Provenance

Charles Grignion

British, 1717 - 1810

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British engraver and draughtsman (c1717-1810)

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A woman, Mary, sits surrounded by winged angels on a bank of clouds above a second woman who prays in front of a vast landscape in this vertical, arched painting. The women and angels all have pale skin and rosy cheeks. Mary and the angels take up the top two-thirds of the composition. Mary’s body is angled to our left, but she turns her face to us as she looks up. She wears a flax-yellow veil under an azure-blue mantle, which drapes over her shoulders and her ruby-red dress. Her hands are together in prayer, and her body, including one bare foot, is supported by the angels. Two older angels, like young adults, are at Mary’s feet and they look down. Both have long, wavy blond hair, and they wear robes in grass green or rust red. Two nude, child-like angels are to either side of Mary’s hips. Sixteen baby heads with blond hair and wings alongside their ears are nestled in the smoky-violet clouds around Mary. This group is lit brightly from our left but also backlit by the ring of angel heads. The older woman in the lower left corner of the composition wears a translucent veil and white head covering as she looks up, her hands also in prayer and holding a rosary. Her cheeks and jowls sag, and she wears a black dress. The grassy, shadowed landscape extends into the deep distance to a cluster of buildings in the lower right corner of the painting. Beyond the woman and smaller in scale, a man wearing a yellow cloak over a red robe reaches toward or releases a green snaking shape, perhaps a strip of fabric.
Girolamo da Carpi, The Apparition of the Virgin, 1530/1540, oil on panel, Samuel H. Kress Collection, 1939.1.382

The Apparition of the Virgin

Girolamo da Carpi · 1530/1540 · oil on panel ·  Accession ID  1939.1.382

Bibliography

1907

  • Ref Number: XV.32
    T.-B.XV.32