Fragment

1961

Shigeru Izumi

Associated Names
Shigeru Izumi

Artist, Japanese, 1922 - 1995

The image shows a dense network of intersecting and overlapping lines, with zigzag and squiggly shapes predominantly filling the space. A prominent, straight diagonal orange line cuts through the center of the composition. The arrangement of these lines may suggest a landscape view from above, with the orange line resembling a road or river. Additional thin lines in various colors such as blue and green run across the texture, adding dynamic energy to the scene.
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Artwork overview

  • Medium

    color lithograph on Rives wove paper

  • Credit Line

    Gift of Bob Stana and Tom Judy

  • Dimensions

    sheet: 51.12 × 35.24 cm (20 1/8 × 13 7/8 in.)

  • Accession Number

    2019.109.58.4

  • Portfolio Title

    Eleven Prints by Eleven Printmakers

Associated Artworks

See all 11 artworks
The image displays dark lines and shapes in an abstract composition. It features intricate patterns that could resemble tangled roots or branches, alongside swirling currents. The patterns create a sense of motion, with varying textures and shading hinting at a dynamic landscape. The abstract nature invites viewers to interpret familiar objects like natural forms or elemental flows.

A Cycle of a Small Sea-Fowl

Arthur Deshaies, Pratt Graphic Art Center

1961

This is a photograph of a red book cover with the word "Prints" printed in black in a mirrored effect across the center, flanked by two vertical black lines.

Eleven Prints by Eleven Printmakers

Various Artists, Arthur Deshaies, Leonard Edmondson, Fritz Eichenberg, Shigeru Izumi, Yasuhide Kobashi, Jacob Landau, Seong Moy, Michael Ponce de León, Walter Rogalski, Andrew Stasik, Ansei Uchima, Pratt Graphic Art Center

1961

The image displays bold intersecting shapes and lines in a dynamic abstract composition. Black and white are prominent, with deep blue patches in a triangular area at the bottom right. The shapes resemble fragmented pieces or shards, reminiscent of puzzle pieces or segments of stained glass. Curved outlines suggest organic elements like leaves or shells, while elongated shapes hint at figures or faces amidst a complex tapestry of contrasts and textures.

The Feast

Leonard Edmondson, Pratt Graphic Art Center

1961


Artwork history & notes

Provenance

(Black Sun Books, Eugene, Oregon); Bob Stana and Tom Judy, Washington, D.C., 1993; acquired 2019 by the National Gallery of Art

Associated Names

Inscriptions

lower left in graphite: 80/100; lower center in graphite: Fragment; lower right in graphite: S Izumi

Watermarks

[Riv]es


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