Pat Steir

Waterfall [working proof 3]

Pat Steir, Brian Shure

1988

Spit bite aquatint, hardground, softground, drypoint on somerset paper (wp 3 –spit bite and sugar lift aquatints in yellow, blue, green and pink) Accession ID 2024.132.634

Not on view

The image showcases swirling lines and spiral shapes that create a sense of movement and depth. The abstract artwork conveys dynamic energy, with shapes resembling flowers from a close perspective. Vibrant colors like pink, green, yellow, and blue are used in the circular lines and petal-like shapes, giving it an organic appearance reminiscent of botanical patterns.

Sunflower

Pat Steir, Crown Point Press

1986

Color woodcut on echizen-mashi paper Accession ID 1998.40.471

Not on view

The image features swirling and curling lines flowing in wave-like patterns across the composition. The abstract artwork creates a sense of movement through its intricate curves and overlapping lines. The forms evoke patterns seen in water currents or stormy weather, with intertwining lines and a blend of colors suggesting the dance of nature. Splashes of blue and orange resemble seafoam or clouds in motion.

The Wave - From the Sea - After Leonardo

Pat Steir, Crown Point Press

1985

Aquatint, soft and hardground etching, drypoint, and soapground etching on somerset satin roll paper Accession ID 1997.8.206

Not on view

The image shows an abstract composition with sweeping lines that are curved and overlapping, creating a dense tapestry of marks. The lines are predominantly black and grey, with hints of blue.

Christ Calming the Storm (after Ensor)

Pat Steir

1984

Charcoal, graphite, and opaque watercolor with scraping and rubbing on wove paper Accession ID 2022.34.10

Not on view

The image displays multiple rectangles filled with intersecting lines and swirling forms of various colors. The composition features vibrant hues of blue, red, and yellow, with red and blue lines interweaving across a gridded background. The shapes and patterns evoke a sense of complexity and movement. The use of grid lines hints at a connection to technical drawings or a geometric framework, coupled with freeform, organic markings.

The Tree after Hiroshige

Pat Steir, Crown Point Press

1984

Color aquatint, softground and hardground etching, and drypoint on arches paper Accession ID 1998.40.472

Not on view

The image shows a grid overlaying various abstract elements with intersecting lines, shapes, and vibrant colors. Bold red X marks interrupt the grid's rhythm. Circles and squares are nestled within shaded areas. Angular lines converge to form pyramid-like structures alongside cubes. Organic, swirling patterns burst with colors. The composition juxtaposes structured grids with frenetic brush strokes and hues.

Kyoto Chrysanthemum

Pat Steir, Crown Point Press

1982

Woodcut on kozo paper Accession ID 1997.8.207

Not on view

There are nine shapes arranged in a 3x3 grid with textured red backgrounds. The top row has a triangle, square, and circle. The middle row has a triangle, square, and semicircle. The bottom row has a rhombus, pentagon, and circle. At the bottom of the image, the word "ABSTRACTION" appears upside down.

Abstraction, Belief, Desire [working proof 16 for panel A]

Pat Steir, Hidekatsu Takada

1981

Aquatint, hardground, softground, spit bite, drypoint on arches paper (panel a wp 16 – sugar lift and spit bite aquatint in red and light red) Accession ID 2024.132.659

Not on view

The image is divided into three vertical sections. The first section contains various geometric shapes in a red panel. The middle section features overlapping shapes like a yellow pyramid, blue cube, and red circular forms on a multi-colored, scribbled background. The third section depicts swirly, scribbled lines forming complex textures, hinting at a scene resembling a busy park or chaotic nature setting. Each section uses abstract symbols and forms to hint at familiar objects while overall remaining abstract.

Abstraction, Belief, Desire

Pat Steir, Crown Point Press

1981

Aquatint, hard and softground etching, and drypoint on arches 88 paper Accession ID 1997.8.208

Not on view

This image features a complex scene with geometric structures, abstract forms, and recognizable elements. The image includes a grid of geometric lines and loosely rendered sketches, with a band of gradient shading at the top. Throughout the grid, abstract forms unite into discernible objects. In the lower section, a figure with facial features emerges from a mesh of crosshatching and lines. Above this figure, an arrangement of lines and shapes suggests an abstracted interior scene with a table holding objects resembling a bouquet and circular forms. The center of the composition focuses on an abstract shape that could suggest a mountain or draped cloth, creating a sense of depth and perspective within the structured chaos. Lines cut through the drawing, emphasizing direction and structure, blending organic and geometric elements with constructivist influences.

Abstraction, Belief, Desire [working proof 9 for panel C]

Pat Steir, Hidekatsu Takada

1981

Aquatint, hardground, softground, spit bite, drypoint on arches paper (panel c wp 9 –hard ground etching in black, aquatint in black to light black to grey) Accession ID 2024.132.664

Not on view

The image shows a variety of geometric shapes, including two large, overlapping circles, a blue rectangular prism, and several triangular forms, all set within a gridded background. The composition is abstract, with vibrant splashes of red, yellow, and blue paint that give the impression of motion and energy. The two circles, triangular shapes, and blue prism are depicted in the artwork, along with the "O" and "X" at the top.

Abstraction, Belief, Desire [working proof 7 for panel B]

Pat Steir, Hidekatsu Takada

1981

Aquatint, hardground, softground, spit bite, drypoint on arches paper (panel b wp 7 – aquatint, spit bite, sugar lift and hard ground in blue, red, yellow, turquoise and grey) Accession ID 2024.132.660

Not on view

The image features an array of geometric shapes and dynamic lines. It is abstract in nature, with overlapping circles, a rectangular form, and triangular shapes. The artwork includes a chaotic blend of splattered paint and intersecting lines. Bold colors and diverse patterns are used in a lively manner.

Abstraction, Belief, Desire [working proof 9 for panel B]

Pat Steir, Hidekatsu Takada

1981

Aquatint, hardground, softground, spit bite, drypoint on arches paper (panel b wp 9 – drypoint, aquatint, sugar lift, spit bite and hard ground in red, yellow, blue, dark brown to light brown, turquoise with a cut from the paper upper right side) Accession ID 2024.132.661

Not on view

The image is an abstract composition with intersecting grid lines overlaid on chaotic lines and colors. Two human-like figures with flowing hair are depicted, resembling seated sculptures. In the background, lines suggest a structure reminiscent of ancient architecture or a grand hall. Predominant colors include reds, greens, and yellows, adding depth to the abstract scene.

Abstraction, Belief, Desire [working proof 11 for panel C]

Pat Steir, Hidekatsu Takada

1981

Aquatint, hardground, softground, spit bite, drypoint on arches paper (panel c wp11 –hard ground etching in brick red, sugar lift aquatint in coral pink, mint green, yellow, aquatint in brick red to light red) Accession ID 2024.132.666

Not on view

Pat Steir

Waterfall [working proof 3]

Waterfall [working proof 3]

Sunflower

Sunflower

The Wave - From the Sea - After Leonardo

The Wave - From the Sea - After Leonardo

Christ Calming the Storm (after Ensor)

Christ Calming the Storm (after Ensor)

The Tree after Hiroshige

The Tree after Hiroshige

Kyoto Chrysanthemum

Kyoto Chrysanthemum

Abstraction, Belief, Desire [working proof 16 for panel A]

Abstraction, Belief, Desire [working proof 16 for panel A]

Abstraction, Belief, Desire

Abstraction, Belief, Desire

Abstraction, Belief, Desire [working proof 9 for panel C]

Abstraction, Belief, Desire [working proof 9 for panel C]

Abstraction, Belief, Desire [working proof 7 for panel B]

Abstraction, Belief, Desire [working proof 7 for panel B]

Abstraction, Belief, Desire [working proof 9 for panel B]

Abstraction, Belief, Desire [working proof 9 for panel B]

Abstraction, Belief, Desire [working proof 11 for panel C]

Abstraction, Belief, Desire [working proof 11 for panel C]

West Building

East Building

Sculpture Garden

Pat Steir

Results

West Building

East Building

Sculpture Garden

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