The Martyrdom of Saint Lawrence

c. 1660

Jean Baptiste de Champaigne

Painter, French, 1631 - 1681

A pale-skinned, nearly nude man is forced back on a metal grate set over fiery coals in this vertical painting. About a dozen men gather around or near the fire, and they all have pale or tanned skin. The person on the grate, Saint Lawrence, leans back on one elbow, which is chained to the grate. Another chain wraps across his hips, over a white loincloth, and more chains bind his legs. He raises one arm, which is forced down by a cleanshaven man wearing armor. Saint Lawrence has dark brown hair and a mustache. His body is muscled and lit with an orange glow from the embers below. One man, closest to us and to our left, stokes the flames with a long fork. He is bare chested, and wears ochre-yellow, tightly fitting, calf-length pants. A nickel-gray cloth is wrapped around his waist, and he wears sandals on his feet. White and topaz blue fabric, presumably clothing, sits on a basket next to a forked, iron instrument in the lower right corner of the painting. A second man stoking the fire to our right, near Saint Lawrence’s head, has a gray beard and hair, and wears a scarlet-red tunic. Others in the shadowed background look on, wearing robes or pieces of metal armor. Saint Lawrence’s raised hand gestures toward a man sitting on a high plinth, near the upper left corner of the composition. That man wears a lapis-blue, form-fitting breastplate. A flint-blue cape is fastened across his shoulders and wraps over his legs. He leans away with one fist raised to his chest, and he holds a short staff in the other hand, by his side. A dusky rose-pink drapery hangs behind him, and a torch-like basket is affixed to the wall next to him. Two winged, baby-like angels hover over Saint Lawrence’s head. Both have curly blond hair and pudgy bodies. One holds a long palm frond and together they hold a crown of laurel leaves. Azure-blue drapery billows around one and spruce-blue drapery flutters around the other. A moonlit sky and landscape are visible in an opening beyond the crowd.

Media Options

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Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Chester Dale Fund

  • Dimensions

    overall: 81.7 x 68.5 cm (32 3/16 x 26 15/16 in.)

  • Accession

    1998.68.1


Artwork history & notes

Provenance

Private collection;[1] (sale, Loiseau, Schmitz, and Digard, Saint-Germain-en-Laye, 22 June 1997); private collection, Switzerland; (Simon C. Dickinson Ltd., London); purchased 3 June 1998 by NGA.
[1] In a letter dated 15 June 1997 (recipient not identified, photocopy in NGA curatorial files), Dorival identifies the NGA painting "Martyr de Saint Laurent par Philippe de Champaigne" with a picture recorded in a sequence of 18th and 19th century sale catalogues as the pendant to a lost Martyrdom of Saint Lawrence, the pair given to Philippe de Champaigne in the old catalogues (see Bernard Dorival, Philippe de Champaigne, 1602-1674: La vie, l'oeuvre et le catalogue raisonné de l'oeuvre, 2 vols., Paris, 1976: nos. 787 and 757).

Associated Names

Bibliography

1976

  • Dorival, Bernard. Philippe de Champaigne, 1602-1674. La vie, l'oeuvre, et le catalogue raisonné de l'oeuvre. 2 vols. Paris, 1976: 2:224, 226, no. 787.

1992

  • Dorival, Bernard. Supplément au catalogue raisonné de l'oeuvre de Philippe de Champaigne. Paris, 1992: 84.

  • Dorival, Bernard. Jean-Baptiste de Champaigne (1631-1681): la vie, l'homme et l'art. Paris, 1992.

2001

  • Kouznetsova, Irina and Elena Sharnova. State Pushkin Museum of Fine Arts, France XVI - First Half of the XIXth Century. Collection of Paintings. Moscow, 2001: 271.

2009

  • Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 9, 49-52, color repro.

Inscriptions

lower left: P DE CHAMPAIGNE

Wikidata ID

Q20177514


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