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This is a drawing of the reformation of the Church of England. The image depicts an elaborate allegorical scene featuring architectural structures and symbolic actions against elements like "Superstition" and "Religion." Figures are engaged in activities on two sides; on one, individuals are dismantling or confronting structures labeled as "Superstition," while on the other, they appear to be building or maintaining a structure under the banner "Religion." The scene is set within an architectural framework with decorative columns and a grand arch adorned with a banner displaying the event's title. Symbols of authority and scripture are present, indicating a rich religious and political context.
Robert White, Title Page to Gilbert Burnet, Historie of theReformation of the Church of England, engraving, Rosenwald Collection, 1951.11.863

Title Page to Gilbert Burnet, Historie of theReformation of the Church of England

Robert White · · engraving ·  Accession ID  1951.11.863

The image shows a portrait of an elderly man facing slightly to his left. He has a solemn expression with detailed facial features, including a prominent nose, expressive eyes, and a beard covering his chin and cheeks. He wears an elaborate hat, possibly associated with ecclesiastical or scholarly attire. His attire includes a high ruffled collar, fur-lined cloak or robe, indicating a person of status. The background features an oval frame with inscriptions and shaded engravings, typical of historical portraiture.
Karel van Mallery, M. de Chalvel, engraving, Rosenwald Collection, 1950.14.276

M. de Chalvel

Karel van Mallery · · engraving ·  Accession ID  1950.14.276

The image is an engraving of a man seated and facing forward. He has a beard, mustache, and deep-set eyes. He is wearing a robe, hat, and holding a scroll. The background has a floral motif and a cartouche above his head with a lion with wings sitting on a book surrounded by light. The engraving is framed with intricate detailing.
Robert Vaughan, A Venetian Doge, engraving, Rosenwald Collection, 1951.11.376

A Venetian Doge

Robert Vaughan · · engraving ·  Accession ID  1951.11.376

The image shows an engraving of a person depicted from the waist up, seated in a frontal position. The person has a solemn expression, with a rounded face and small, closed lips. Their hair is covered by a dark veil. They are dressed in a formal, loose-fitting robe or habit with a lighter garment underneath that ties at the neck. The person's hands are clasped together, holding the edge of their dark veil. The background is filled with fine lines suggesting a textured backdrop, and there is a caption on the lower part of the image identifying the person as Serenissima D. Isabella Clara Eugenia.
Lucas Emil Vorsterman, Isabella Clara Eugenie as a Nun, engraving, Rosenwald Collection, 1950.14.700

Isabella Clara Eugenie as a Nun

Lucas Emil Vorsterman · · engraving ·  Accession ID  1950.14.700

This image depicts a half-length portrait of a man in engraved form. He is seated, facing slightly to the right with his head turned towards the viewer. The man has a beard and mustache, with short curled hair and a crown-like headpiece. He wears elaborate armor with a circular collar resembling a ruff. His left hand rests on a baton or staff across his midsection. The background is filled with shading for depth, and there is an inscription below the image.
Aegidius Sadeler II, Emperor Rudolph II, 1609, engraving, Rosenwald Collection, 1950.14.1050

Emperor Rudolph II

Aegidius Sadeler II · 1609 · engraving ·  Accession ID  1950.14.1050

The image depicts an engraving of a man's upper body. The man stands with his body slightly turned, facing the viewer with a direct gaze. He has a mustache and wavy hair falling to his shoulders. He is wearing a high-collared garment with a robe or cloak on his shoulders. One hand is raised, holding a crucifix emitting radiant lines with the initials "IHS" nearby, while the other hand appears to hold a small, circular object. The background includes architectural elements like brickwork and a column, with foliage visible on the left side.
Jacobus Neeffs, Thomas Holland, Jesuit, engraving, Rosenwald Collection, 1950.14.679

Thomas Holland, Jesuit

Jacobus Neeffs · · engraving ·  Accession ID  1950.14.679

The sketch depicts three figures in a flowing, undefined space. Two of the figures have a partial view of their bodies shown, while the third is a more full-length figure situated more toward the center and slightly to the right. The central figure appears to be seated with legs bent and arms crossed or placed across the lap. The facial features of the figures are not detailed, and their hair is loosely rendered. The clothing of the figures is loosely draped with flowing lines and fabric. There are no distinct ornaments or objects in their hands. The background features soft, fluid strokes and shapes creating an abstract atmosphere. The overall composition is in earthy tones, light to darker maroon shades, giving a warm tone to the artwork.
Johann Michael Rottmayr, Susanna and the Elders, c. 1700, red chalk with red and brown wash and white heightening on laid paper, Director's Discretionary Fund, 2000.65.7

Susanna and the Elders

Johann Michael Rottmayr · c. 1700 · red chalk with red and brown wash and white heightening on laid paper ·  Accession ID  2000.65.7

The image displays an elevated view of an intricate architectural structure resembling a cathedral or church. The horizon is subtly visible, showcasing distant structures on a flat landscape. The illustration features detailed linework in black and white, highlighting gothic design elements like pointed arches, rose windows, and ornate facades and towers. The drawing emphasizes precise architectural details, including smaller buildings in the distance, suggesting an urban setting. Clouds fill the sky, and figures and putti add a baroque influence. The artwork conveys a formal atmosphere, emphasizing architectural grandeur and precision.
Michael Ostendorfer, The New Church of the Beautiful Virgin at Regensburg, c. 1520, woodcut printed from three blocks and letterpress on two sheets of laid paper, Ailsa Mellon Bruce Fund, 2006.101.1

The New Church of the Beautiful Virgin at Regensburg

Michael Ostendorfer · c. 1520 · woodcut printed from three blocks and letterpress on two sheets of laid paper ·  Accession ID  2006.101.1

The image shows a portrait of a man in armor with curly hair, holding a baton. He is positioned facing slightly to the right, and his facial features include a prominent nose and lips. Surrounding him are decorative elements such as draped cloth, armor, and weaponry. Above him is a crest with stars and stripes, and below is a circular element with Roman numerals and text. The background has intricate lines and shading, with Latin inscriptions on the frame. The lower section features a block of text that may be a dedication or commemoration.
John Droeshout, Richard Elton of Bristol, 1650, engraving, Rosenwald Collection, 1950.14.426

Richard Elton of Bristol

John Droeshout · 1650 · engraving ·  Accession ID  1950.14.426

This image shows a portrait of a person in profile view, facing to the right. The individual's upper body, from head to shoulders, is portrayed with distinct facial features including a prominent nose, full beard, and mustache. The person's hair is styled back, revealing a receding hairline. They wear a high-collared ruff and clothing that resembles formal or military attire, possibly armor. The background features a dark, cross-hatched oval within a rectangular frame, with inscriptions identifying the person as Ferdinandus Gonzaga.
Unknown 19th Century, Ferdinand Gonzaga, engraving, Rosenwald Collection, 1950.14.544

Ferdinand Gonzaga

Unknown 19th Century · · engraving ·  Accession ID  1950.14.544