The Apparition of the Virgin
1530/1540
Artist, Ferrarese, 1501 - 1556


West Building Main Floor, Gallery 22
Artwork overview
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Medium
oil on panel
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Credit Line
-
Dimensions
overall: 199.4 x 131.1 cm (78 1/2 x 51 5/8 in.)
framed: 225.1 x 158.8 x 11.8 cm (88 5/8 x 62 1/2 x 4 5/8 in.) -
Accession
1939.1.382
Artwork history & notes
Provenance
Commissioned c. 1530/1540 by Giulia Muzzarelli, Ferrara. possibly Cardinale Luigi d'Este, Tivoli, by 1573 until at least 1580.[1] Borghese collection, Rome, as by Scarsellino.[2] Littlehales, London; (Littlehales sale, Christie's, London, 2 March 1804, no. 67, as by Palma Giovane, bought in). Robert Fagan and Charles Grignion, Rome; (Fagan and Grignion sale, Squibb, London, 29 May 1806, no. 50, as by Carracci, sale postponed from 26 May 1806). Charles John Howard, 17th earl of Suffolk [1804-1876], Charlton Park, Wiltshire, by 1854. (Count Alessandro Contini Bonacossi, Florence and Rome); sold 1937 to the Samuel H. Kress Foundation, New York;[3] gift 1939 to NGA.
[1] The painting was possibly removed by Cardinale Luigi d'Este by 1573, or removed and taken to Rome when Ferrara passed to Papacy in 1598, or it may have reverted to the possession of the Muzzarelli family; see Girolamo Baruffaldi, Vite de' pittori e scultori ferrarese scritte dall'arciprete Girolamo Baruffaldi, con annotazioni, 2 vols., Ferrara, 1844: 1:385, and Alberto Serafini, Girolamo da Carpi, pittore e architetto ferrarese (1501-1556), Rome, 1915: 136.
[2] The painting was possibly given to Scipione Borghese by Battista Muzzarelli c. 1608, and was first recorded in the Borghese collection in a 1693 inventory; see the letter of 6 September 1988 from Burton B. Fredericksen, The Getty Provenance Index, in NGA curatorial files.
[3] According to Fern Rusk Shapley, Catalogue of the Italian Paintings, 2 vols., Washington, 1979: 1:226. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2070.
Associated Names
Bibliography
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 87, no. 87, as The Assumption of the Virgin.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 249, repro. 121, as The Assumption of the Virgin.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 126, repro., as The Assumption of the Virgin.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 171, repro., as The Assumption of the Virgin.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 59, as The Assumption of the Virgin.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 51, repro.
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 81-82, fig. 197, 199.
Berenson, Bernard. Italian Pictures of the Renaissance: Central and North Italian Schools, 3 vols. London, 1968: 1:189.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 92, 646.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 154, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:226-227, 2:pl. 153.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 178, repro.
1990
Turrill, Catherine. "Girolamo da Carpi's Muzzarelli Altarpiece." Studies in the History of Art 24 (1990):75-86, repro.
1998
Apostolos-Cappadona, Diane. "Virgin/Virginity." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 2:905.
2007
Romani, Vittoria. "Sui disegni dei due Dossi." In Alessandro Ballarin, ed. Il Camerino delle Pitture di Alfonso I. 6: Dosso Dossi e La Pittura a Ferrara negli anni Del Ducato di Alfonso I. Atti del Convegno di Studio, Padova, Palazzo del Bo, 9-11 maggio 2001. Padua, 2007: 28.
Jellinek, Marco. “Giovio, Leoniceno, Dosso: un ritratto dimenticato.” In Alessandro Ballarin, ed. Il Camerino delle Pitture di Alfonso I. 6: Dosso Dossi e La Pittura a Ferrara negli anni Del Ducato di Alfonso I. Atti del Convegno di Studio, Padova, Palazzo del Bo, 9-11 maggio 2001. Padua, 2007: 142 n. 60 .
Fumagalli, Elena. “Sul collezionismo di dipinti ferraresi a Roma nel Seicento: riflessioni e aggiunte.” In Alessandro Ballarin, ed. Il Camerino delle Pitture di Alfonso I. 6: Dosso Dossi e La Pittura a Ferrara negli anni Del Ducato di Alfonso I. Atti del Convegno di Studio, Padova, Palazzo del Bo, 9-11 maggio 2001. Padua, 2007: 176-177.
2021
Pattanaro, Alessandra. Girolamo da Carpi. Milan, 2021: 76, 79-80, 138-139, 189, 218-221, cat. 39, figs. 31a-c.
Wikidata ID
Q20175971