Artworks associated with “Folder 10”

33 results found

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  • The image features a series of nested rectangles on a white background. Each side shows three rectangles within one another. On the left, there are mustard yellow, ochre, and blue-grey rectangles. On the right, there are orange, mustard yellow, and grey rectangles.

    Folder 4

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.4

    Not on view
  • The image shows a series of rectangular shapes layered towards the right side of the frame. The rectangles vary in shades of gray, gold, and yellow, fitting within each other. The largest rectangle is in gray, with smaller rectangles in gold and yellow stacked inside it. The left side of the image is empty.

    Folder 5

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.5

    Not on view
  • The image shows two geometric shapes consisting of white lines on dark backgrounds. One shape is on the left with a black background, and the other is on the right with a dark brown background. The shapes are composed of intersecting lines creating a complex structure resembling a three-dimensional cage or a modern architectural building, giving an impression of depth and structure. The repetitive nature of the lines contributes to a sense of architectural design within the abstract forms.

    Folder 6

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.6

    Not on view
  • The image shows intersecting geometric shapes arranged in a symmetrical pattern with bold lines creating depth and dimension. The composition is abstract, characterized by two large hexagonal forms and trapezoidal extensions. The arrangement plays with perspective, resembling open doorways or book pages amidst a flat, neutral background.

    Folder 7

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.7

    Not on view
  • The image shows two sets of nested rectangles. On the left, there are four rectangles in shades of gray and blue. On the right, the rectangles are in a warm color palette of yellow-orange, yellow, and light gray.

    Folder 8

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.8

    Not on view
  • The image shows two groups of overlapping rectangular shapes forming an abstract composition. On the left, teal, blue, and brown rectangles create a pattern resembling a stylized face, while on the right, yellow, orange, and gray rectangles form an abstract counterpart mirroring the left side. The artwork features symmetry and repetition of rectangular forms contributing to its geometric abstraction.

    Folder 9

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.9

    Not on view
  • There are two compositions of geometric shapes and lines against a neutral background. On the left, there is an abstract arrangement of black and orange lines forming a grid-like structure. On the right, there is a smaller square composition in shades of gray and green with a pattern that resembles a computer chip or a section of a piano keyboard. Both compositions use simple shapes and a limited color palette to convey rhythm and interconnection.

    Folder 31

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.31

    Not on view
  • There are two sets of nested rectangles in the image. The left side features green, teal, and blue rectangles, while the right side features blue, teal, and green rectangles. The composition is abstract and balanced, set against a light, neutral background.

    Folder 32

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.32

    Not on view
  • The image shows an arrangement of nested rectangles creating a geometric pattern with distinct lines and edges. It features two main sections with layers of rectangles varying in color from blue to green. The left section has a large blue rectangle, a medium green rectangle, and a smaller, darker green rectangle at the center. The right section mirrors this pattern with a larger green rectangle, a medium darker green rectangle, and a blue rectangle at the center. The composition resembles nested picture frames or window panes, creating depth with the overlapping layers.

    Folder 33

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.33

    Not on view

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