Eleventh Station

1967

Robert Cremean

Associated Names
Robert Cremean

Artist, American, born 1932

Tamarind Institute

Publisher

The image shows a composition of geometric lines and shapes forming an abstract human figure. The figure is reclining within a triangular form that resembles a tilted platform. Two square outlines are positioned above the form. The figure is outlined with flowing lines, and its posture suggests relaxation, with one arm extended upwards and the other downwards. Nearby, smaller geometric shapes such as cones, circles, and a rectangular object are scattered.
This object’s media is not available for download. Contact us about image usage.
Not on view See artworks now on view

Artwork overview

  • Medium

    lithograph (stone) in black and brown on wove Nacre paper

  • Credit Line

    Gift of Dorothy J. and Benjamin B. Smith

  • Dimensions

    sheet: 56.2 x 38.4 cm (22 1/8 x 15 1/8 in.)

  • Accession Number

    1983.18.419.11

Associated Artworks

See all 14 artworks
The image displays various lines and shapes forming an abstract composition. On the left, intersecting lines create a geometric figure with a partially shaded body resembling a person reaching out, with flowing curves below. On the right, three upright human-like figures are against a grid backdrop, with overlaid diagonal lines crossing them out. The top left figure holds a block shape, reminiscent of classical sculptures or signage figures. The figures on the right suggest people in thought or repose, each topped with crown-like elements.

First Station

Robert Cremean, Tamarind Institute

1966

The sculpture is an abstract form resembling a closed wooden book or a large hinge. It is crafted from wood with a smooth texture and a natural brown finish. The sculpture's front face is a rectangular surface divided into smaller rectangular segments by thin lines, with a vertical hinge-like element on the left, highlighted by a contrasting material, possibly metal with a brass or gold tone. This composition gives the impression of functionality, like a door or book, but remains purely abstract and non-representational in its artistic presentation.

Fourteen Stations of the Cross

Robert Cremean, Tamarind Institute

1966

The image showcases intersecting lines and geometric shapes forming an abstract arrangement. A large X shape is central, with three spheres resembling heads along its vertical axis. A contorted human form and a small square connected by a thin line are also included.

Second Station

Robert Cremean, Tamarind Institute

1966

Artwork history & notes

Bibliography

1989

  • Devon, Marjorie, and Peter Walch. Catalogue Raisonné: Tamarind Lithography Workshop, Inc., 1960-1970. Albuquerque: University of New Mexico Art Museum, 1989, no. 1889.

Inscriptions

on verso in graphite: (signed, numbered) / Tam. Imp.

Markings

IS: Tamarind (T.1), Smith (T.41)

Wikidata ID

Q74041588

You may be interested in

Loading Results