Richard Tuttle

American, born 1941

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  • There is a small square near the center of the image. Within the square, a curved line arcs from the top right to the bottom left, intersecting two perpendicular straight lines that form an "L" shape.

    K from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint and etching in black and brown from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.11

    Not on view
  • The image features a small square containing abstract shapes and lines, resembling colorful clouds or ink blots in blue, red, and yellow. Three thin, parallel lines run horizontally across the shapes, creating a sense of separation or connection. The minimalist composition contrasts the vibrant center against a large white background.

    H from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and etching from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.8

    Not on view
  • ""

    Naked VIII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.141

    Not on view
  • In the image, there is a small square with intersecting vertical and horizontal lines in red, yellow, and blue. The lines create an abstract arrangement in a grid-like fashion. The lines are textured and sketched, giving a playful asymmetry to the composition. The rest of the image is blank, highlighting the colorful square.

    W from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.23

    Not on view
  • In the image, there is a large red arrow pointing to the left. It is accompanied by smaller circular sections in blue and black that overlay the arrow. The composition forms an abstract shape within a square area on a white background.

    O from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color aquatint and drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.15

    Not on view
  • There is a small square in the center with a horizontal line of irregular, abstract shapes resembling clustered dots or dashes. The line looks like a stitch pattern or tiny interconnected leaves on a white canvas. The focus is on this singular detail.

    E from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.5

    Not on view
  • There is a small square positioned in the center of a larger white background. Abstract, slightly rounded black shapes are located on the top corners of the square. The main portion of the square is filled with a textured, speckled pinkish-orange pattern.

    N from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Aquatint in black and orange from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with orange tarlatan on wove somerset paper  Accession ID  2006.122.155.14

    Not on view

  • Type

    Richard Tuttle, Dena Schuckit, Case Hudson, John DeMerritt, Crown Point Press

    2004

    Portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.1-26

    Not on view
  • There is a small square in the center of the image containing abstract shapes - two black rectangular forms and an irregular green form. The shapes may suggest a minimalist landscape or a simplified representation of a street scene. The use of abstract shapes explores simple forms resembling familiar objects. The white background highlights the subtlety and openness of the composition.

    Z from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Color drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.26

    Not on view
  • ""

    Naked X

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color softground etching with drypoint and hand staining on japanese senka-shi paper  Accession ID  2011.119.142

    Not on view
  • A square in the center of the image contains dense black lines converging towards a narrow vertical line. The lines create a triangular shape that leads to an inverted funnel-like form. The surrounding space on the page emphasizes the compact, centralized nature of the geometric figure.

    G from Type

    Richard Tuttle, Dena Schuckit, Case Hudson, Crown Point Press

    2004

    Drypoint and aquatint from a portfolio of nine aquatints, six etchings with aquatint, six drypoints with aquatint, four drypoints, and one drypoint with etching, printed chine collé with tarlatan on wove somerset paper  Accession ID  2006.122.155.7

    Not on view
  • ""

    Naked VII

    Richard Tuttle, Rachel Fuller, Emily York, Catherine Brooks, Crown Point Press

    2004

    Color hardground and softground etching with hand staining on japanese hosho paper  Accession ID  2011.119.140

    Not on view