Peace Establishing Her Reign

1512

Antonio Lombardo

Sculptor, Venetian, c. 1458 - 1516

Antonio Lombardo

Attributed to

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.
Not on view See artworks now on view

Artwork overview

  • Medium

    bronze

  • Credit Line

    Ailsa Mellon Bruce Fund

  • Dimensions

    overall: 40.6 x 33.9 x 7.6 cm (16 x 13 3/8 x 3 in.)

  • Accession Number

    1972.12.1

Artwork history & notes

Provenance

Possibly private collection, France; art market, Paris or Brussels;[1] acquired 1970 by (Michael Hall Fine Arts, New York); purchased 3 February 1972 by NGA.
[1] Per Douglas Lewis' notes of his telephone conversation of 7 March 1974 with Michael Hall, in NGA curatorial files.

Associated Names

Exhibition History

1974

  • Recent Acquisitions and Promised Gifts: Sculpture, Drawings, Prints, National Gallery of Art, Washington, D.C., 1974, no. I, repro., as Allegorical Figure, Attributed to Antonio Lombardo.

1978

  • Antiquity in the Renaissance, Smith College Museum of Art, Northampton, Massachusetts, 1978, no. 107.

1995

  • Tiziano Vecellio: Amor Sacro e Amor Profano, Palazzo delle Esposizioni, Rome, 1995, no. 34, repro.

2009

  • Tullio Lombardo and Venetian High Renaissance Sculpture, National Gallery of Art, Washington, D.C., 2009, no. 11, repro., as Antonio Lombardo or Giammaria Mosca.

Bibliography

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 634, no. 990, repro., as Peace Establishing Her Reign: Allegory of the Victory of Ravenna.

1993

  • Sheard, Wendy Stedman. "Antonio Lombardo's Reliefs for Alfonso d'Este's Studio di Marmi: Their Significance and Impact on Titian." Studies in the History of Art 45 (1993): 331, repro. no. 16.

1994

  • Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 138, repro.

1998

  • Schulz, Anne Markham. Giammaria Mosca called Padovano: a Renaissance Sculptor in Italy and Poland. 2 vols. University Park, Pennsylvania, 1998: 1:76-77, 165, no. 18 in Appendix II, 266-267; 2: pls. 107, 108.

2004

  • Gli Este a Ferrara. Il camerino di alabastro : Antonio Lombardo e la scultura all’antica. Exh. cat. Castello di Ferrara. Milan, 2004: 265-266.

2008

  • Rinascimento e passione per l'antico. Andrea Riccio e il suo tempo. Exh. cat. Museo Diocesano Tridentino, Trento, 2008: 502.

  • Sarchi, Alessandra. Antonio Lombardo. Venice, 2008: no. 22, 200, 261-264, 378 fig. 181.

  • Farinella, Vincenzo. "Un problematico rilievo bronzeo da Antonio Lombardo (e un documento trascurato su Savoldo a Ferrara)." In Matteo Ceriana and Victoria Avery, eds. L'Industria artistica del bronzo del rinascimento a Venezia e nell'Italia settentrionale. Atti del Convegno Internazionale di Studi, Venezia, Fonazione Giorgio Cini, 23 e 24 ottobre 2007. Venice, 2008: 81-93, 104-106, repro. 83.

  • Bacchi, Andrea and Luciana Giacomelli, eds Rinascimento e passione per l'antico: Andrea Riccio e il suo tempo. Exh. cat. Castello di Buonconsiglio. Trento, 2008: 502.

2013

  • Leino, Marika. Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes. Oxford, 2013: 178, fig. 110.

2020

  • Bormand, Marc, Beatrice Paolozzi Strozzi and Francesca Tasso, eds. Le Corps et l’Âme. De Donatello à Michel-Ange. Sculptures Italiennes de la Renaissance. Exh. Cat. Paris, 2020: 364-365 (entry by Alison Luchs).

Wikidata ID

Q63854538

You may be interested in

Loading Results