Eighth Station

1966/1967

Robert Cremean

Associated Names
Robert Cremean

Artist, American, born 1932

Tamarind Institute

Publisher

The image shows intersecting lines and geometric shapes on a plain background. An abstract figure of a person is depicted with defined lines and shadowing. Above the figure, there are three squares, two of which are shaded, resembling cubes. The largest cross-like shape intersects the body, with an arm and leg in motion.
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Artwork overview

  • Medium

    lithograph (stone) in light pink-brown, light pinkand black on white Nacre paper

  • Credit Line

    Gift of Dorothy J. and Benjamin B. Smith

  • Dimensions

    sheet: 56.2 x 38.4 cm (22 1/8 x 15 1/8 in.)

  • Accession Number

    1983.18.419.8

Associated Artworks

See all 14 artworks
The image displays various lines and shapes forming an abstract composition. On the left, intersecting lines create a geometric figure with a partially shaded body resembling a person reaching out, with flowing curves below. On the right, three upright human-like figures are against a grid backdrop, with overlaid diagonal lines crossing them out. The top left figure holds a block shape, reminiscent of classical sculptures or signage figures. The figures on the right suggest people in thought or repose, each topped with crown-like elements.

First Station

Robert Cremean, Tamarind Institute

1966

The sculpture is an abstract form resembling a closed wooden book or a large hinge. It is crafted from wood with a smooth texture and a natural brown finish. The sculpture's front face is a rectangular surface divided into smaller rectangular segments by thin lines, with a vertical hinge-like element on the left, highlighted by a contrasting material, possibly metal with a brass or gold tone. This composition gives the impression of functionality, like a door or book, but remains purely abstract and non-representational in its artistic presentation.

Fourteen Stations of the Cross

Robert Cremean, Tamarind Institute

1966

The image showcases intersecting lines and geometric shapes forming an abstract arrangement. A large X shape is central, with three spheres resembling heads along its vertical axis. A contorted human form and a small square connected by a thin line are also included.

Second Station

Robert Cremean, Tamarind Institute

1966

Artwork history & notes

Bibliography

1989

  • Devon, Marjorie, and Peter Walch. Catalogue Raisonné: Tamarind Lithography Workshop, Inc., 1960-1970. Albuquerque: University of New Mexico Art Museum, 1989, no. 1886.

Inscriptions

on verso in graphite: (signed, numbered) / Tam. Imp.

Markings

IS: Tamarind (T.1), Smith (T.41)

Wikidata ID

Q74041579

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