John H. Hunter

American, born 1934

Explore selected works

See all 27 works of art
The image shows curving, wavy lines and irregular shapes that form an abstract scene with cartoonish figures. The shapes overlap and interconnect to create a busy gathering. Some figures resemble everyday objects like a person with a large, elongated head sitting at a table, while others look like bizarre creatures with exaggerated features. The setting evokes a lively social gathering, such as a cocktail party, with a surreal and playful interpretation.
John H. Hunter, Tamarind Institute, Going Hollywood VII, 1969, lithograph (stone and aluminum) in violet and yellow on calendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.678

Going Hollywood VII

John H. Hunter, Tamarind Institute · 1969 · lithograph (stone and aluminum) in violet and yellow on calendered Rives paper ·  Accession ID  1983.18.678

The image depicts three anthropomorphic figures around a table. The figures have exaggerated facial features and are dressed in a social setting. The shapes form whimsical characters with intricate lines and patterns. The figures are gathered around a teapot and dishware on the table, suggesting an afternoon tea scene.
John H. Hunter, Tamarind Institute, Going Hollywood III, 1969, lithograph (stone) in pink, gray, blue and violet on calendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.674

Going Hollywood III

John H. Hunter, Tamarind Institute · 1969 · lithograph (stone) in pink, gray, blue and violet on calendered Rives paper ·  Accession ID  1983.18.674

The image shows an abstract composition with swirling lines and interlocking shapes in blue and orange that fill the entire canvas. Various shapes resemble familiar objects, such as a figure resembling a poodle with large glasses in the center and an octopus with human-like features in the lower portion. Additionally, fragmented facial features and animal-like forms are dispersed throughout the artwork.
John H. Hunter, Tamarind Institute, Fiji, 1969, lithograph (zinc and stone) in two oranges, violet-pink and light blue on uncalendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.687

Fiji

John H. Hunter, Tamarind Institute · 1969 · lithograph (zinc and stone) in two oranges, violet-pink and light blue on uncalendered Rives paper ·  Accession ID  1983.18.687

The image shows swirling lines and shapes creating an abstract composition. There is a figure with a cap holding a red book. Another form resembles an animal with a snout and floppy ears. Both figures are surrounded by intricate patterns and textures resembling foliage, bubbles, or smoke. Blue and pink tones give the scene a dreamlike quality.
John H. Hunter, Tamarind Institute, The Fuzz on the Strip, 1969, lithograph (zinc and stone) in two pinks, violet and light blue on uncalendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.690

The Fuzz on the Strip

John H. Hunter, Tamarind Institute · 1969 · lithograph (zinc and stone) in two pinks, violet and light blue on uncalendered Rives paper ·  Accession ID  1983.18.690

This is a lithograph featuring a dedication page. The central focus is on a piece of text describing the creation and purpose of a suite of lithographs, handprinted at Tamarind in February 1969. The text humorously claims that the stones and plates have been effaced, with printers and curators shipped off. It is dedicated to "those brave, heroic, unchicken people!" and includes several signatures at the bottom. On the right is a green-toned illustration of a character in clothing resembling a historical figure, with an elaborate hat, rendered in a pointillism technique.
John H. Hunter, Tamarind Institute, Going Hollywood X, 1969, lithograph (stone) in three blended greens on calendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.681

Going Hollywood X

John H. Hunter, Tamarind Institute · 1969 · lithograph (stone) in three blended greens on calendered Rives paper ·  Accession ID  1983.18.681

The image shows a large oval shape with a pink to purple gradient on an orange background. It is surrounded by various intricate illustrations and doodles of humanoid figures, faces, and patterns, resembling a surreal comic or storybook scene.
John H. Hunter, Tamarind Institute, Proud Livery, 1969, lithograph (zinc, aluminum and stone) in orange, green, two pinks, two reds, two violets, blue and yellow on Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.693

Proud Livery

John H. Hunter, Tamarind Institute · 1969 · lithograph (zinc, aluminum and stone) in orange, green, two pinks, two reds, two violets, blue and yellow on Rives paper ·  Accession ID  1983.18.693

The image depicts an abstract composition of curved and jagged lines. In the center, a figure with an elongated nose and a tall, ornate hat holds a long staff. To the left, a dripping candle melts endlessly. The background shows distorted architecture and a street sign labeled "Vine St." Mushrooms, clouds, and colorful splashes are also present in the illustration.
John H. Hunter, Tamarind Institute, Going Hollywood IX, 1969, lithograph (stone) in pink, gray, blue and violet on calendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.680

Going Hollywood IX

John H. Hunter, Tamarind Institute · 1969 · lithograph (stone) in pink, gray, blue and violet on calendered Rives paper ·  Accession ID  1983.18.680

The image shows amorphous, wavy lines and shapes in an abstract composition. Among the forms are two large, cloud-like contours resembling cartoonish faces with exaggerated features. The shapes suggest whimsical, anthropomorphic figures engaged in conversation. One figure appears to be handing a frothy mug to the other. Interspersed are smaller elements like vertical lines resembling skyscrapers or abstract architectural forms.
John H. Hunter, Tamarind Institute, International High Life Society, 1969, lithograph (stone) in brown-green on calendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.694

International High Life Society

John H. Hunter, Tamarind Institute · 1969 · lithograph (stone) in brown-green on calendered Rives paper ·  Accession ID  1983.18.694

The image displays abstract lines and shapes forming a surreal scene. A large, cloaked figure is at the center, surrounded by various abstract shapes including animal features and a window-like drawing. An elongated shape reminiscent of smoke or a cloud stands in the foreground. Additional elements include a dancing rabbit-like creature, a man's profile, and swirling designs. Soft pastel colors like purple and yellow are used throughout the artwork.
John H. Hunter, Tamarind Institute, Going Hollywood IV, 1969, lithograph (stone and aluminum) in violet and yellow on calendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.675

Going Hollywood IV

John H. Hunter, Tamarind Institute · 1969 · lithograph (stone and aluminum) in violet and yellow on calendered Rives paper ·  Accession ID  1983.18.675

There are three characters in the image. The central figure is tall with a long neck, a big nose, large lips, curly hair, and prominent ears. They wear a long robe with patterns down the front and lean slightly forward. To the left, a seated character wears a large hat with tassels, while to the right, another figure rests their head on their hand on a rounded chair. The setting includes a lamp with a pull chain, a small door, and a patterned rug on the floor. A speech bubble from the tall figure says, "KID, AHA' GONNA MAKE YEZ A STAR!"
John H. Hunter, Tamarind Institute, Going Hollywood VI, 1969, lithograph (stone) in three blended greens on calendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.677

Going Hollywood VI

John H. Hunter, Tamarind Institute · 1969 · lithograph (stone) in three blended greens on calendered Rives paper ·  Accession ID  1983.18.677