Gertrude Laughlin Chanler

Chanler, Hubert Mrs.
Chanler, Gertrude Laughlin Estate of

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François Boucher, The Adoration of the Shepherds, 1758/1760, black chalk, pen and brown ink with brown wash, heightened with white gouache and white chalk on cream laid paper, laid down, Gift of Gertrude Laughlin Chanler, 2000.9.2

The Adoration of the Shepherds

François Boucher · 1758/1760 · black chalk, pen and brown ink with brown wash, heightened with white gouache and white chalk on cream laid paper, laid down ·  Accession ID  2000.9.2

Gabriel de Saint-Aubin, Ballet from "The Rival Fairies", 1748, pen and black ink with gray wash on light beige laid paper, with a loose border line by the artist in pen and gray ink, Gift of Gertrude Laughlin Chanler, 2000.9.23.a

Ballet from "The Rival Fairies"

Gabriel de Saint-Aubin · 1748 · pen and black ink with gray wash on light beige laid paper, with a loose border line by the artist in pen and gray ink ·  Accession ID  2000.9.23.a

Gabriel de Saint-Aubin, Sketches of Dancers and Heads of Putti, 1748, pen and black ink with gray wash on laid paper, Gift of Gertrude Laughlin Chanler, 2000.9.23.b

Sketches of Dancers and Heads of Putti

Gabriel de Saint-Aubin · 1748 · pen and black ink with gray wash on laid paper ·  Accession ID  2000.9.23.b

Jean-Claude-Richard, Abbé de Saint-Non, Le Petit Parc, 1763/65, etching on laid paper, Gift of Gertrude Laughlin Chanler, 2000.9.11

Le Petit Parc

Jean-Claude-Richard, Abbé de Saint-Non · 1763/65 · etching on laid paper ·  Accession ID  2000.9.11

Sketched with red and white chalk on tan-colored paper, a nude woman sits looking down to our right in this vertical drawing. The woman’s body is angled to our right, and she has a round face with a small nose, bow-shaped mouth, and slight double chin. A few lines suggest her hair is swept up and back from her forehead. She leans onto her left elbow, to our right and farther from us, which appears to rest on a bank of clouds. She reaches forward with her other hand to hold some drapery. She has soft, rounded arms, tummy, and thighs, and her ankles are crossed. The artist signed the lower left corner, “f. boucher.”
François Boucher, Aurora, c. 1733, red and white chalk on brown laid paper, with later framing line in brown ink, Gift of Gertrude Laughlin Chanler, 2000.9.3

Aurora

François Boucher · c. 1733 · red and white chalk on brown laid paper, with later framing line in brown ink ·  Accession ID  2000.9.3

François Boucher, The Death of the Virgin, 1750s, pen and brown ink and brown wash over red chalk on cream laid paper, laid down, Gift of Gertrude Laughlin Chanler, 2000.9.1

The Death of the Virgin

François Boucher · 1750s · pen and brown ink and brown wash over red chalk on cream laid paper, laid down ·  Accession ID  2000.9.1

Francesco Guardi, View of the Rialto Bridge, Venice, pen and brown ink with brown wash and watercolor on laid paper, laid down, Gift of Gertrude Laughlin Chanler, 2000.9.15

View of the Rialto Bridge, Venice

Francesco Guardi · · pen and brown ink with brown wash and watercolor on laid paper, laid down ·  Accession ID  2000.9.15

Jean Honoré Fragonard, Don Quixote Defeated by the Windmill, 1780s, brush with brown and gray washes over charcoal on laid paper, Gift of Gertrude Laughlin Chanler, 2000.9.10

Don Quixote Defeated by the Windmill

Jean Honoré Fragonard · 1780s · brush with brown and gray washes over charcoal on laid paper ·  Accession ID  2000.9.10

François Boucher, Venus, c. 1754, black chalk with touches of red chalk, heightened with white chalk on gray paper, Gift of Gertrude Laughlin Chanler, 2000.9.5

Venus

François Boucher · c. 1754 · black chalk with touches of red chalk, heightened with white chalk on gray paper ·  Accession ID  2000.9.5

Pierre Thomas Le Clerc, A Lady and Gentleman with Exaggerated Headdresses, 1778/1780, red chalk on beige laid paper, Gift of Gertrude Laughlin Chanler, 2000.9.17

A Lady and Gentleman with Exaggerated Headdresses

Pierre Thomas Le Clerc · 1778/1780 · red chalk on beige laid paper ·  Accession ID  2000.9.17