Artworks associated with “Untitled 21”

25 results found

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  • Irregular lines and shapes form an abstract composition within a square on a blank background. The black lines and varied shapes resemble fragmented pieces. Some shapes outline geometric forms like triangles and angular segments, creating a disjointed pattern. The composition conveys a collection of undefined, yet oddly familiar shapes within the square.

    Untitled 1

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.8

    Not on view
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    Etchings to Rexroth

    Brice Marden, Jennifer Melby

    1986

    Unbound portfolio of twenty-five etchings with title page and colophon  Accession ID  1998.77.8-32

    Not on view
  • The image depicts an abstract composition with organic and geometric lines divided into two sections. On the left side, there are dark shapes against a lighter background with meandering black lines. On the right side, intricate black patterns resembling branching veins or cracks on a stone surface are connected by intersecting lines. The artwork invites viewers to recognize forms resembling natural elements or textures.

    Untitled 15

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.22

    Not on view
  • The image shows a square filled with intersecting lines and shapes, creating an abstract composition. Thick black lines twist and turn across the space, while lighter wavy lines create a pattern within the square.

    Untitled 16

    Brice Marden, Jennifer Melby

    1986

    Etching, sugarlift aquatint, and aquatint on rives bfk paper  Accession ID  1998.77.23

    Not on view
  • The image displays overlapping black lines and geometric shapes within a square. The lines intersect to form triangular and angular patterns. The rough texture and varying thickness of the lines add depth to the design, resembling a deconstructed artwork or a primitive map.

    Untitled 17

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.24

    Not on view
  • The image displays intersecting lines and angled shapes creating a chaotic and intricate pattern. The abstract design incorporates sharp diagonal lines intersecting in various places, forming a complex network. Some segments take on triangular forms while others suggest the outline of a deconstructed star. The arrangement is within a square on a larger white background, emphasizing the central abstraction.

    Untitled 18

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.25

    Not on view
  • The image displays a square filled with intersecting black lines and abstract shapes on a white background. The lines intersect to form jagged, angular shapes with occasional dots. The central section appears denser where lines converge.

    Untitled 19

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.26

    Not on view
  • The image shows a composition with a central division. Two halves contain bold, angular lines and shapes predominantly in black. On the left side, there is an abstract arrangement of diagonal lines and blurry forms. This resembles the outline of a kite or an aerial view of a tall, slender structure. To the right, thicker black lines intersect to suggest the broad arms of a crane or the framework of an unfinished building. The piece conveys architectural abstraction, prompting viewers to link the stark, linear patterns with recognizable structures.

    Untitled 20

    Brice Marden, Jennifer Melby

    1986

    Sugarlift aquatint on rives bfk paper  Accession ID  1998.77.27

    Not on view
  • The image depicts a square filled with intersecting lines and jagged, angular shapes, creating a complex and abstract pattern.

    Untitled 22

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.29

    Not on view
  • A series of intersecting lines and angular shapes form an abstract composition. The lines create movement and direction across the image, with some thicker and more pronounced while others are thin and subtle. The darker shapes within the composition can be loosely associated with bird-like forms. The overall structure and abstract nature of the piece invite viewers to draw connections to recognizable objects, such as kites or origami figures.

    Untitled 23

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.30

    Not on view
  • The image displays intersecting lines and geometric shapes, mainly triangles, within a square frame. The abstract composition forms a crisscross pattern resembling a shattered piece of glass or a network of spiderwebs. The lines overlap randomly, creating a fragmented landscape appearance with dark lines resembling rivers or roads on an irregular terrain.

    Untitled 24

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.31

    Not on view
  • The image features intersecting diagonal and vertical lines enclosed within a square frame. These lines form triangular and polygonal shapes. The dense network of lines creates an intricate pattern.

    Untitled 25

    Brice Marden, Jennifer Melby

    1986

    Etching, sugarlift aquatint, and aquatint on rives bfk paper  Accession ID  1998.77.32

    Not on view

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