Provenance

Estate of Professor William B. O'Neal

Displaying 1 - 12 of 306

Cliff End, Weybourne [recto]

John Northcote Nash

c. 1970

Watercolor over graphite on laid paper Accession ID 1995.52.128.a

Not on view
Cliff End, Weybourne [verso]

John Northcote Nash

c. 1970

Watercolor over graphite, squared in graphite, on laid paper Accession ID 1995.52.128.b

Not on view
Study for "Beast"

Lynn Chadwick

1961

Pen and brown ink with wash on tracing paper Accession ID 1995.52.17

Not on view
Study for "Watcher"

Lynn Chadwick

1961

Black ink applied with block or paperboard edge on wove paper Accession ID 1995.52.18

Not on view
Studies of William B. O'Neal

Lilian Westcott Hale

1959

Graphite on wove paper Accession ID 1995.52.68

Not on view
Flowers on a Windowsill

Ludwig Bemelmans

before 1959

Graphite on tracing paper Accession ID 1995.52.5

Not on view
William B. O'Neal

Lilian Westcott Hale

1959

Charcoal and black chalk on wove paper Accession ID 1995.52.65

Not on view
Study for "Mantis" [recto]

Graham Sutherland

1950

Black chalk heightened with white chalk on brown wove paper Accession ID 1995.52.176.a

Not on view
Study for "Thorn Head" [verso]

Graham Sutherland

1949

Black chalk heightened with white chalk on brown wove paper Accession ID 1995.52.176.b

Not on view
Deux Travestis (Two Travesties)

Jean Cocteau

published 1947

1 vol: ill: text with 3 lithographs in black including title page, 1 tailpiece and 1 initial Accession ID 1995.52.219

Not on view
English, Scottish & Welsh Landscape

Geoffrey Taylor, Sir John Betjeman, John Piper

published 1944

1 vol: ill: text with 12 color lithographs (versos blank) Accession ID 1995.52.222

Not on view
Methods of Destruction

Keith Vaughn

1941

Pen and brown ink with brown wash on wove paper Accession ID 1995.52.188

Not on view