William T. Wiley

Animal Music for the Spheres [working proof 2]

William T. Wiley, Daria Sywulak

1996

color aquatint on Somerset paper (WP 2 – black aquatint of “cookie cutter shapes”, this plate also used in Cripples Discussing Cosmic Downsizing (After Brueghel), 1996) Accession ID 2024.132.738

Not on view

Cripples Frightened by Cosmic Downsizing (after Brueghel) [working proof 4]

William T. Wiley, Daria Sywulak

1996

color aquatint with flat bite etching, soft ground etching and drypoint on Somerset paper (WP 4 – dark blue aquatint and flat bite with more black soft ground on figures and various colored pen drawing. close to edition) Accession ID 2024.132.737

Not on view

Uninvolving Chance and to See What Was There

William T. Wiley

1996

aquatint, flatbite etching, and drypoint Accession ID 2011.119.153

Not on view

Cripples Frightened by Cosmic Downsizing (after Brueghel) [working proof 3]

William T. Wiley, Daria Sywulak

1996

color aquatint with flat bite etching, soft ground etching and drypoint on Somerset paper (WP 3 – dark blue aquatint and flat bite with black soft ground. various colors now on “cookie cutter shapes”) Accession ID 2024.132.736

Not on view

Cripples Discussing Cosmic Downsizing

William T. Wiley, Crown Point Press, Daria Sywulak, Dena Schuckit

1996

hardground etching with drypoint and aquatint in black on Hosho paper Accession ID 2001.142.117

Not on view

Cripples Frightened by Cosmic Downsizing (after Brueghel) [working proof 1]

William T. Wiley, Daria Sywulak

1996

color aquatint with flat bite etching, soft ground etching and drypoint on Somerset paper (WP 1 – black and purple aquatint with flat bite etching and black, red, and green ink drawing) Accession ID 2024.132.734

Not on view

Youth Frightened by Statistics, Time and Speed

William T. Wiley, Crown Point Press, Dena Schuckit, Daria Sywulak

1996

color hardground etching with aquatint on Somerset White textured paper Accession ID 2001.142.119

Not on view

Cripples (after Breughel) Discuss Cosmic Downsizing or Digital Reality and Time

William T. Wiley, Crown Point Press, Daria Sywulak, Dena Schuckit

1996

hardground etching with drypoint and aquatint in black on Hosho paper Accession ID 2001.142.118

Not on view

Cripples Frightened by Cosmic Downsizing (after Brueghel) [working proof 2]

William T. Wiley, Daria Sywulak

1996

color aquatint with flat bite etching, soft ground etching and drypoint on Somerset paper (WP 2 – black proof flat bite with soft ground figures added and various colored crayon and ink drawing) Accession ID 2024.132.735

Not on view

Pilgrim

William T. Wiley, Tamarind Institute

1994

lithograph in black and red on wove German etching paper Accession ID 2015.19.3516

Not on view

Gamma Flogged Hell Mitt

William T. Wiley

1991

mixed media on canvas on board Accession ID 2015.19.197

Not on view

Now Who's Got the Blueprints [working proof 8]

William T. Wiley

1989

aquatint and soft-ground etching with burnishing and drypoint on wove paper [working proof] Accession ID 1991.235.31

Not on view

William T. Wiley

Animal Music for the Spheres [working proof 2]

Animal Music for the Spheres [working proof 2]

Cripples Frightened by Cosmic Downsizing (after Brueghel) [working proof 4]

Cripples Frightened by Cosmic Downsizing (after Brueghel) [working proof 4]

Uninvolving Chance and to See What Was There

Uninvolving Chance and to See What Was There