The Miracle of the Lame Man Healed by Saint Peter and Saint John

c. 1606/1608

Sir Peter Paul Rubens

Artist, Flemish, 1577 - 1640

Drawn with brown ink and shaded with brown wash, a crowd gathers in a columned space on this horizontal sheet. Two columns divide the scene into thirds. The column on the left is straight, and the column on the right twists, as if gently rippling in an elongated spiral. A row of four more columns behind each of these front columns mimics their contours. Between the two front columns and close to us, a clean-shaven man and a bearded man look down at a man who sits with one ankle crossed over the other knee. The seated man looks up with his mouth open, the corners downturned, and his brows furrowed. The bearded man holds one hand up, palm facing out, and the clean-shaven man looks down with one hand reaching forward, palm up. Three more faces between the clean-shaven man and the twisting column look on, and one of them crosses his hands over the top of a crutch or walking stick. Three more people press close to the group on the right side of the twisting column. One nude, pudgy child holds onto one of the onlooker’s robes, and another nude child stands next to a woman along the right side of the sheet. The woman looks over her shoulder at us and appears to balance or brace a tray on her head. A bird is painted in slate blue on the tray. The child braces a stick across one shoulder, and two birds hang at the ends of strings on the back end. Five people stand, including a woman holding a baby, to the left of the straight column and a sixth person kneels and leans against a staff. More rows of straight columns line either side of the sheet.

Media Options

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Artwork overview

  • Medium

    pen and brown ink with brown wash heightened in buff, on laid paper, laid down

  • Credit Line

    Ailsa Mellon Bruce Fund and Andrew W. Mellon Fund

  • Dimensions

    overall: 24.9 x 38.5 cm (9 13/16 x 15 3/16 in.)

  • Accession

    1975.69.1

  • Catalogue Raisonné

    White 2011, no. 156


Artwork history & notes

Provenance

Neyman (Neijman), Amsterdam; (his sale, Basan, Paris, 8-11 July 1776, no. 683, as Raphael restored by Rubens); Fourvelle. Sir John Charles Robinson [1824-1913], London (Lugt 1433). (his sale, Christie's London, 12 May 1902, no. 343, as Rubens). Frederick Anthony White [1842-1933], London; (his estate sale, Christie's London, 20 April 1934, no. 72, as Rubens after Raphael); Moss. H.L. Constant, Esq., Cape Town, South Africa; (sale, Christie's London, 8 July 1975, no. 120); (via Yvonne Tan Bunzl, London); purchased by NGA, 1975.

Associated Names

Exhibition History

1899

  • Exhibition of Pictures by Masters of the Flemish and British Schools including a Selection from the Works of Sir Peter Paul Rubens, The New Gallery, 1899-1900, no. 152, as Rubens

2017

  • Rubens: The Power of Transformation, Kunsthistorisches Museum Wien, Vienna; Städelsches Kunstinstitut und Städtische Galerie, Frankfurt, 2017, no. 26.

Bibliography

1860

  • Passavant, Johann-David. Raphael d'Urbin et son père Giovanni Santi. Paris, 1860: 198, note 1, as reworked by Rubens

1910

  • Rooses, Max. "Oeuvre de Rubens: Addenda et Corrigenda" Rubens-Bulletijn V, 1910: 198 (as Rubens and as The Blinding of Elymas.

1977

  • Jaffe, Michael. Rubens and Italy. Oxford, 1977: 25, 32, and pl. 42, as Rubens after Parmigianino after Raphael

1988

  • Jaffé, Michael. "Rubens and Niccolò Pallavicino" The Burlington Magazine CXXX (1988): 527, as Rubens

2006

  • Wood, Jeremy. "Rubens and Raphael: the Designs for the Tapestries in the Sistine Ceiling" Munuscula Amicorum: Contributions on Rubens and His Colleagues in Honour of Hans Vlieghe (ed. K. Van der Stighelen). Turnhout, 2006: 275, fig. 12 (as anonymous artist after Parmigianino, retouched by Rubens).

2010

  • Wood, Jeremy. Rubens, copies and adaptations from Renaissance and later artists : Italian artists 1, Raphael and his school. Corpus Rubenianum Ludwig Burchard, vol. XXXVI (2). London, 2010: 194, 210, 213-214, fig. 20 (as retouched by Rubens).

2011

  • Wood, Jeremy. Rubens: Copies and Adaptations from Renaissance and Later Masters: Italian Artists II: Titian and North Italian Art (Corpus Rubenianum, vol. XXVI, vol.2). London, 2011, no. 156 and fig. 201.

Wikidata ID

Q64632562


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