Provenance

Campbell Fine Art

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The scene depicts a family resting on a grassy area, with a man sitting, a woman standing with a jug, and two children interacting with them. There is a group of grazing animals, likely goats, on the left. In the background, there is a forested area leading to architectural structures resembling castles. The sky above is expansive, with a calm and serene atmosphere created by a color palette of soft greys and whites. The artwork showcases fine, detailed brushstrokes, particularly in the grassy textures and foliage.
Francis Danby, Samuel Jackson, James Johnson, Scenery of Bristol, 1823, complete folio of three lithographs on wove paper, Ailsa Mellon Bruce Fund, 2017.146.1

Scenery of Bristol

Francis Danby, Samuel Jackson, James Johnson · 1823 · complete folio of three lithographs on wove paper ·  Accession ID  2017.146.1

The image shows a bull walking through a wooded area. The bull's detailed features and textures are depicted in a black and white engraving style. The landscape behind the bull includes trees and another bull grazing in the distance.
Thomas Bewick, The Wild Bull of Chillingham, 1789, wood engraving on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.5

The Wild Bull of Chillingham

Thomas Bewick · 1789 · wood engraving on wove paper ·  Accession ID  2017.53.5

The image shows an aerial view of a historical landscape with ancient architectural ruins, trees, and a group of figures in period clothing. The ruins, including a central structure, are detailed with fine lines capturing textures and architectural details. The color palette is monochrome with muted browns and grays. Linear shading in the sky suggests clouds, adding atmosphere to the scene.
Paul Sandby, Ruined Circular Temple, c. 1750, etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.46

Ruined Circular Temple

Paul Sandby · c. 1750 · etching on laid paper ·  Accession ID  2017.53.46

The image shows a person's upper body in a three-quarter view. The individual faces forward with their right hand raised, index finger extended towards the ear. They have expressive facial features, with wide eyes and slightly parted lips, framed by wavy, shoulder-length hair. A headband or cloth wraps around their head. The person wears a draped garment that hangs off one shoulder. No visible jewelry or objects are present. The background is a simple, shaded oval shape.
John Hamilton Mortimer, Cassandra, 1776, etching on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.64

Cassandra

John Hamilton Mortimer · 1776 · etching on wove paper ·  Accession ID  2017.53.64

The image shows a castle or fortification near a body of water, possibly a river or lake. The viewpoint is from across the water, giving a direct look at the structure. The style is fine etching, with detailed lines depicting stone walls and foliage. The color palette is mainly shades of gray. A boat with a sail and a person fishing is in the foreground, with the castle and trees beyond. Another sailboat is visible in the distance.
John Clerk, of Eldin, Loch Orr Castle, c. 1770/1782, etching with aquatint on chine collé, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.14

Loch Orr Castle

John Clerk, of Eldin · c. 1770/1782 · etching with aquatint on chine collé ·  Accession ID  2017.53.14

The image shows a landscape with a large, round tower in the center. In the distance, there are hills, a small church with a spire, and figures in the foreground. Detailed lines depict structures and vegetation, creating texture. The sky has swirling patterns. The color palette is monochromatic with shades of gray. Remnants of other structures are visible on the right.
John Clerk, of Eldin, Tower at Pembroke Castle, c. 1770/1782, etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.12

Tower at Pembroke Castle

John Clerk, of Eldin · c. 1770/1782 · etching on laid paper ·  Accession ID  2017.53.12

The image displays a landscape with a castle in a rural setting. The horizon line divides the sky from the forest below, where the castle is surrounded by trees. The artwork seems to be an etching or engraving with detailed linework, showcasing textures. The trees on the right have dense cross-hatching for depth. The color scheme is monochromatic using black and white for contrast. A path with figures and a horse-drawn cart can be seen in the lower area.
John Clerk, of Eldin, Melville Castle from Eldin, 1776, etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.18

Melville Castle from Eldin

John Clerk, of Eldin · 1776 · etching on laid paper ·  Accession ID  2017.53.18

This is a drawing of a soldier removing armor from a fallen opponent in a forested landscape. The fallen figure has a peaceful expression while the soldier is focused on the task. The background features dense line work creating a textured forest setting with swirling clouds or smoke. The artist used hatching and cross-hatching for depth and contrast.
Robert Blyth, Stripping the Slain, 1779, etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.88

Stripping the Slain

Robert Blyth · 1779 · etching on laid paper ·  Accession ID  2017.53.88

The image features an etching showing a seated woman facing the viewer. She has delicate facial features, curly hair with a feathered decoration, and is dressed in an elegant gown with a fur stole. The woman holds a fabric or handkerchief and the background is simple. At the bottom of the etching, there is a signature that reads "Painted and Etched by B. Wilson 1751."
Benjamin Wilson, Maria, Countess of Coventry, 1751, drypoint and etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.54

Maria, Countess of Coventry

Benjamin Wilson · 1751 · drypoint and etching on laid paper ·  Accession ID  2017.53.54

This drawing features two animals surrounded by a variety of fruit and an elaborate background. The image shows two large feline-like creatures entwined and adorned with intricate arrangements of fruit. To the right, excessive clusters of fruit are intertwined with a human-like figure's limbs and torso, posed dynamically beside the animals. The lines are defined and detailed, contributing to a richly textured scene filled with overlapping elements that create a sense of movement and vitality within the piece.
James Northcote, Robert Pollard, Bacchus Accompanied by a Leopard and a Tiger, c. 1797/1799, etching on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.40

Bacchus Accompanied by a Leopard and a Tiger

James Northcote, Robert Pollard · c. 1797/1799 · etching on wove paper ·  Accession ID  2017.53.40