Robert Riggs

American, 1896 - 1970

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  • This is a drawing of an urban street scene. The sidewalk is crowded with people engaging in various activities in front of a storefront that appears to be a cigar store. The street is lively with people walking in different directions. The store front features an awning and signs. Details include textures and shadows, suggesting a play of light that adds depth to the scene. Shadows are cast on the ground, signifying a sunny day. Architectural elements and signage provide context to the setting.

    Germantown & Chelten

    Robert Riggs, George C. Miller

    c. 1950

    Lithograph in black on wove paper  Accession ID  2008.115.247

    Media for this artwork is unavailable and the object is not on view.
  • The image shows a horse-drawn wagon moving through a dark, stormy atmosphere. The horizon is low, with the figures silhouetted against it. The horses and wagon are prominent, with two figures riding on the wagon and one leading the horses. Another person stands slightly to the right. The brushstrokes or shading technique creates a somber, moody texture. The color palette is monochromatic, dominated by shades of gray and black. The composition emphasizes the movement of the wagon through the environment.

    Dust Storm

    Robert Riggs

    c. 1941

    Lithograph in black on wove paper  Accession ID  2018.37.7

    Media for this artwork is unavailable and the object is not on view.
  • This is a drawing of a scene inside a room with barred windows. The room is filled with figures engaged in various poses and gestures, suggesting agitation and unrest. The figures are dressed in loose, draped clothing, and their expressions and postures convey distress, confusion, and a lack of coordination. Some figures are bent over, others have their arms outstretched, and a few appear to be interacting with one another in distressful ways. The play of light and shadow adds to the somber atmosphere, with stark contrasts emphasizing the emotional weight captured in the drawing.

    Psychopathic Ward

    Robert Riggs

    c. 1940

    Lithograph in black on wove paper  Accession ID  2018.37.6

    Media for this artwork is unavailable and the object is not on view.
  • The image shows two children lying on hospital beds. The child on the left is lying slightly elevated, facing towards the right. They have short hair and are holding a toy gun, with their eyes closed. The child on the right is lying flat on their back with medium-length hair and bangs, looking upwards. Both children are wrapped in white sheets or blankets, and there are papers or magazines scattered around. In the background, an older individual is seated and a child is standing at a railing looking at the scene. The room has a dark ambiance with minimal light and heavy drapery.

    Children's Ward

    Robert Riggs

    c. 1940

    Lithograph in black on wove paper  Accession ID  2018.37.10

    Media for this artwork is unavailable and the object is not on view.
  • This is a drawing of elephants performing in a circus ring. It shows a large group of elephants posing dramatically as part of a circus act, adorned with decorative gear. Bass drums lie at the edge of the ring. The black and white rendering highlights the forms and expressions of the elephants clearly. The setting features circus props and performers interacting with the animals.

    Elephant Act

    Robert Riggs, George C. Miller

    c. 1935

    Lithograph in black on wove paper  Accession ID  1991.116.126

    Media for this artwork is unavailable and the object is not on view.
  • This painting shows a boxing match scene with a knockout. One boxer is standing dominantly over the other, who is falling backwards. The crowd around the ring displays various expressions. Light and shadow emphasize the muscular forms of the fighters and the dynamic energy of the scene. The viewer can sense the suspense and intensity of the moment as the standing boxer looms large over the fallen opponent within the ring. The style is reminiscent of George Bellows, known for energetic depictions of urban life and physicality.

    One-Punch Knockout

    Robert Riggs, George C. Miller

    c. 1934

    Lithograph in black on wove paper  Accession ID  2008.115.245

    Media for this artwork is unavailable and the object is not on view.
  • This is an image showing an acrobatic circus scene with animal costumes and musical elements. The scene is set on a stage inside a circus tent. In the center, several acrobats are performing different poses on a tiered platform. Surrounding them are onlookers and participants in animal costumes, such as a pig and possibly a bear, wearing sailor-like clothing. Musicians playing large brass instruments can be seen on one side. The audience is watching attentively, and the stage is brightly lit with overhead lamps. The artwork uses dramatic lighting and shadows to create depth and motion, enhancing the theatrical ambiance of the scene.

    Tumblers

    Robert Riggs, George C. Miller

    c. 1934

    Lithograph in black on wove paper  Accession ID  2008.115.249

    Media for this artwork is unavailable and the object is not on view.
  • This is an illustration of a boxing match. The image depicts a moment in a boxing ring with two athletes engaged in a match. One fighter is attacking the opponent who is pushed against the ropes. The audience is shown cheering in the foreground and background. The drawing is done in a monochromatic style, highlighting the shadows and highlights to show the intensity and movement of the scene.

    On the Ropes

    Robert Riggs, George C. Miller

    c. 1932-1933

    Lithograph in black on wove paper  Accession ID  2008.115.246

    Media for this artwork is unavailable and the object is not on view.
  • This is a painting of a boxing ring scene with figures preparing for a match. The artwork captures a moment of anticipation as individuals within a boxing ring and spectators around it, engage in the pre-fight atmosphere. The painting is dimly lit, highlighting the textures of shadows and light on the figures. The central focus is on a figure in a robe with another person attending to them. The background features ropes of the boxing ring contrasting against the dark surroundings. Observers line the bottom right, partially illuminated and watching intently. The floor of the ring has a rough texture, conveying a sense of depth and realism. The painting is done in the style of George Bellows, known for dramatic portrayals of urban scenes and sporting events.

    Trial Horse

    Robert Riggs

    1932

    Lithograph in black on wove paper  Accession ID  2018.37.5

    Media for this artwork is unavailable and the object is not on view.
  • This is a painting of a dimly lit room with several people engaged in various activities. The painting depicts a scene with a woman tending to someone lying down, while various figures around the room are in conversation or resting. The dark tones and highlights suggest a focus on health and care, creating a somber yet compassionate atmosphere. The figures are dressed in historical attire.

    Florence Nightingale

    Robert Riggs

    c. 1936

    Lithograph in black on wove paper  Accession ID  2018.37.8

    Media for this artwork is unavailable and the object is not on view.
  • The image shows two men on a raised boxing ring. The man on the right is leaning on the ropes, with his upper body bent forward. He has a muscular build, short hair, and is draped with a patterned fabric. The man on the left is standing slightly behind him and holding the fabric. He is bald with distinct facial features and wearing a plain short-sleeve shirt. The background shows an indistinct crowd of spectators at a boxing match. The lighting emphasizes the subjects, casting deep shadows around them.

    Club Fighter

    Robert Riggs, George C. Miller

    c. 1933-1934

    Lithograph in black on wove paper  Accession ID  2015.19.1359

    Media for this artwork is unavailable and the object is not on view.
  • The illustration depicts a crowded scene at an indoor swimming pool. Numerous young people are shown standing, sitting, and diving, with some on benches and stairs. Others are swimming in the pool. The foreground and midground show individuals with various short haircuts, facial features, and positions. The figures are unclothed and immersed in the crowd near and in the pool. No jewelry or objects are prominent. The background includes a brick wall with windows, signage, and depth level numbers. A single high-mounted light fixture provides illumination.

    Pool (Boys Bathing)

    Robert Riggs

    c. 1933

    Lithograph in black on wove paper  Accession ID  2018.37.9

    Media for this artwork is unavailable and the object is not on view.