Peace Establishing Her Reign
1512
Sculptor, Venetian, c. 1458 - 1516
West Building Ground Floor, Gallery G14
Artwork overview
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Medium
bronze
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Credit Line
-
Dimensions
overall: 40.6 x 33.9 x 7.6 cm (16 x 13 3/8 x 3 in.)
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Accession
1972.12.1
Artwork history & notes
Provenance
Possibly private collection, France; art market, Paris or Brussels;[1] acquired 1970 by (Michael Hall Fine Arts, New York); purchased 3 February 1972 by NGA.
[1] Per Douglas Lewis' notes of his telephone conversation of 7 March 1974 with Michael Hall, in NGA curatorial files.
Associated Names
Exhibition History
1974
Recent Acquisitions and Promised Gifts: Sculpture, Drawings, Prints, National Gallery of Art, Washington, D.C., 1974, no. I, repro., as Allegorical Figure, Attributed to Antonio Lombardo.
1978
Antiquity in the Renaissance, Smith College Museum of Art, Northampton, Massachusetts, 1978, no. 107.
1995
Tiziano Vecellio: Amor Sacro e Amor Profano, Palazzo delle Esposizioni, Rome, 1995, no. 34, repro.
2009
Tullio Lombardo and Venetian High Renaissance Sculpture, National Gallery of Art, Washington, D.C., 2009, no. 11, repro., as Antonio Lombardo or Giammaria Mosca.
Bibliography
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 634, no. 990, repro., as Peace Establishing Her Reign: Allegory of the Victory of Ravenna.
1993
Sheard, Wendy Stedman. "Antonio Lombardo's Reliefs for Alfonso d'Este's Studio di Marmi: Their Significance and Impact on Titian." Studies in the History of Art 45 (1993): 331, repro. no. 16.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 138, repro.
1998
Schulz, Anne Markham. Giammaria Mosca called Padovano: a Renaissance Sculptor in Italy and Poland. 2 vols. University Park, Pennsylvania, 1998: 1:76-77, 165, no. 18 in Appendix II, 266-267; 2: pls. 107, 108.
2004
Gli Este a Ferrara. Il camerino di alabastro : Antonio Lombardo e la scultura all’antica. Exh. cat. Castello di Ferrara. Milan, 2004: 265-266.
2008
Rinascimento e passione per l'antico. Andrea Riccio e il suo tempo. Exh. cat. Museo Diocesano Tridentino, Trento, 2008: 502.
Sarchi, Alessandra. Antonio Lombardo. Venice, 2008: no. 22, 200, 261-264, 378 fig. 181.
Farinella, Vincenzo. "Un problematico rilievo bronzeo da Antonio Lombardo (e un documento trascurato su Savoldo a Ferrara)." In Matteo Ceriana and Victoria Avery, eds. L'Industria artistica del bronzo del rinascimento a Venezia e nell'Italia settentrionale. Atti del Convegno Internazionale di Studi, Venezia, Fonazione Giorgio Cini, 23 e 24 ottobre 2007. Venice, 2008: 81-93, 104-106, repro. 83.
Bacchi, Andrea and Luciana Giacomelli, eds Rinascimento e passione per l'antico: Andrea Riccio e il suo tempo. Exh. cat. Castello di Buonconsiglio. Trento, 2008: 502.
2013
Leino, Marika. Fashion, Devotion and Contemplation: The Status and Functions of Italian Renaissance Plaquettes. Oxford, 2013: 178, fig. 110.
2020
Bormand, Marc, Beatrice Paolozzi Strozzi and Francesca Tasso, eds. Le Corps et l’Âme. De Donatello à Michel-Ange. Sculptures Italiennes de la Renaissance. Exh. Cat. Paris, 2020: 364-365 (entry by Alison Luchs).
Wikidata ID
Q63854538