The Ballet Master
c. 1876
Artist, French, 1834 - 1917
Artist, French, 1839 - 1889

Artwork overview
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Medium
monotype (black ink) heightened and corrected with white chalk or wash on laid paper
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Credit Line
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Dimensions
plate: 56.5 x 70 cm (22 1/4 x 27 9/16 in.)
sheet: 62 x 85 cm (24 7/16 x 33 7/16 in.) -
Accession
1964.8.1782
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Catalogue Raisonné
Janis 1968, no. 1
Artwork history & notes
Provenance
Ambroise Vollard [1867-1939], Paris; Henri M. Petiet [1894-1980], Paris; purchased by Lessing J. Rosenwald [1891-1979], 1950; gift to NGA, 1964.
Associated Names
Exhibition History
1953
Monotypes by French and American Impressionists, Minneapolis Institute of Arts, 1953.
1960
Loan exhibition of Degas for the benefit of the Citizen's Committee for Children of New York, Inc., Wildenstein and Co., New York, 1960, no. 104 (as Danseuse en Scène).
1968
Degas Monotypes, Fogg Art Museum, Cambridge, 1968, no. 1, repro.
1973
Fortieth Anniversay Exhibition, Nelson-Atkins Museum of Art, Kansas City, MO, 1973-1974, no cat.
1982
Lessing J. Rosenwald, Tribute to a Collector. National Gallery of Art, Washington, D.C., 1982., no. 66, repro.
1984
Degas: The Dancers, National Gallery of Art, Washington, D.C., 1984-1985, no. 17, repro.
1988
Degas, Galeries nationales du Grand Palais, Paris; National Gallery of Canada, Ottawa; Metropolitan Museum of Art, New York, 1988-1989. no. 150, repro.
1995
Prints by James McNeill Whistler and His Contemporaries, National Gallery of Art, Washington, D.C., 1995, no cat.
2001
The Unfinished Print, National Gallery of Art, Washington, D.C., 2001, repro.
2014
Degas's Little Dancer, National Gallery of Art, Washington, D.C., 2014-2015, brochure, fig. 11.
2016
Degas: A Strange New Beauty, The Museum of Modern Art, NY, 2016.
2019
Degas at the Opera, Musée d'Orsay, Paris; National Gallery of Art, Washington, 2019-2020, no. 253, repro.
Bibliography
1967
Janis, Eugenia Parry. "The Role of Monotype in the Working Method of Degas--I," The Burlington Magazine. 109.766: 21-22 (fig. 45), n.13.
Janis, Eugenia Parry. "The Role of Monotype in the Working Method of Degas--II," The Burlington Magazine. 109.767: 72
1968
Janis, Eugenia Parry, compiler. Degas Monotypes; essay, catalogue, and checklist. Cambridge: Fogg Art Museum, 1968.
1984
Shackelford, George. Degas: The Dancers. Exh. cat. National Gallery of Art, Washington, 1984: no. 17.
1992
National Gallery of Art, Washington. Washington, D.C., 1992: 323, repro.
Boggs, Jean Sutherland and Anne F. Maheux. _Degas Pastels_New York, 1992: 28-29, fig. 2/10.
1995
Callen, Anthea. The Spectacular Body: Science, Method, and Meaning in the Work of Degas, New Haven and London, 1995: no. 49.
Fichner-Rathus, Lois. Understanding Art. 4th ed. Englewood Cliffs, New Jersey, 1995: 118.
2014
Jones, Kimberly A. Degas/Cassat. Exh. Cat. National Gallery of Art, Washington, D.C., 2014: 108-109, fig. 8.
Inscriptions
upper left plate: Lepic Degas
Markings
lower left, in plate, mark of plate manufacturer: H. GODARD / RUE DE LA HUCHETTE 27 / PARIS [printed upside down and in reverse]; a negative iteration of the same manufacturer's mark is visible at the upper right corner of the composition.
Wikidata ID
Q65508220