Richard Tuttle

American, born 1941

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  • ""

    Artists for Obama [special proof]

    Various Artists, John Baldessari, Jonathan Borofsky, Frank Gehry, Ann Hamilton, Jasper Johns, Ellsworth Kelly, Brice Marden, Julie Mehretu, Ken Price, Ed Ruscha, Richard Serra, Susan Rothenberg, Richard Tuttle, Gemini G.E.L.

    2008

    Portfolio of eight lithographs and five etchings (one with aquatint) on wove paper  Accession ID  2009.69.1.1-13

    Not on view
  • The image shows a series of stacked squares in a vertical column. Some squares are shaded and others are blank, forming an abstract checkerboard pattern. The central column is framed by textured, swirling lines that radiate outward.

    Word of Mouth from Artists for Obama

    Richard Tuttle, Case Hudson, Case Hudson

    2008

    Drypoint printed chine collé on wove somerset paper from a portfolio of eight lithographs and five etchings  Accession ID  2009.69.1.13

    Not on view
  • In the center of the image is a small square with abstract circular shapes forming a pattern resembling an inverted "Y" or a wishbone. The shapes consist of colorful dots in red, yellow, and blue on a white background. The design focuses on the vibrant colors and the simple pattern created by the geometric shapes.

    V from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.22

    Not on view
  • There is a small square in the center with a horizontal line of irregular, abstract shapes resembling clustered dots or dashes. The line looks like a stitch pattern or tiny interconnected leaves on a white canvas. The focus is on this singular detail.

    E from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.5

    Not on view
  • In the image, there is a large red arrow pointing to the left. It is accompanied by smaller circular sections in blue and black that overlay the arrow. The composition forms an abstract shape within a square area on a white background.

    O from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.15

    Not on view
  • A square in the center of the image contains dense black lines converging towards a narrow vertical line. The lines create a triangular shape that leads to an inverted funnel-like form. The surrounding space on the page emphasizes the compact, centralized nature of the geometric figure.

    G from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.7

    Not on view
  • ""

    Naked X

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.142

    Not on view
  • There is a small square in the center of the image containing abstract shapes - two black rectangular forms and an irregular green form. The shapes may suggest a minimalist landscape or a simplified representation of a street scene. The use of abstract shapes explores simple forms resembling familiar objects. The white background highlights the subtlety and openness of the composition.

    Z from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.26

    Not on view
  • The image features geometric shapes made of straight, angular lines in yellow, red, and blue colors on a blank canvas. The shapes are arranged compactly in the center, creating a puzzle or Tetris-like composition. The white space around the shapes accentuates their colors and forms.

    B from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.2

    Not on view
  • ""

    Naked VII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground and softground etching with hand staining on japanese hosho paper  Accession ID  2011.119.140

    Not on view
  • There is a small square in the center of the image containing an abstract composition with soft, blended shapes and colors. In this square, there is a faint, cloud-like blue form running horizontally across the top, while a bold, triangular red shape rises from the bottom left. The rest of the canvas remains blank, emphasizing the small central element.

    D from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Aquatint in red and blue from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.4

    Not on view
  • ""

    Naked I

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with foul biting and hand staining on japanese hosho paper  Accession ID  2011.119.133

    Not on view