Joan Mitchell

American, 1925 - 1992

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  • The image displays overlapping, scribbled lines and shapes in dark blue, black, and purple, with touches of bright green and magenta along the edges, creating an abstract effect.

    Bedford II

    Joan Mitchell

    1981

    Color lithograph on wove paper  Accession ID  1991.189.1

    Not on view
  • The image shows swirling lines and scribbles in shades of orange, black, and pink. There is a chaotic arrangement that resembles a nest or tangled yarn. The lines are sharp and intersecting, suggesting entangled threads or undergrowth. The contrast of colors creates a dynamic composition.

    Flower I

    Joan Mitchell

    1981

    Color lithograph on wove paper  Accession ID  1991.189.2

    Not on view
  • The image shows a collection of scribbled lines in black and orange, with various patterns and shapes. The composition gives the impression of movement and energy, resembling a tangle of lines meeting in different angles. The lower part includes vertical lines that could be seen as plant-like. The overall piece suggests a dynamic and abstract scene, potentially alluding to natural elements like clouds or vegetation.

    Flower II from Bedford Series

    Joan Mitchell, Tyler Graphics Ltd., Tyler Graphics Ltd., Roger Campbell, Lee Funderburg

    1981

    Lithograph on arches 88 paper  Accession ID  2022.35.29

    Not on view
  • The image shows an array of curved and jagged lines in purple and green against a white background. The abstract artwork consists of various strokes and scribbles.

    Sides of a River III from Bedford Series

    Joan Mitchell, Tyler Graphics Ltd., Tyler Graphics Ltd., Roger Campbell, Lee Funderburg

    1981

    Lithograph on arches 88 paper  Accession ID  2022.35.33

    Not on view
  • The image shows swirling, jagged lines and broad brushstrokes. The abstract composition includes a vibrant yellow backdrop, dark green, black, and touches of purple scribbles. The elements weave throughout the scene. The overlapping lines and bold color create an interplay between chaos and structure, evoking a sense of familiarity while maintaining its abstract nature.

    Sides of a River II from Bedford Series

    Joan Mitchell, Tyler Graphics Ltd., Tyler Graphics Ltd., Roger Campbell, Lee Funderburg

    1981

    Lithograph on arches 88 paper  Accession ID  2022.35.32

    Not on view
  • The top quarter of this horizontal abstract painting is dominated by bright, sunshine yellow over areas of sky blue, moss and forest green, and white below. The painting is made up of four vertical panels joined to make one long composition. Yellow dominates the leftmost panel over a field of pale blue marked with forest and spring green, teal, and yellow, mostly along the bottom edge of the canvas. The field of pale blue and white take up most of the space in the two center panels, with a band of yellow above and deep green marks below. In the rightmost panel, the blue field is more variegated with darker blues, shades of green, white, and yellow. Throughout, some of the colors are layered and sometimes they are applied next to each other. Thick and thin areas of paint and drips create a variety of textures on the surface of each panel. The artist signed this work in pencil in the lower right corner: “Joan Mitchell.”

    Salut Tom

    Joan Mitchell

    1979

    Oil on canvas  Accession ID  2014.136.135

    On View: East Building Upper Level, Gallery E407
  • ""

    1¢ Life

    Allan Kaprow, Eberhard W. Kornfeld, Maurice Beaudet, Joan Mitchell, Jean-Paul Riopelle, Claes Oldenburg, Kimber Smith, Sam Francis, Andy Warhol, Kurt R. Hoffmann Sonderborg, Tom Wesselmann, Enrico Baj, James Rosenquist, Walasse Ting, Mel Ramos, Various Artists, Bram Van Velde, Karel Appel, Roy Lichtenstein, Robert Indiana, Alfred Leslie, Reinhoud, Öyvind Fahlström, Alfred Jensen, Jim Dine, Alan Davie, Asger Jorn, Pierre Alechinsky, Robert Rauschenberg, Antonio Saura

    1964

    Portfolio of 62 color lithographs, 19 reproductions, and 61 poems, with colophon page  Accession ID  1992.37.1

    Not on view
  • The image displays bold, sweeping black brushstrokes and sharp, jagged lines interwoven across the canvas in an abstract composition. The mix of solid and fluid forms combined with overlapping and crossing strokes gives the impression of energy and dynamism.

    Untitled

    Joan Mitchell

    c. 1960

    Color screenprint on wove paper  Accession ID  1996.150.15

    Not on view
  • ""

    Untitled

    Joan Mitchell

    published 1960

    Color screenprint on handmade hahnemühle paper  Accession ID  1996.144.1.c

    Not on view
  • The image consists of thick, bold black brushstrokes overlapping on a white background, forming an abstract composition. The lines and marks create a dense, chaotic web or network, with some sections resembling splatters or dripping ink. The abstract nature suggests fleeting motion captured in a static form.

    Untitled

    Joan Mitchell

    c. 1960

    Screenprint in black on wove paper  Accession ID  1996.150.13

    Not on view
  • The image features swirling black lines intersecting and overlapping in a chaotic manner on a white canvas, with sporadic blue shapes dispersed throughout. The arrangement creates movement and the blue elements suggest flowing water. The composition is an abstract representation that captivates attention with its interplay of shapes and colors.

    Untitled

    Joan Mitchell

    c. 1960

    Color screenprint on wove paper  Accession ID  1996.150.16

    Not on view
  • ""

    The Poems

    Joan Mitchell, John Ashbery

    published 1960

    Bound volume with 5 color screenprints (including front cover) with title page and colophon page on handmade hahnemühle paper  Accession ID  1996.144.1.a-e

    Not on view