Yarmouth Jetty
1822
Artist, British, 1776 - 1837

Artwork overview
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Medium
oil on canvas
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Credit Line
Gift of Ruth Carter Stevenson in Honor of the Fiftieth Anniversary of the National Gallery of Art
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Dimensions
overall: 31.7 × 50.8 cm (12 1/2 × 20 in.)
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Accession
2016.115.1
Artwork history & notes
Provenance
John Gibbons [1777-1851], Corbyn's Hall, Staffordshire, and London;[1] by inheritance to his son, the Reverend Benjamin Gibbons [1824-1894], Waresley House and Waresley Court, Worcestershire, and London;[2] (sale, Christie, Manson & Woods, London, 26 May 1894, no. 6); purchased by (Thos. Agnew and Sons, Ltd., London) for Sir Charles Clow Tennant, 1st bt. [1823-1906], The Glen, near Innerleithen, Peeblesshire, Scotland; by descent in the family to his great-grandson, Colin Christopher Paget Tennant, 3rd baron Glenconner [1926-2010], The Glen;[3] sold November 1975 through (Thos. Agnew and Sons, Ltd., London) to Mrs. Ruth Carter Stevenson [1923-2013], Fort Worth; bequest to NGA.[4]
[1] Gibbons was an ironmaster and art patron from Edgbaston near Birmingham, and he had a gallery specially built for his collection at his London home, 16 Hanover Terrace, Regent's Park. See: Kathryn Moore Heleniak, "John Gibbons and William Mulready: The Relationship between a Patron and a Painter," The Burlington Magazine 124, no. 948 (March 1982): 136-141.
[2] Rev. Gibbons lent the painting to the 1890 Winter Exhibition at the Royal Academy of Arts in London.
[3] The 3rd baron's father, Christopher Grey Tennant, 2nd baron Glenconner (1899-1983), was still living when the painting was sold to NGA's donor, and the 2nd baron would have been the Lord Glenconner who lent the painting to a 1951 exhibition at the Royal Academy of Arts in London. However, documents in NGA curatorial files given by the donor all name Colin Tennant as the painting's owner.
[4] At the time of her 1975 purchase of the painting, the NGA donor was married to J. Lee Johnson III. She married Johnson in 1946 and they were divorced in 1978; she married John "Jack" Stevenson in 1983. In 1991 Mrs. Stevenson promised the painting as a bequest to the NGA.
Associated Names
Exhibition History
1823
British Institution, London, 1823, no. 148.
1890
Exhibition of Works by the Old Masters, and by Deceased Masters of the British School; including a collection of drawings and models by Alfred Stevens. Winter Exhibition, Royal Academy of Arts, London, 1890, no. 52, as Sea-Piece, with Jetty.
1897
Twenty Masterpieces of the English School, Thos. Agnew and Sons, Ltd., London, 1897, no. 3.
1903
Exhibition of Works by the Old Masters and Deceased Masters of the British School. Winter Exhibition, Royal Academy of Arts, London, 1903, no. 41.
1951
The First Hundred Years of the Royal Academy, 1769-1868. Winter Exhibition, Royal Academy of Arts, London, 1951-1952, no. 206, as Yarmouth Pier.
1954
Dutch Painting and the East Anglian School, Castle Museum, Norwich, 1954, no. 16.
1991
Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art, National Gallery of Art, Washington, D.C., 1991, unnumbered catalogue, color repro.
2009
From the Private Collections of Texas: European Art, Ancient to Modern, Kimbell Art Museum, Fort Worth, 2009-2010.
Bibliography
1902
Holmes, Charles John. Constable and His Influence on Landscape Painting. Westminster, 1902: 246.
1937
Leslie, Charles Robert, and Andrew Shirley. Memoirs of the life of John Constable, R.A., by C.R. Leslie, R.A., edited and enlarged by the Hon. Andrew Shirley. London, 1937: lxix, 137, 142, pl. 79.
Inscriptions
lower left: John Constable pinxt. 1822.
Wikidata ID
Q46626759