Artworks associated with “Folder 27”

33 results found

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  • The image shows four blue rectangular outlines with complex arrangements of overlapping oval and elliptical shapes. The abstract designs within each rectangle resemble aspects of familiar objects like eyes, masks, or paisley prints. The repetition of ovals and elongated lines creates a sense of fluid movement, and the consistent use of blue and white ties the composition together visually.

    Folder 2

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.2

    Not on view
  • The image displays an assembly of elongated oval and curved shapes intertwined within a rectangular form, predominantly in blue and white, set against a beige background. This composition presents an abstract design, wherein the curved forms loosely resemble a collection of overlapping leaves or petals. The arrangement of shapes creates a visual rhythm.

    Folder 3

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in blue-green on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.3

    Not on view
  • The image features two rectangular panels with abstract shapes created using thin lines and intersecting geometric figures. The left panel shows overlapping trapezoids and triangles on a textured background resembling wood grain. The shapes form a stylized hourglass or figure. The right panel displays outlined trapezoids, triangles, and a rhomboid shape at the top, resembling a head or headdress. The textured background suggests carved wood or rippled sand.

    Folder 20

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and tan on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.20

    Not on view
  • The image displays two interconnected geometric compositions. Each composition consists of interlocking rectangles and parallelograms outlined with bold lines forming zig-zagging shapes. The abstract forms resemble three-dimensional structures that bend and twist. The shapes suggest familiar objects like intertwining ribbons or intertwined staircases. The clean lines and sharp angles enhance the abstract nature of the image, inviting comparisons to modern geometric art or architectural elements.

    Folder 21

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.21

    Not on view
  • The image displays a framed composition of abstract shapes and lines against a blank background. Inside the frame, there are elongated, wavy forms that suggest the outline of vases or elongated bottles, interwoven with horizontal lines creating a striped effect. The abstract design combines earthy brown tones resembling interlocking wooden patterns or reflections on water. The bordered rectangle on the right contrasts with the stark white on the left, emphasizing the fluid interplay of shapes inside.

    Folder 22

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.22

    Not on view
  • The image shows two adjacent rectangles filled with geometric shapes forming an abstract design. Each rectangle has small white and grey parallelograms that interlock like origami paper folds. One rectangle is grey, while the other has a bold blue strip at the top edge. The design resembles architectural forms or open origami figures.

    Folder 23

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.23

    Not on view
  • The image shows a series of concentric rectangles aligned side by side. The rectangles on the left transition from dark gray to bright red, while the rectangles on the right transition from olive green to vivid yellow. The composition appears symmetrical.

    Folder 24

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.24

    Not on view
  • The image displays two geometric compositions side by side, each featuring overlapping shapes forming abstract 3D structures. The left composition is predominantly green, while the right is various shades of blue. The intersecting lines and planes within each shape give the impression of folded paper or an open book. The shapes create depth and perspective, with each quadrilateral adding to the sense of dimensionality.

    Folder 25

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.25

    Not on view
  • The image shows geometric shapes with sharp angles and clean lines, primarily in shades of gray and black. The abstract design includes overlapping parallelograms and triangles that create a sense of depth and dimension. These forms are set against a pale background, emphasizing the contrast and interaction between the shapes.

    Folder 26

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.26

    Not on view
  • The image shows nested rectangles in vibrant shades of red, orange, and pink arranged symmetrically on a plain backdrop. The design creates an optical illusion of depth, resembling stacked boxes or windows receding into the distance. The use of color-blocking and geometric shapes plays with spatial perception, creating a layered frame effect.

    Folder 28

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.28

    Not on view
  • The image displays two compositions of layered square shapes with distinct colors, creating an abstract design. On the left, squares bordered by green contain inner squares of gray, yellow, and shades of brown. On the right, the arrangement is similar, with gray appearing more prominently at the top, resembling a simple face or mask with eyes and a mouth. These compositions evoke symmetry and balance, reminiscent of abstract portraits or geometric icons.

    Folder 29

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Color screenprint on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.29

    Not on view
  • The image shows overlapping geometric shapes, mainly rectangles and triangles, forming layered forms. There are two main panels with central dark triangles intersecting lighter shapes. The surrounding rectangles and textured edges provide depth against a plain background, reminiscent of architectural designs or stained glass.

    Folder 30

    Josef Albers, Sirocco Screenprints, Ives-Sillman, Harry N. Abrams, Inc.

    1972

    Screenprint in black and gray on mohawk superfine bristol wove paper  Accession ID  2015.19.2850.30

    Not on view

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