At Anchor

1894, printed 1895/1896

Alfred Stieglitz

Associated Names
Alfred Stieglitz

Artist, American, 1864 - 1946

The image shows a sailboat near the shore, with waves gently lapping against it. The horizon is in the upper third of the image, with a slightly turbulent sea meeting the sky. The sailboat has one sail unfurled, displaying a marking. Above, the sky has soft, diffused clouds. The image has a sepia tone, with muted earthy and sandy colors dominating the scenery. The wet sand reflects the boat and sky, adding a reflective quality. In the distance, the sky meets the sea in a blend.

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Artwork overview

  • Medium

    platinum print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    sheet (trimmed to image): 16.5 × 21.4 cm (6 1/2 × 8 7/16 in.)
    page size: 27 × 33.8 cm (10 5/8 × 13 5/16 in.)

  • Accession Number

    1949.3.212

  • Stieglitz Estate Number

    65A

    Part of Stieglitz Key Set Online Edition

    Learn more
  • Key Set Number

    231

Associated Artworks

See all 30 artworks
The image displays a close-up portrait of a person's face, capturing the head and some of the upper torso. The person is positioned at a slight angle, with their face turned slightly towards the camera. Their facial features include full lips, an oval face, and large, expressive eyes. Their hair is styled in soft waves that frame their face. The person is wearing a thick, draped garment that covers their shoulders. There is no visible jewelry or objects in their hands. The background consists of a textured, uneven brick wall.

Marina

Alfred Stieglitz

1887

The image depicts a woman standing outdoors. She is leaning against a dark wooden door, with one arm raised and the other arm resting across her body. The woman has a calm expression with partially closed eyes and her head slightly tilted to the side. She has dark hair partially covered by a long head scarf and is wearing a long plaid dress with long sleeves and a dark shawl draped over her shoulders. The background includes an old, textured brick wall and a window with metal bars next to the door. The overall setting appears vintage, possibly in sepia tones.

The Wanderer's Return

Alfred Stieglitz

1887

This is a photograph of a rustic archway entrance set within an old stone building. The image portrays uneven, textured stonework and a large central archway leading into a darker doorway. Above the entrance, a balcony supported by stonework is adorned with potted plants. Ropes are strung across the building, supporting laundry, and the ground is cobblestone. The scene reflects a sense of history and timelessness, capturing everyday life.

A Nook in Pallanza

Alfred Stieglitz

1887

The image shows a man leaning his head on his hand, positioned with his face resting on his left hand. He has a mustache, thin-framed eyeglasses, and thick, greying hair that curls slightly at the edges. He is dressed in a formal jacket, a white shirt, and a black bow tie. The background is a soft, dark blur.

Alfred Stieglitz

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Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Bibliography

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 231.

Inscriptions

by Alfred Stieglitz, on interleaving tissue, lower right, in graphite: At Anchor / 1894

Wikidata ID

Q64037649

Scholarly Remarks and Key Set Data

Remarks

For Stieglitz’s description of boats landing in Katwijk, see Key Set number 225.

Other Collections

A print corresponding with this photograph can also be found in the following collection(s):

National Gallery of Art, Washington, 2006.3.1.25

Lifetime Exhibitions

A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:

1896, Toronto (silver medal)
1896, Syracuse (no. 247, as At Anchor)
1899, New York (nos. 57, 83, as At Anchor, 1894, platinum direct, and 1894–1899, bichromate of gum)
1899, London (no. 8, as At Anchor)
1900, New York (no. 98, as At Anchor)
1900, Philadelphia (no. 162, as At Anchor, gum bichromate)
1902, New York (no. 134, as At Anchor, 1894)
1903, Denver (no. 144, as At Anchor)
1908, Toronto (no. 92, as At Anchor)
1934, New York (no. 21, as At Anchor, gelatin silver)

Lifetime Publications

A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:

Alfred Stieglitz and Louis H. Schubart, “Two Artists' Haunts,” The Photographic Times 26 (January 1895): 9 (ill., At Anchor, Katwyk)

The Amateur Photographer 21 (1 February 1895): 66 (ill., At Anchor)

The American Amateur Photographer 7:7 (July 1895): opp. 299 (ill., At Anchor)

F. W. Crane, “Recent Amateur Photography,” Godey’s Magazine 131 (September 1895): 242 (ill., At Anchor [Katwyk, Holland])

“Photographs from the Camera Club Exhibition,” New-York Tribune (14 May 1899): illustrated supplement, 10 (ill., At Anchor)

Theodore Dreiser, “A Master of Photography,” Success Magazine 2 (10 June 1899): 471 (ill., At Anchor)

Alfred Stieglitz, “Pictorial Photography,” Scribner’s Magazine 26:5 (November 1899): 535 (ill., At Anchor)

Camera Notes 4:4 (April 1901): 241 (ill., At Anchor)

Charles H. Caffin, “Photography as a Fine Art. II.—Alfred Stieglitz and His Work,” Everybody’s Magazine 4 (April 1901): 359 (ill., At Anchor, 1894)

Charles H. Caffin, Photography as a Fine Art (New York, 1901): 23 (ill., At Anchor)


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