John Cage

American, 1912 - 1992

Displaying 13 - 24 of 108

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    11 Stones 2

    John Cage, Pamela Paulson, Crown Point Press

    1989

    Color spitbite aquatint and sugarlift on smoked whatman paper  Accession ID  1996.93.57

    Not on view
  • The image shows vertical black rectangles of different lengths on a textured gray background. The rectangles are arranged irregularly.

    Global Village 37-48 [bottom]

    John Cage, Pamela Paulson, Crown Point Press

    1989

    Bottom section of 2 parts: aquatint in black on smoked roma fabriano - tan paper  Accession ID  1996.93.63.b

    Not on view
  • The image shows vertical lines and rectangles with different lengths and thicknesses on a textured brown background.

    Global Village 1-36 [bottom]

    John Cage, Crown Point Press, Renée Bott

    1989

    Bottom section of 2 parts: aquatint, roulette, and drypoint on smoked brown roma fabriano paper  Accession ID  1996.57.1.b

    Not on view
  • The image shows irregular, overlapping loops and circular shapes in different colors against a textured background. The loops and circles are intertwined, with swirling lines and smudges around them. The circles are more concentrated in the lower left corner.

    11 Stones

    John Cage

    1989

    Color spitbite aquatint and sugarlift on smoked whatman paper  Accession ID  1996.93.58

    Not on view

  • 75 Stones

    John Cage, Pamela Paulson, Crown Point Press

    1989

    Color spitbite aquatint and sugarlift aquatint on smoked somerset textured white paper  Accession ID  1996.93.66

    Not on view
  • The image shows an array of vertical black lines of varying lengths scattered across a light brown background, creating an abstract pattern.

    Global Village 1-36 [bottom]

    John Cage, Pamela Paulson, Crown Point Press

    1989

    Bottom section of 2 parts: aquatint in black on smoked roma fabriano - brown paper  Accession ID  1996.93.64.b

    Not on view
  • The image shows overlapping circles and square-like shapes primarily at the bottom. The circles vary in colors such as red, gray, green, and blue, with faint pink and yellow lines. There are scattered, hazy smudges in the background.

    10 Stones

    John Cage, Pamela Paulson, Crown Point Press

    1989

    Color spitbite aquatint and sugarlift on smoked whatman paper  Accession ID  1996.93.60

    Not on view
  • The image shows irregular ovals and circles overlapping to form an abstract composition resembling a loosely arranged stack of rings or pebbles. The shapes are in varying colors such as dark brown, maroon, olive, and muted blue. The background has soft, blurred, and indistinct pale grayish tones that contrast with the bold shapes in the foreground.

    9 Stones 2

    John Cage, Pamela Paulson, Crown Point Press

    1989

    Color spitbite aquatint and sugarlift on smoked whatman paper  Accession ID  1996.93.61

    Not on view
  • The image displays various lines and organic shapes on a neutral background. The composition features forms resembling loops of ribbon, incomplete circles, and fluid brushstrokes. Some shapes and lines interweave, while others stand distinctly, resembling leaves, pathways, or fluid forms.

    The Missing Stone

    John Cage, Pamela Paulson, Crown Point Press

    1989

    Color spitbite aquatint and sugarlift aquatint on smoked somerset textured white paper  Accession ID  1996.93.67

    Not on view
  • The image shows swirling shapes and intricate lines blending together across the canvas. The artwork has a textured and mottled appearance, mainly in shades of earthy browns and beiges. There are organic forms that might resemble a rugged landscape or leaf veins. Three vertical black lines near the bottom provide a stark contrast to the softer tones.

    Where There is Where There - Urban Landscape

    John Cage, Marcia Bartholme, Crown Point Press

    1987-1989

    Monotype on stonehenge paper  Accession ID  1996.94.27

    Not on view
  • The image displays soft, swirling lines and diffused shapes creating an abstract composition. These shapes blend seamlessly, resembling clouds or smoke. The earthy tones and subtle textures give the appearance of a weathered surface or antique parchment. The overall effect is tranquil and enigmatic, capturing the essence of abstraction.

    Variations

    John Cage, Pamela Paulson, Crown Point Press

    1987

    Smoked monotype with branding on farnsworth paper  Accession ID  1996.94.25

    Not on view
  • The image displays various organic shapes and intricate lines creating a fluid composition with soft, swirling patterns. The abstract artwork showcases delicate textures, muted tones, and ethereal forms. A triangular beige shape is present at the bottom of the image.

    Déka

    John Cage, Renée Bott, Crown Point Press

    1987

    Monotype on kozo kizuki paper  Accession ID  1996.94.26

    Not on view