Saul Steinberg

American, born Romania, 1914 - 1999

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  • The image shows abstract shapes and lines representing architecture, vehicles, and people. In the top section, there are detailed buildings resembling a town. Below are cloud-like shapes on wheels that suggest cars. At the bottom, elongated figures stand together, combining elements of fashion and personality.

    Untitled (Pedestrians and Bread Cars)

    Saul Steinberg

    1952

    Pen and black ink, watercolor, and graphite on paper cut-outs mounted to strathmore paper  Accession ID  2016.143.8

    Not on view
  • This is a drawing of three abstract figures. Each figure has an oval shape with a textured surface. They are standing on small bases, suggesting legs or trunks. The figures have facial features and fronds or antennae on their heads. The drawing is detailed with small lines, and there is a signature and date in the bottom right corner.

    Three Fur Coats

    Saul Steinberg

    1951

    Pen and black ink on wove paper  Accession ID  2016.143.6

    Not on view
  • The image shows a series of minimalist line drawings of figures with triangular heads and rectangular bodies in dynamic poses. The figures interact with stamped text and symbols like "APPROVED," "RUSH," "FRAGILE," and "TRIPLICATE" displayed in bold typography throughout the composition. The drawings feature exaggerated angular noses and suggest movement, resembling individuals engaged in activities related to handling packages, signs, stamps, and labels. The artwork evokes a busy mailing or stamping process, with the figures resembling workers managing various tasks and documents.

    Parade 2

    Saul Steinberg

    1950-1951

    Pen and black ink with fingerprint and rubber stamping on strathmore paper  Accession ID  2016.143.4

    Not on view
  • The image features swirling, elongated lines creating an abstract pattern. Small figures of people holding oversized quill pens are shown. One person is carrying a large, colorful flag with intricate designs. Grids resembling manhole covers or decorative grates are scattered throughout the scene. The fusion of abstract lines with recognizable elements connects the abstract with the real world.

    Parade 5

    Saul Steinberg

    1950-1951

    Pen and black ink, graphite, and watercolor on strathmore paper  Accession ID  2016.143.5

    Not on view
  • The sculpture depicts three abstract human figures portrayed through a combination of physical elements and two-dimensional drawings. The figures are seated on a bench-like structure, which itself forms part of the sculpture. This structure is rectangular and made of a solid material. The human figures are drawn on the wall directly above the bench, each represented by simple black line drawings. The central figure is drawn holding a newspaper, one on the left appears to be holding a paper, and the one on the right has a box placed on its lap. The linear style of the artwork continues on the wooden floor, where the figures' legs and shoes are drawn, connecting the wall art to the three-dimensional bench components. The sculpture creates an interplay between flat imagery and real-world space, engaging viewers with both the wall and the floor in a cohesive scene.

    Untitled

    Saul Steinberg

    1950

    Gelatin silver print  Accession ID  2017.119.1

    Not on view
  • This is a photograph of a drawing on a wooden floor. The drawing depicts an outline of a figure lying on the wooden floor, appearing to be a simplistic sketch of a person wearing a dress and shoes. The sketch is made with thick lines. Next to the sketch, there is a broom positioned to be part of the imagery. A piece of paper lies near the left hand of the sketched figure. The floorboards and the positioning of objects provide a sense of depth and perspective within the image.

    Untitled

    Saul Steinberg

    1950

    Gelatin silver print  Accession ID  2017.91.1

    Not on view
  • The image depicts a person standing in a poised position. They have their elbows on the back of a decorative chair, with one leg crossed over the other. The person has a stylized face with a prominent nose and curly hair flowing from underneath a tall hat adorned with feathers. They wear elaborate attire with puffed sleeves, intricate patterns, and pointed shoes. The person appears to wear earrings and possibly a necklace. The background is simple, with only floor lines, emphasizing the detailed illustration of the person and the chair.

    Belle I

    Saul Steinberg

    c. 1949-1954

    Pen and black ink on wove paper  Accession ID  2016.143.3

    Not on view
  • The image shows a large bottle labeled "Vichy France" on the left and a framed collection of items on the right. The color palette consists of muted earthy tones with accents of red and green. The bottle is positioned in the center-left portion of the image with the framed items to the right of it. Surrounding these main objects are various sketches and drawings, including architectural elements and a depiction of a figure on the lower right.

    Vichy Water Still Life

    Saul Steinberg

    c. 1953

    Collage of cut, torn, and pasted paper and printed paper; pen, brush, and ink; transparent and opaque watercolor; graphite; and colored pencil on wove strathmore paper  Accession ID  2016.143.11

    Not on view
  • The image displays an assortment of curving lines and angular shapes that form three abstract figures. These figures have elongated limbs and exaggerated features, resembling objects like feathers and flowers sprouting from their heads. The composition includes details like spirals and leaf-like patterns, creating a sense of individuals adorned with nature-inspired accessories. Each figure blends geometric and organic lines, suggesting whimsical characters, possibly dressed for an avant-garde gathering.

    Three Women II

    Saul Steinberg

    1945

    Pen and black ink on 3-ply wove paper  Accession ID  2016.143.1

    Not on view
  • The image shows an aerial view dominated by a large airplane silhouette in the upper left. There is a horizon with structures and a bridge below, while swirls depict a turbulent sky. The scene is rendered in black and white with bold brushstrokes, creating a sense of motion. In the background, there are simplified trees and architectural forms.

    Germany

    Saul Steinberg

    c. 1945

    Pen and black ink over graphite on wove paper  Accession ID  2016.143.2

    Not on view