Provenance

Estate of Mr. Thomas G. Klarner

Estate of Thomas Klarner

1954 - 2014

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See all 54 works of art
The image features swirling and looping lines creating an abstract backdrop with shadows visible. Two silhouettes resembling soldiers or guards holding rifles are present, one stationary and the other in motion. Shadow-like forms resembling wrought iron fencing are present at the bottom of the image. The shadows and shapes give the impression of a scene viewed through a veil of tangled lines.
William Kentridge, Galamander Press, David Krut Fine Art, Man/Woman, 2003, photogravure with drypoint on wove paper, Thomas G. Klarner Collection, Gift of Neal Turtell, 2018.24.5

Man/Woman

William Kentridge, Galamander Press, David Krut Fine Art · 2003 · photogravure with drypoint on wove paper ·  Accession ID  2018.24.5

This is a drawing of phrases related to irritation and annoyance. The drawing features white handwritten words and phrases on a dark background. The words are connected by lines that group them into semantic clusters expressing related meanings or actions that cause irritation. Some words and phrases are inside bubbles to emphasize connections between them. The drawing visually represents synonyms and expressions used to describe annoying or provoking someone. The layout encourages viewers to explore the associations and levels of intensity between these terms.
Mel Bochner, Two Palms Press, Inc., Two Palms Press, Inc., Craig Zammiello, Douglas Volle, Georgia Kung, Aggravate from Schematics, 2010, etching with aquatint on wove Somerset paper, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.4

Aggravate from Schematics

Mel Bochner, Two Palms Press, Inc., Two Palms Press, Inc., Craig Zammiello, Douglas Volle, Georgia Kung · 2010 · etching with aquatint on wove Somerset paper ·  Accession ID  2022.35.4

Various shapes and lines interact through layers of texture and color in this abstract composition. The upper section consists of a dark rectangular shape against a beige background. Below, an orange overlay merges with an image of a vehicle, hinting at an abstract landscape with faintly visible figures and a motorcycle. At the bottom, rounded shapes in vivid blue and white resemble a stack of cans or containers, adding depth and dimension to the piece. The colors and irregular shapes evoke a semi-industrial scene with everyday objects.
Robert Rauschenberg, Universal Limited Art Editions, Universal Limited Art Editions, Retreat from Ground Rules, 1997, photogravure with embossing on wove Arches En Tout Cas paper, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.51

Retreat from Ground Rules

Robert Rauschenberg, Universal Limited Art Editions, Universal Limited Art Editions · 1997 · photogravure with embossing on wove Arches En Tout Cas paper ·  Accession ID  2022.35.51

This print features a complex network of swirling lines, arcs, and splatters across the pale blue canvas. The swirling lines and splashes are in shades of orange, yellow, pink, green, blue, and purple. There are also thin grids of black lines in the center from which many of the colorful swirls seem to emerge.
Julie Mehretu, Cole Rogers, Entropia (review), 2004, color screenprint and lithograph on Arches 88 paper, Thomas G. Klarner Collection, Gift of Neal Turtell, 2018.24.1

Entropia (review)

Julie Mehretu, Cole Rogers · 2004 · color screenprint and lithograph on Arches 88 paper ·  Accession ID  2018.24.1

The image features a portrait from the upper body up, centered on the face and shoulders. The person faces forward, with the portrait split into two styles. One side shows detailed shading of facial features and long hair, while the other side presents a monochromatic linear drawing of the eye, eyebrow, and hair. Abstract shapes in black and gold hint at clothing along one shoulder. The background is neutral, and the lower part includes graphic elements and a signature by Andy Warhol.
Andy Warhol, Studio Heinrici, Seabird Editions, Mick Jagger, 1975, color screenprint on Arches Aquarelle wove paper, Gift of Thomas G. Klarner, 1993.49.1

Mick Jagger

Andy Warhol, Studio Heinrici, Seabird Editions · 1975 · color screenprint on Arches Aquarelle wove paper ·  Accession ID  1993.49.1

The image displays various lines and shapes, including a semi-circular structure with grid patterns resembling windows. The abstract composition combines text, layered images, and colors, creating a complex visual effect. Included are brick textures, a classical bust, and partial faces, along with a mix of blue, red, and brown tones.
Robert Rauschenberg, Universal Limited Art Editions, Universal Limited Art Editions, Banco from Ground Rules, 1996, photogravure on wove Arches En Tout Cas paper, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.50

Banco from Ground Rules

Robert Rauschenberg, Universal Limited Art Editions, Universal Limited Art Editions · 1996 · photogravure on wove Arches En Tout Cas paper ·  Accession ID  2022.35.50

The image displays swirling lines and curves forming an intricate network of shapes resembling loops and spirals. A shadowy figure resembling a person riding a bicycle is overlaid on the design. The background consists of vertical and horizontal lines resembling a lattice or grid.
William Kentridge, Galamander Press, David Krut Fine Art, Prosthetic Leg, 2003, photogravure with drypoint on wove paper, Thomas G. Klarner Collection, Gift of Neal Turtell, 2018.24.6

Prosthetic Leg

William Kentridge, Galamander Press, David Krut Fine Art · 2003 · photogravure with drypoint on wove paper ·  Accession ID  2018.24.6

This abstract image features rectangular and circular shapes layered over each other against a backdrop of dark gray tones with blocks of bright blue color. In the upper section, the words "Vote Baby Vote" appear within a rectangle next to an illustration of an animal in motion. Various shapes and colors evoke objects like posters, windows, and doors floating in a dreamlike space, connected by linear elements and slightly blurred imagery, resembling a collage.
Robert Rauschenberg, Universal Limited Art Editions, Universal Limited Art Editions, Fred Genis, Guardian, 1968, lithograph with embossing on wove German Copperplate paper, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.48

Guardian

Robert Rauschenberg, Universal Limited Art Editions, Universal Limited Art Editions, Fred Genis · 1968 · lithograph with embossing on wove German Copperplate paper ·  Accession ID  2022.35.48

The image shows swirling lines in the background and two distinct silhouettes in the foreground. One silhouette resembles a figure on horseback, while the other appears to be a feminine figure in a flowing dress.
William Kentridge, Galamander Press, David Krut Fine Art, Soldiers/Italian Front, 2003, photogravure with drypoint on wove paper, Thomas G. Klarner Collection, Gift of Neal Turtell, 2018.24.7

Soldiers/Italian Front

William Kentridge, Galamander Press, David Krut Fine Art · 2003 · photogravure with drypoint on wove paper ·  Accession ID  2018.24.7

Abstract artwork displaying interconnected words and phrases in a web-like structure. Lines connect these words creating a pattern resembling a branching tree or neural network. Each word or phrase is outlined, similar to leaves on a tree. The phrases are connected by arrows, creating a sense of flow and direction. The composition encourages exploration of connections between familiar expressions.
Mel Bochner, Two Palms Press, Inc., Two Palms Press, Inc., Craig Zammiello, Douglas Volle, Doug Bennett, Criticize from Schematics, 2010, etching with aquatint on wove Somerset paper, Gift of Neal T. Turtell and Thomas G. Klarner, 2022.35.5

Criticize from Schematics

Mel Bochner, Two Palms Press, Inc., Two Palms Press, Inc., Craig Zammiello, Douglas Volle, Doug Bennett · 2010 · etching with aquatint on wove Somerset paper ·  Accession ID  2022.35.5