In the Omnibus

1890-1891

Mary Cassatt

Associated Names
Mary Cassatt

Artist, American, 1844 - 1926

Two women, one holding a baby on her lap, sit on the long bench seat of an omnibus in this vertical, colored print. The women and their full skirts take up almost the width of the composition against the peacock-blue bench, which extends off both sides. The women and baby’s skin are the color of the cream-white paper. The woman to our left wears a tan-colored, high-collared dress, gloves, and hat. She looks off to our right, almost in profile. She has a round face and the hint of a double chin. One gloved hand rests on a cane. The other woman holds the baby and tips her head down toward the child. That second woman wears a tea rose-pink dress and a hat with areas of darker pink, fern green, and white. Both women’s black hair is pulled up under their hats. The baby’s ruffled white bonnet, blousy garment, stockings, and shoes are also the white of the paper, though the lips are picked out with pink. The structure of the women’s bodices, puffy long sleeves, and long skirts as well as the baby’s clothing are outlined in black. A row of windows behind them, parallel to the top of the bench, are blank, also the color of the paper. The panel behind the women’s legs is peanut brown, and the top of the omnibus is white as well. The artist signed the work with her initials in graphite in the bottom left, “MC.”

Media Options

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On View

West Building Main Floor, Gallery M87


Artwork overview

  • Medium

    color drypoint, softground etching, and aquatint on laid paper

  • Credit Line

    Rosenwald Collection

  • Dimensions

    plate: 36.51 × 26.67 cm (14 3/8 × 10 1/2 in.)
    sheet: 43.2 × 30.1 cm (17 × 11 7/8 in.)

  • Accession Number

    1943.3.2753

  • Catalogue Raisonné

    Mathews and Shapiro 1989, no. 7, iii/vii

More About this Artwork

The image depicts a seated woman wearing a large coat and skirt. She is seated with her body angled to the side, head turned slightly towards the viewer. The woman has delicate facial features, with her hair covered by a fluffy hat. Her hands are resting in her lap as she sits on a wide chair. She is not wearing any visible jewelry or holding any objects. The background features simple vertical lines resembling a plain interior wall, creating a minimalist setting.

Interactive Article:  Mary Cassatt, the Daring Printmaker

The pioneering American impressionist was one of the most innovative printmakers of her generation.


Artwork history & notes

Exhibition History

1951

  • Mary Cassatt and her Parisian Friends, Pasadena Art Institute, CA, 1951, no. 38.

1965

  • Master Prints from the Rosenwald Collection, Virginia Museum of Arts, Richmond; Philadelphia Museum of Art, 1965, no. 113.

1982

  • Lessing J. Rosenwald: Tribute to a Collector, National Gallery of Art, Washington, 1982, no. 90, repro.

1989

  • Mary Cassatt: The Color Prints, National Gallery of Art, Washington, DC; Museum of Fine Arts, Boston; Williams College Museum of Art, Williamstown, 1989-1990., no. 7-III, repro.

Bibliography

1979

  • Breeskin, Adelyn Dohme. Mary Cassatt: A Catalogue Raisonné of the Graphic Work. Washington, DC: Smithsonian Institution Press, 1979, no. 145, ii/iv.

1982

  • Fine, Ruth E. Lessing J. Rosenwald: Tribute to a Collector. Washington, DC: National Gallery of Art, 1982, no. 90.

1989

  • Mathews, Nancy Mowll, and Barbara Stern Shapiro. Mary Cassatt: The Color Prints. New York: Harry N. Abrams, 1989, no. 7, iii/vii.

Inscriptions

recto: below image at left in graphite: M.C.; at bottom right in graphite in later hand: A; verso: none

Markings

recto: none; verso: Lessing Julius Rosenwald (Lugt 1760b) and National Gallery of Art

Watermarks

none?

Wikidata ID

Q64960353

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