Francesco Clemente

The image shows a book spread with pages of text and a large golden knot motif at the bottom. There are two pages filled with printed text, and a large golden knot design at the lower center of the spread. In the lower right corner, there is a small rectangular image with an abstract black and white design. The pages likely contain fictional narrative or excerpts from a literary work, combining text with visual elements.

Plate (folio 7, side B, verso and recto) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in brown, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.7a

Not on view

The image shows a page of text with abstract, elongated shapes resembling lines or tendrils extending outward from the left and bottom edges of the text to the right side of the page. These shapes vary in thickness and curvature, creating an irregular texture. On the right side of the page, the lines swirl around in a vortex-like pattern, wrapping around the text. The repetition of these elongated abstractions gives the impression of movement.

Plate (folio 46, side B) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in black and orange, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.46

Not on view

The image has a central diamond-shaped composition with a prominent triangular line dividing its top section, surrounded by mirrored trapezoidal forms on both sides. It features shaded forms and textures resembling objects like tools or utensils scattered across a surface. The background contains reversed text and two rectangular orange blocks on the left and right.

Plate (folio 17, side B) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in orange and black, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.17

Not on view

The image features flowing, wavy lines forming a dynamic pattern within a square frame. A central shape resembling a small, pointed mound or swirling vortex is surrounded by bold black shades against a lighter background.

Plate (folio 13, side B, recto) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in black and white, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.13b

Not on view

The image features bold black lines and curves forming an abstract figure with legs spread wide. An outline of a face with minimal features is at the top center. The figure is superimposed over a background of textured shades of teal and aquamarine. Text is layered beneath the image. The overlapping lines and text create the appearance of a figure resting on waves or textured fabric.

Plate (folio 23, side B) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in green and black, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.23

Not on view

The image shows swirling lines and shapes coming together to form an intricate pattern. There are floral designs on the left and horizontal streaks on the right. Abstract figures resembling small creatures are present, along with faces and eyes subtly integrated into the composition.

Plate (folio 35, side B, recto) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

One from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.35b

Not on view

The image shows a page with text and colorful maritime signal flags. The page displays written text and organized rows of maritime signal flags on the left margin. The text describes a personal observation of ships or naval activities and reflects on childhood fascination with warships and other military apparatus. The flags are placed next to the text and may hold symbolic significance or provide additional encoded messages related to naval topics. The overall layout is clean, with a margin separating the text from the symbols, and the text is neatly aligned and legible.

Plate (folio 25, side B, verso) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Color lithograph from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.25a

Not on view

The image contains intricate lines and shapes forming an abstract pattern. Above this section is a figure with its head emerging above, with a curved line in the backdrop. The abstract portion resembles a detailed network, with smaller figures below connecting to the concept of Atlas from Greek mythology.

Plate (folio 32, side B, recto) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

One from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.32b

Not on view

This abstract composition features a central shape resembling a bowl or a shell filled with intricate curves and lines. The lines suggest veins or river streams, creating a pattern resembling waves or tree branches. The yellow background frames the shape with an uneven boundary, resembling a sunlit glow. Blocks of text interweave with the organic forms, creating a juxtaposition of flowing and structured elements. The overall scene can evoke images of reading by the seaside or recalling memories from a summer day, with the words appearing to float on an ocean within the illustration.

Plate (folio 4, side B, recto) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in yellow and blue, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.4b

Not on view

The image includes a large circular shape filled with black and white lines intersecting in an abstract fashion. Inside the circle are elements resembling a compass or calipers at the center. Surrounding the central image are blocks of text with sections highlighted in orange.

Plate (folio 16, side B) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in orange and black, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.16

Not on view

The image displays abstract shapes and dark flowing lines that suggest movement and complexity. At the top are shapeless forms resembling trees or mushroom umbrellas. In the center is an ambiguous form reminiscent of a textured, three-dimensional bowtie or enveloped organ, featuring intricate detail. Below are smaller abstract splatters and spots, resembling stones or stepping spots. These elements create an abstract landscape where viewers may recognize familiar forms from nature amidst layers of abstraction.

Plate (folio 28, side B, verso) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Color lithograph from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.28a

Not on view

The image features a large, looping abstract shape in the center, rendered in a thick, brown line. Surrounding the central shape is a sheet split into two columns, filled with text. In the bottom right corner, there is a small black and white illustration of a simplistic, abstract human-like figure sitting or resting.

Plate (folio 11, side B, verso and recto) from The Departure of the Argonaut

Francesco Clemente, Rolf Neumann, Petersburg Press

1983 - 1986, published 1986

Lithograph, printed in brown, from an illustrated book of 68 lithographs on okawara paper Accession ID 1986.57.1.11a

Not on view

Francesco Clemente

Plate (folio 7, side B, verso and recto) from The Departure of the Argonaut

Plate (folio 7, side B, verso and recto) from The Departure of the Argonaut

Plate (folio 46, side B) from The Departure of the Argonaut

Plate (folio 46, side B) from The Departure of the Argonaut

Plate (folio 17, side B) from The Departure of the Argonaut

Plate (folio 17, side B) from The Departure of the Argonaut

Plate (folio 13, side B, recto) from The Departure of the Argonaut

Plate (folio 13, side B, recto) from The Departure of the Argonaut

Plate (folio 23, side B) from The Departure of the Argonaut

Plate (folio 23, side B) from The Departure of the Argonaut

Plate (folio 35, side B, recto) from The Departure of the Argonaut

Plate (folio 35, side B, recto) from The Departure of the Argonaut

Plate (folio 25, side B, verso) from The Departure of the Argonaut

Plate (folio 25, side B, verso) from The Departure of the Argonaut

Plate (folio 32, side B, recto) from The Departure of the Argonaut

Plate (folio 32, side B, recto) from The Departure of the Argonaut

Plate (folio 4, side B, recto) from The Departure of the Argonaut

Plate (folio 4, side B, recto) from The Departure of the Argonaut

Plate (folio 16, side B) from The Departure of the Argonaut

Plate (folio 16, side B) from The Departure of the Argonaut

Plate (folio 28, side B, verso) from The Departure of the Argonaut

Plate (folio 28, side B, verso) from The Departure of the Argonaut

Plate (folio 11, side B, verso and recto) from The Departure of the Argonaut

Plate (folio 11, side B, verso and recto) from The Departure of the Argonaut

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