Miss Denison of Stonington, Connecticut (possibly Matilda Denison)

c. 1790

The Denison Limner

Painter, American, active c. 1790

Joseph Steward

Painter, American, 1753 - 1822

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Artwork overview

Artwork history & notes

Provenance

Recorded as from Stonington, Connecticut. Descended in the family of the sitter.[1] (Victor Spark, New York), by whom sold in 1947 to Edgar William and Bernice Chrysler Garbisch; by bequest to NGA, 1980.
[1] Although she was previously identified as Phebe Denison [1782-1853], genealogical records and the apparent age of the sitter suggest that this may be a portrait of Matilda [1776-1842], Phebe's older sister. In 1796 Matilda married Samuel Hurlbut, a ship chandler, ship owner, and merchant; they had ten children. Phebe and her husband W. J. Robinson also had ten children, and lived in Morristown, New Jersey. (E. Glenn Denison, et al., Denison Genealogy, Ancestors and Descendants of Captain George Denison, [Stonington, Conn., 1963].)

Associated Names

Exhibition History

1954

  • American Primitive Paintings from the Collection of Edgar William and Bernice Chrysler Garbisch, Part I, National Gallery of Art, Washington, 1954, no. 22.

1955

  • American Primitive Paintings, National Gallery of Art, Washington, D.C., 1955 (replaced temporarily for part of exhibition).

  • Paintings from St. James' Collectors, Wildenstein Gallery, New York, 1955, no. 18.

1958

  • American Folk Art. Part of American Art. Four Exhibitions, Brussels Universal and International Exhibition, Belgium, 1958, no. 48, 37, repro. 36.

1961

  • 101 Masterpieces of American Primitive Painting from the Collection of E.W. and B.C. Garbisch, traveling exh. by the Amer. Federation of Arts, New York, 1961-1964, no. 19, color repro. First venue: The Metropolitan Museum of Art, N.Y.

1967

  • Fifty Masterpieces of American Primitive Painting from the Collection of Edgar William and Bernice Chrysler Garbisch, Society of the Four Arts, Palm Beach, Florida, 1967, no cat.

1968

  • American Naive Painting of the 18th and 19th Centuries: 111 Masterpieces from the Collection of E.W. and B.C. Garbisch, traveling exh. by Amer. Fed. of Arts, N.Y., 1968-1970, no. 27, repro. First venue: Grand Palais, Paris.

1970

  • The New World: 1620-1970, Chrysler Museum of Art, Provincetown, Massachusetts, 1970, no. 6.

1978

  • The American Folk Art Tradition: Paintings from the Garbisch Collection, National Gallery of Art, Washington, D.C., 1978.

1985

  • American Naive Paintings from the National Gallery of Art, traveling exhibition by the International Exhibitions Foundation, Washington, 1985-1987, no. 24, color repro. First venue: Museum of American Folk Art, N.Y.

1988

  • La Nascita di Una Nazione: Pittori americani dalla National Gallery of Art di Washington 1730-1880, Palazzo Pepoli Campogrande, Bologna; Galleria Internazionale d'Arte Moderna di Ca'Pesaro, Venice, 1988-1989, no. 24, repro.

Bibliography

1957

  • Little, Nina Fletcher. "Little-Known Connecticut Artists, 1790-1810." Connecticut Historical Society Bulletin 22 (October 1957): 100-101.

1965

  • Warwick, Edward, Henry Pitz, and Alexander Wyckoff. Early American Dress: The Colonial and Revolutionary Periods. New York, 1965: 96.

1966

  • Black, Mary and Jean Lipman. American Folk Painting. New York, 1966: 20, 21, 35.

1972

  • Schloss, Christine Skeeles. The Beardsley Limner and Some Contemporaries: Postrevolutionary Portraiture in New England, 1775-1805. Exh. cat. Abby Aldrich Rockefeller Folk Art Center, Williamsburg, Va., 1972: 36.

1981

  • Harlow, Thompson R. "The Life and Trials of Joseph Steward." Connecticut Historical Society Bulletin 46 (October 1981): 111, 117, 126, 129.

1992

  • Chotner, Deborah, with contributions by Julie Aronson, Sarah D. Cash, and Laurie Weitzenkorn. American Naive Paintings. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 88-90, repro. 89.

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 158, repro.

Wikidata ID

Q20179822

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