Richard Tuttle

American, born 1941

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  • Three thin rectangular shapes stacked diagonally on a plain background. The rectangles are pastel-colored in shades of pink, light green, and light blue. The design has a soft gradient and minimalistic style, creating a stepped pattern.

    Mandevilla 3

    Richard Tuttle, Crown Point Press, Paul Mullowney, Daria Sywulak, Dena Schuckit, Case Hudson

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.108

    Not on view
  • This abstract composition features a long, vertical, deep blue rectangle intersecting with a large, translucent square in a muted beige hue. A smaller, vibrant green square protrudes from the right side of the blue rectangle.

    Mandevilla 7

    Richard Tuttle, Crown Point Press, Daria Sywulak, Paul Mullowney, Case Hudson, Dena Schuckit

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.112

    Not on view
  • The image displays rectangular shapes and lines in shades of blue and yellow, forming a cross-like structure in the center of a plain background. These rectangles overlap, creating a small green square where they intersect.

    Mandevilla 2

    Richard Tuttle, Crown Point Press, Paul Mullowney, Case Hudson, Daria Sywulak, Dena Schuckit

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.107

    Not on view
  • The image shows geometric shapes made of overlapping quadrilaterals, including a green rectangle pointing upwards and a pink form with angled edges. Negative space between the shapes creates a pathway or guide resembling a map. The design gives the impression of folded paper or origami, adding dimensionality to the composition.

    Mandevilla 5

    Richard Tuttle, Crown Point Press, Dena Schuckit, Daria Sywulak, Case Hudson, Paul Mullowney

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.110

    Not on view
  • ""

    Mandevilla 4

    Richard Tuttle, Crown Point Press, Case Hudson, Dena Schuckit, Daria Sywulak, Paul Mullowney

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.109

    Not on view
  • ""

    Mandevilla 6

    Richard Tuttle, Crown Point Press, Daria Sywulak, Dena Schuckit, Case Hudson, Paul Mullowney

    1998

    Color aquatint on somerset textured white paper  Accession ID  2001.142.111

    Not on view
  • The sculpture is an abstract form composed of intersecting and overlapping linear shapes. It is primarily white and has a solid material appearance, possibly metal or resin. It is positioned on a white wall, creating a contemporary aesthetic. The clean lines and shadows enhance the sculpture's three-dimensionality, showcasing an angular and geometric design that presents depth and dimension for the viewer.

    #7 (wood)

    Richard Tuttle

    1997-1998

    Plywood, cardboard, wire, paint, and nails  Accession ID  2016.11.3

    Not on view
  • The image displays a pattern of repetitive, wavy lines that create a textured rectangle in an abstract design. The lines, composed of alternating dark and light tones, resemble a field of interlocking scales or rippling water viewed from above. This abstract formation can be likened to a woven fabric or the overlapping layers of leaves, emphasizing the natural, flowing quality of the lines and their organized randomness.

    Surface

    Richard Tuttle, Robert Hanning, Ardath Judd, David McDaniel, Hank Hine, Deli Sacilotto, Tim Baker, Graphicstudio

    1997

    Color photogravure on somerset textured paper  Accession ID  2002.111.33

    Not on view
  • ""

    Renaissance Unframed 26

    Richard Tuttle, Eric Vontillius, Graphicstudio

    1995 (published 1996)

    Bronze with black patina  Accession ID  1998.87.24.1-2

    Not on view
  • The image features geometric shapes - three rectangular blocks arranged in layers. A large yellow square is partially covered by a red square on the left side, with a narrow vertical blue rectangle placed over their intersection. The image has a modern art feel, resembling a simplified cityscape or building blocks. Primary colors are used prominently. Handwritten text is visible diagonally across the image, adding a personal touch.

    Music

    Richard Tuttle, Graphicstudio

    1995

    Color woodcut on dieu donne spirtuali paper  Accession ID  2007.105.18

    Not on view
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    Icelandic 1-4 [second panel]

    Richard Tuttle

    1994

    Second of 4 panesl: watercolor on wove paper with magnet and wood panel faced with metal  Accession ID  2004.98.46.2

    Not on view
  • ""

    Icelandic 1-4 [first panel]

    Richard Tuttle

    1994

    First of 4 panels: watercolor on wove paper with magnet and wood panel faced with metal  Accession ID  2004.98.46.1

    Not on view