Artworks associated with “Untitled”

30 results found

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  • This is a drawing depicting a simple, abstract form. It shows an oval, dome-like shape against a contrasting background. The form is predominantly white with a gradient of black and gray shading along its edges to create a three-dimensional effect. The shadow cast by the form is distinct, appearing as a dark area that outlines its presence against a soft background. The surrounding space transitions from dense black at the top to lighter gray at the bottom, accentuating the form and shadow. The minimalist style of the drawing focuses on form and shade, with a sharp contrast of black and white tones.

    Untitled

    Robert C. Breer, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph in black on wove paper  Accession ID  1976.66.2

    Not on view
  • The image shows irregular and fluid shapes with jagged lines primarily in blue and black tones against a white background. It presents an abstract arrangement resembling a crumpled piece of paper with text elements resembling newspaper fragments and areas reminiscent of packaging or labels. The composition suggests familiar objects like bits of printed material or advertisements that have been distorted and layered.

    Untitled

    John Chamberlain, Styria Studio, Experiments in Art and Technology

    1973

    Color lithograph on plastic film  Accession ID  1976.66.3

    Not on view
  • This is a collage combining graphical elements and text. In the upper part, there is a section of a vintage magazine-style advertisement from 1944 discussing future technological advancements, with a focus on televisions. Below, there are line drawings of a chair with an integrated TV screen, labeled "TV-chair." Additional text prompts considerations about the timeline of innovations like TV-chairs in museums and artists with their TV channels. The page is dedicated to communication-artist Ray Johnson, possibly indicating a tribute to the fusion of art and technology.

    Untitled

    Nam June Paik, Styria Studio, Experiments in Art and Technology

    1973

    Color photo-screenprint on wove paper  Accession ID  1976.66.20

    Not on view
  • The image shows a collection of abstract shapes and lines, including rectangles, numbers, and curves. These elements combine to form an abstract representation suggesting a mix of technical schematics and artistic sketches. In the center, a figure resembling a horned creature is surrounded by mathematical notations and measurements, labeled as "SKETCH FOR MONOGRAM." The scattered numbers and lines give the impression of planning notes, while the creature-like elements add an organic, imaginative touch.

    Installation Drawing of Monogram

    Robert Rauschenberg, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.21

    Not on view
  • The image displays a composition of geometric shapes and lines, with a large, curving outline defining a portrait set against a vibrant pink background. Cut-out and overlapping forms give an abstract quality, suggesting a human figure dressed in formal attire. The image includes a stylized depiction of a suit, with angular shapes hinting at shoulders and a collar, and a tie that combines a black background with a pattern of yellow dots.

    Lenin?

    Larry Rivers, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint and lithograph on wove paper  Accession ID  1976.66.22

    Not on view
  • The image displays bold, elongated shapes and lines in red, purple, and yellow. The composition resembles forms of nails, wires, or ropes. There are vertical red and purple shapes on the left, and looping and twisting lines on the right. The combination of straight and curved lines creates a dynamic balance.

    Ten Days

    James Rosenquist, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.23

    Not on view
  • The sculpture shows a human figure working on a machine or control panel. The figure is textured and made from a metallic material, giving it an industrial look. The composition is monochromatic, with shades from white to black. The human subject is wearing a suit or uniform, and there are multiple wires extending from a frame in the background. The figure is depicted in a pose of active engagement, leaning forward as if operating or interacting with the equipment.

    Remembrance of Marcel

    George Segal, Styria Studio, Experiments in Art and Technology

    1973

    Photo-screenprint and phonograph record  Accession ID  1976.66.24

    Not on view
  • The image displays a cracked white numeral "8" at the top, surrounded by abstract shapes and scribbles. Two star-shaped figures are to the left, and a large irregularly shaped white blotch is near the bottom right. Handwritten red text is present, giving an enigmatic, abstract quality akin to a chalkboard filled with chalk drawings and scribbles.

    Untitled

    Keith Sonnier, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint with varnish, image from a videotape  Accession ID  1976.66.26

    Not on view
  • The image depicts bold black brushstrokes forming rectangular and elongated shapes at various angles on a white background. The strokes resemble coarse fabric swatches or wooden planks, creating a tactile surface. A smaller cluster of densely packed strokes at the bottom could be seen as a stack of books or ink-stained grass, adding depth and texture to the composition.

    Untitled

    Richard Peter Stankiewicz, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph on wove paper  Accession ID  1976.66.27

    Not on view
  • The image displays an array of diagonal lines and shapes, creating a dynamic composition. It has streaks of black and soft teal spreading across the canvas, with overlapping rectangles resembling sheets of glass or beams of light in a misty atmosphere. The charcoal-like strokes suggest movement, reminiscent of wind-swept rain or rushing shadows, blending organic and geometric elements.

    Untitled

    Cy Twombly, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint and lithograph on wove paper  Accession ID  1976.66.28

    Not on view
  • The image shows a single, thin, irregular black line running horizontally across the center of a white background, creating an abstract effect.

    Untitled

    Robert Whitman, Styria Studio, Experiments in Art and Technology

    1973

    Screenprint on wove paper  Accession ID  1976.66.29.a

    Not on view
  • The image shows long, flowing lines that curve and intersect across the surface, with smaller, dotted lines filling the spaces between them. This abstract composition resembles the grain patterns in wood or the flow of small streams on a map. The lines create movement and depth, evoking familiar textures from natural objects.

    Mao

    Andy Warhol, Julie Martin, Experiments in Art and Technology

    1973

    Xerox photocopy on typewriter paper  Accession ID  1976.66.30

    Not on view

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