Provenance

Richter Oelrich, Bremen, c. 1820; purchased 1928 by Bernhard Hausmann [1784-1873], Hanover;[1] private sale 1 October 1857 to King George V of Hanover [1819-1878];[2] by inheritance to his son, Ernest August II, Crown Prince of Hanover and 3rd Duke of Cumberland [1845-1923];[3] (his estate sale, Rudolph Lepke Kunst-Auctions-Haus, Berlin, 31 March 1925, no. 63, sold for 16,500 Reichsmarks). art market, Düsseldorf. private collection, Cologne, in 1948; (Kunsthandel K. & V. Waterman, Amsterdam), in 1982; purchased 1983 by Norman and Suzanne Hascoe, Greenwich, Connecticut; (sale, Christie, Manson & Woods, New York, 4 June 2014, no. 38); (Richard Green Fine Paintings, London); purchased May 2017 by NGA.
[1] See Joachim Petersen, Bernhard Hausmann: Burger, Fabrikant, Kunstsammler, Gottingen, 2009: 241: “The [four] landscapes by [Jacob van Ruisdael] were very highly regarded by Hausmann, especially ‘Dunes by the Sea’, purchased in 1828 in Bremen for 100 Thaler [then follows a quote, presumably from Hausmann]: 'Seit langem gekanntes kapital-Bild von erstem Range, von der seltensten Ausführung und Erhaltung' (Long since a well-known capital painting of the first order, of exceptional execution and preservation)."
[2] On a small piece of wood, inserted at the lower center of the cradle on the reverse of the panel, is painted all in red a monogram of the initials GR, surmounted by a crown, with a small V below the initials. These are the initials of King George V of Hanover. See Petersen 2009, 182-183: “The complete collection of paintings was sold to [King George V of Hannover] on 1 October 1857 for the--according to Hausmann’s (very accurate) opinion, not high--price of 48,000 Thaler, payable in annual installments of 5,000 Thaler, but it was to remain in Hausmann’s house until further notice. … Until the death of Hausmann [13 May 1873], [the painting collection] stayed in his house and was open to the public as the ‘George V Collection of Paintings’.” The painting’s owner and location was listed as “Hannover, Hausmann” by G. Parthey in Deutscher Bildersaal – Verzeichniss der in Deutschland vorhandenen Oelbilder verstorbener Maler aller Schulen, 2 vols. in 4, Berlin, 1864: 2:461, no. 135, which thus identified the work’s location, but not correctly its owner.
[3 From 1866 until 1893, the royal collection was confiscated by the State of Prussia following the annexation of Hanover, and placed under the control of the Fideikommiss-Galerie des Gesamthauses Braunschwieg und Lüneburg. Despite the confiscation, from 1866 until Hausmann’s death in May 1873, the collection remained at his residence. For the timeline of the confiscation, see Helmut R. Leppien, “Die Bilder der Bürger,” in Verschollener Ruhm – Bilder aus dem Depot der Landesgalerie Hannover zeigen den Kunstgeschmack des 19. Jahrhunderts. Exh. cat. Kunstverein Hannover, 1975: 6, 9.
From 1893, the painting was on long-term loan to the Provinzial-Museum Hannover as part of the “Cumberland-Galerie.” See _Katalog der zur Fideikommiss-Galerie des Gesamthauses Braunschwieg und Lüneburg gehörigen Sammlung von Gemälden und Skulpturen im Provinzial-Museum_, Hanover, 1905: 118, no. 357; https://hdl.handle.net/2027/gri.ark:/13960/t0vq6882x, accessed 30 June 2017. In _A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century_, 8 vols., translated by Edward G. Hawke, London, 1907-1927: 4(1912):285, no. 925, Cornelis Hofstede de Groot erroneously lists the painting as actually belonging to the Provinzial-Museum instead of Ernst August II, the Duke of Cumberland.

Associated Names

Exhibition History

1954

1981

1983

2002

2005

2021

Bibliography

n.d.

1831

1863

1891

1905

1907

1928

1991

2001

2009

Inscriptions

lower center: J Ruisdael . 1648

Wikidata ID

Q20804651