James Boynton

Boynton, Jack

American, born 1928

Displaying 25 - 36 of 40

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  • The image shows an abstract composition with elongated pointed shapes enclosed within a square frame with a green border. The shapes are arranged in two parallel rows, with points facing different directions, forming a zigzag pattern. The interior of the shapes is filled with crosshatched lines, adding texture. The color palette includes shades of green and hints of blue.

    Portable Cave

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in green, dark brown and blue on german etching paper  Accession ID  1983.18.318

    Not on view
  • The image displays an abstract composition featuring a bold, serpentine line traveling through various colors above a textured gray area with swirling lines and a central darker path.

    Orbit Edged in Black

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in red, yellow, blue and two blacks on rives paper  Accession ID  1983.18.304.9

    Not on view
  • The image shows two large, textured objects resembling stone or fruit lying side by side within a rectangular frame. The color palette is monochromatic, utilizing shades of black and grey on a cream or light beige background. The objects are positioned centrally towards the bottom half of the frame, with shadows cast on the surface below them. The top portion of the image features a densely shaded background that adds contrast. The rectangular frame surrounds the entire composition.

    Untitled

    James Boynton, Tamarind Institute

    1967

    Lithograph (stone) in black on german etching paper  Accession ID  1983.18.338

    Not on view
  • The image displays a large rectangular black shape at the top, partially overlapped by an oval shape with an illustration of open lips and teeth. The design may evoke a TV screen or vintage radio with protruding dials on the right side. A textured area below resembles fur or carpet. The interplay of geometric forms and textures balances abstraction with recognizability.

    Big Channel in the Sky

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in silver and black on rives paper  Accession ID  1983.18.304.8

    Not on view
  • The image displays a large rectangular shape with interplay of light and dark areas, creating depth and texture on the left side. The abstract nature of the artwork is highlighted by its lack of distinct forms. In the center, there is a handwritten phrase, "Packaged Horizons on the Guided Tour to Oblivion.”

    Packaged Horizon, or a Guided Tour to Oblivion

    James Boynton, Tamarind Institute

    1967

    Portfolio w/ 10 color lithographs (stone, aluminum, and zinc) on rives paper  Accession ID  1983.18.304-313

    Not on view
  • The image features a rectangular shape with a smaller rectangle at the top. Below the center of the rectangle is an abstract, spiky form, while a fainter abstract shape appears below it. The composition is clean and minimalist, with the central shape as the focal point, evoking natural elements such as marine life or celestial bodies.

    Genesis

    James Boynton, Tamarind Institute

    1967

    Lithograph (stone and zinc) in violet-brown and blue on rives paper  Accession ID  1983.18.304.1

    Not on view
  • The image shows a central abstract shape resembling an inverted "U" composed of green and purple tones on a deep blue background. Below the shape is a textured, earthy brown area. Linear elements or pipes are connected to both sides of the image, with small geometric appendages that suggest mechanical parts.

    Snake

    James Boynton, Tamarind Institute

    1967

    Lithograph (stone and aluminum) in blue, yellow-green and violet on rives paper  Accession ID  1983.18.304.4

    Not on view
  • This is a painting of an abstract composition with a red pod-like shape against a dark green and brown background. The red shape resembles a stylized seed or pod, centrally placed within the upper part of the artwork. It has two symmetrical halves and is outlined by subtle purple shading. The background is split into two sections; the top section is a deep green with a textured appearance and the bottom section is a lighter green and brown area filled with swirling, abstracted forms. The overall composition suggests themes of nature and growth, rendered in an abstract style.

    Eve

    James Boynton, Tamarind Institute

    1967

    Lithograph (zinc and stone) in green, orange and violet on rives paper  Accession ID  1983.18.304.3

    Not on view
  • The image shows an abstract shape composed of stacked, irregular bands of colors within a rectangular frame. The shape tapers to a curved, pointed tip with sections filled with different hues from vibrant reds to earthy browns, greens, and white at the top, forming an abstract representation.

    Striped Wizard

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in green, yellow-ochre, violet and red on german etching paper  Accession ID  1983.18.324

    Not on view
  • The image displays intersecting vertical and horizontal lines forming a three-dimensional perspective box in pink, enclosing an abstract composition. Inside the box, there is a large irregular green shape with a circular cutout in the background and a collection of tall, thin cylindrical forms in the foreground.

    Tacks

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in green, violet and pink on german etching paper  Accession ID  1983.18.320

    Not on view
  • The image shows angular lines forming a box structure with a contrasting interior. Inside, there are two abstract shapes: one resembling crossed bones or a winged form, and the other resembling a spool or a bell with flattened sides. The artwork uses an abstract style with hazy color and texture, inviting viewers to interpret the forms.

    Condensed History of Art

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in blue, yellow-ochre and violet on german etching paper  Accession ID  1983.18.323

    Not on view
  • The image consists of a large rectangle. The upper part is solid yellow, while the lower part has a maroon texture. A horizontal abstract line divides the two sections. On the right edge, there is a form resembling a door handle or lever. The composition combines geometric forms with organic patterns, evoking imagery of machinery or landscapes.

    And Don't Come Back

    James Boynton, Tamarind Institute

    1967

    Lithograph (zinc, aluminum and stone) in yellow, violet and brown on rives paper  Accession ID  1983.18.304.6

    Not on view