square enclosed within a larger square, and a dark circle overlapping them at the center. The circular shape resembles the outline of a plant or flower, like a budding blossom or a leafy stem, in dim light. These geometric forms and the hint of a floral figure create symmetry in the composition that focuses on the center.

    Downtowner Dracula

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (zinc and aluminum) in yellow, beige and black on uncalendered rives paper  Accession ID  1983.18.249

    Not on view
  • ""

    Mecca Dracula

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone and aluminum) in gold-black and gray-black on german etching paper  Accession ID  1983.18.269

    Not on view
  • The image shows a large circle with faint red crosshatch lines creating an abstract texture inside. Inside the circle, there are shapes that resemble a flower or leaf-like form. The composition gives an abstract impression.

    Saga Dracula Primero

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone and aluminum) in pink and green-gray on rives bfk paper  Accession ID  1983.18.260

    Not on view
  • The image shows light, indistinct shapes on a pale background, forming patterns of soft and repetitive lines. There are vertical elements descending from clusters of rounded forms, creating an abstract composition. The scene has an ethereal quality, suggesting familiar objects like chandeliers, but not fully revealing them.

    Hi Hat Dracula

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone) in light pearly-gray on copperplate deluxe paper  Accession ID  1983.18.293

    Not on view
  • ""

    Sunset Marvel Dracula

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone and aluminum) in gray and pink on calendered rives paper  Accession ID  1983.18.252

    Not on view
  • The image displays a series of overlapping shapes, including a large circle with wave-like patterns in blue and beige tones. Surrounding the circle is a border filled with circular blotches, creating an abstract texture. In the center of the large circle is a silhouette resembling a child on a rocking horse. The composition features soft, blended tones, giving the impression of looking through layers of mist or clouds. The spherical shapes surrounding the central circle could be interpreted as bubbles or celestial bodies, enhancing the abstract nature of the piece.

    Royal Viking Dracula

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (zinc and aluminum) in silver-violet, yellow, two grays and orange on uncalendered rives paper  Accession ID  1983.18.244

    Not on view
  • ""

    Le Roi Dracula

    Billy Al Bengston, Tamarind Institute

    1968

    Lithograph (stone and aluminum) in two gold-blackson german etching paper  Accession ID  1983.18.270

    Not on view