Holy-Water Stoup

c. 1765-1775

Giovanni Antonio Fornari

Artist, Italian, 1734 - 1809

Media Options

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Airborne angels, billowing clouds, and golden rays against a sky fashioned from rare lapis lazuli surround a receptacle for holy water with exuberantly leaping edges. The Roman master goldsmith who created this stoup inscribed his maker's mark on the central silver relief of Saint John the Baptist preaching in a landscape. Asymmetrically framed by gilded curving segments adorned with feathers, fronds, and flowers, the stoup vaunts the splendors of late baroque sculpture and decorative arts. Its surviving tooled leather case displays the arms of Luigi Braschi Onesti (1745 – 1816), Duke of Nemi and the nephew and adoptive son of Pope Pius VI. The duke perhaps carried it with him between his Rome and Nemi palaces.
On View

West Building Main Floor, Gallery 30

Artwork overview

  • Medium

    silver, lapis lazuli, gilded bronze, and copper

  • Credit Line

    Patrons' Permanent Fund

  • Dimensions

    overall: 82 × 50 cm (32 5/16 × 19 11/16 in.)

  • Accession

    2012.107.1

Artwork history & notes

Provenance

Possibly Luigi Braschi Onesti, duke of Nemi [1745-1816], Rome and Nemi.[1] private collection; acquired by Barbara Piasecka Johnson [1937-2013], London, by 1989;[2] (her sale, Sotheby's, London, 8 July 2009, no. 31); (Galerie J. Kugel, Paris); purchased 26 October 2012 by NGA.
[1] The holy-water stoup was purchased with its original gold-tooled octagonal leather case, to which was added the Braschi coat-of-arms as duke of Nemi. Braschi, the nephew and adoptive son of Pope Pius VI, was given the title in 1786.
[2] Józef Grabski, ed. Opus Sacrum: catalogue of the exhibition from the collection of Barbara Piasecka Johnson, exh. cat., Royal Castle, Warsaw. Vienna, 1990: no. 78, 379-381.

Associated Names

Exhibition History

1990

  • Opus Sacrum. From the collection of Barbara Piasecka Johnson, Royal Castle, Warsaw, 1990, no. 78.

Bibliography

1993

  • González Palacios, Alvar. Il gusto dei principi : arte di corte del XVII e del XVIII secolo. 2 vols. Milan, 1993: 1:301-302; 2:250-251, figs. 501-502.

2013

  • Levkoff, Mary. “Giovanni Antonio Fornari, Holy-Water Stoup.” National Gallery of Art Bulletin 48 (Spring 2013): 26-27, repro.

2015

  • "Art for the Nation: The Story of the Patrons' Permanent Fund." National Gallery of Art Bulletin, no. 53 (Fall 2015):31, repro.

Inscriptions

stamped on central medallion: FORNARI ROMA; stamped at top on heads of cherubs: AF; marked at top on heads of cherubs, several times with the bollo camerale (treasury seal or assayer's mark)

Wikidata ID

Q63863981

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