Artworks associated with “Shell Ginger”

29 results found

Results

  • The image shows an abstract cluster of flowers with petals and large leaves. It is rendered in a black and white color palette, creating contrast between dark ink strokes and lighter areas. The flowers are centered with leaves extending outward, framing them. Some speckled shading adds texture to the flowers and leaves.

    Yellow Pitcher Plant

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _yellow pitcher plant_ by thom gunn)  Accession ID  1991.114.3.k

    Not on view
  • The image shows large, pointed leaves and a prominent five-petaled flower in the foreground, outlined in bold black against a textured background. The color palette is monochromatic, with varying shades of black and gray on a white surface. The flower is centrally positioned at the bottom, with the leaves extending upwards around it. Thin, chaotic lines fill the background, creating a sense of depth and movement across the image.

    Carrion Flower

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _van stapel's vision_ by robert creeley)  Accession ID  1991.114.3.l

    Not on view
  • The image shows two large floral structures with round clusters on tall stems and broad, leafy bases. The color scheme is primarily black, white, and grey. Large leaves are prominent in the foreground, arching from the bottom center towards the sides, while the floral clusters rise above with patterned circles creating a textured appearance.

    Auricula

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _spring_ by edith sitwell)  Accession ID  1991.114.3.m

    Not on view
  • The image shows a lotus flower in black and white. There is a lotus bud to the right of the flower, surrounded by large leaves.

    Blue Egyptian Water Lily

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the freeing of the dust_ by denise levertov)  Accession ID  1991.114.3.n

    Not on view
  • The image showcases large, dark botanical forms with distinct leaves and clusters of smaller floral shapes spread across the page. The color palette consists of shades of black and white, primarily utilizing charcoal shades on a light background to create contrast and depth. Positioned at varying heights, the largest plant stems extend vertically from the bottom, with leaves and floral elements spreading outward and upward, crisscrossing against the softly textured background that is filled with visible sketch lines and marks.

    Narrow-Leaved Kalmia

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _kalmia angustifolia_ by jonathan williams)  Accession ID  1991.114.3.o

    Not on view
  • The image shows five large flowers with intricate detailing on thin stems. The color palette is black and white, with the flowers and stems outlined in black against a white background. In the image, there is one flower at the top left, another to its right, and two more below them on the left and right. A fifth flower bud is positioned below the upper flowers, slightly to the left.

    Carnation

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the poems of our climate_ by wallace stevens)  Accession ID  1991.114.3.p

    Not on view
  • The image consists of jagged and flowing lines, creating an abstract composition. In the center, there is a large, curvilinear shape that resembles a billowing cloak or sail, with strong vertical lines. This central form extends from a textured base and is surrounded by swirling lines and patches of contrasting dark and light areas. The artwork presents an abstract tableau, where shapes align to hint at familiar objects while remaining ambiguous.

    Dragon Arum

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _vanity_ by robert graves)  Accession ID  1991.114.3.q

    Not on view
  • The image shows a single palm tree depicted in a vertical orientation, filling the frame. There is no visible horizon line. The tree spans from its dark base to its leafy crown, drawn with expressive charcoal strokes. The strokes create texture on the trunk and fronds. Light, sketchy lines in the background suggest movement or a windy environment. The color palette is monochromatic black and white, with shades of gray adding depth against a light background.

    Shooting-Star

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _american cowslip_ by ron padgett)  Accession ID  1991.114.3.r

    Not on view
  • The composition is a monochromatic etched cluster of six lilies in various stages of growth that emerge from the bottom of a vertical rectangular page. Starting at the bottom of the page, a single dark stem moves up from the center surrounded by small pointed leaves and tightly closed buds curving toward the lower left. Moving up the image, the stem separates into three large white blossoms that overtake the center of the frame. Five of the lilies face us. One lily in the bottom right reveals the back of the petals and base where it connects to the stem. The blossoms have wide flared petals that appear bright against darker surroundings. The flowers are defined with a variety of thick and thin black lines. At the center of the forward-facing lilies, thin stalks with black dots reach outward. Above the main blossoms, the cluster continues with a long, slender bud pointing toward the upper right and another partially opened blossom on the left. These elements form a curved shape that span to the height of the image. The flowers contrast against a background of deep black and dark grey. Scratch marks, straight hatching, and swirling lines fill in the negative space around the cluster. The heavy application of black is concentrated at the bottom of the composition, while the top remains lighter with three patches of deep black.

    Madonna Lily

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _sonnet_ by e.e. cummings)  Accession ID  1991.114.3.s

    Not on view
  • The image shows a composition of swirling and intersecting lines, creating an abstract form. The lines intertwine in a flowing pattern, with some sharper lines cutting through. At the top, there are pointed, arrow-like shapes, adding to the composition. The play of light and dark contrasts with the texture of the lines.

    Daylily

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _the day lily_ by ronald johnson)  Accession ID  1991.114.3.t

    Not on view
  • The image shows black silhouettes of plants with tall stems, leaves, and flowers against a white background. The color palette is monochromatic, predominantly black and white. The leaves and flowers start from the bottom center and spread across the image, with flower clusters positioned toward the top, extending left and right. The leaves arch upwards and intermingle with the stems at the lower part of the image.

    Hyacinth

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _moment fugue_ by hart crane)  Accession ID  1991.114.3.u

    Not on view
  • The image shows large, detailed roses drawn in dark black lines on a light background. The color palette includes black, white, and shades of gray. The roses are the central focus, with their stems and leaves spreading across the composition. The flowers are in different stages of bloom, with some fully open and others budding. The background has a textured appearance, enhancing the depth of the floral arrangement.

    Rose

    Jim Dine

    1984

    Drypoint, engraving, and electric tool work on rives bfk paper (facing _how roses get black_ by frank o'hara)  Accession ID  1991.114.3.v

    Not on view

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