Provenance

Jeffrey E. Horvitz

American, born 1950

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See all 29 works of art
This is a drawing of an architectural scene with multiple figures. The work presents a detailed and complex interior space dominated by towering arches and columns. In the foreground, figures gather and gesticulate. They are robed in flowing garments. The central figure is slightly elevated and seated beneath an alcove. The interplay of light and shadow creates a sense of depth and volume. The use of monochromatic tones accentuates the figures and the architectural elements.
Bartolomeo Ramenghi, Christ among the Doctors, 1520s, point of the brush and brown wash, heightened with white gouache over black chalk on paper washed gray-green, on two joined sheets, Gift of Jeffrey Horvitz, 2016.180.4

Christ among the Doctors

Bartolomeo Ramenghi · 1520s · point of the brush and brown wash, heightened with white gouache over black chalk on paper washed gray-green, on two joined sheets ·  Accession ID  2016.180.4

The image shows a man, a woman, and a child, all depicted in full-body view. The man is reaching towards a small dog, the woman is standing to the right supporting the child, who is sitting on the dog. The child appears amused and curious. The background includes a wall with vertical lines and a partially visible window with sunlight coming through. The drawing is monochromatic, utilizing shading and linework.
Marguerite Gérard, The Child and the Bulldog, 1778, etching on laid paper, Jeffrey E. Horvitz Fund and Katharine Shepard Fund, 2013.110.1

The Child and the Bulldog

Marguerite Gérard · 1778 · etching on laid paper ·  Accession ID  2013.110.1

This is a drawing of a religious scene. The description includes a central figure elevated in the air surrounded by clouds and angelic figures. Below this central motif is a large, ornately carved structure resembling an altar or pedestal, with figures in flowing robes on either side. The figures appear to be in a posture of reverence or awe, looking up towards the elevated figure. The drawing is executed in a delicate line work style with light shading.
Giulio Benso, The Assumption of the Virgin with Two Bishops and Other Figures, 1610s?, pen and brown ink with brown wash over traces of black chalk on laid paper, laid down on a decorative mount, Gift of Jeffrey E. Horvitz, 2021.53.2

The Assumption of the Virgin with Two Bishops and Other Figures

Giulio Benso · 1610s? · pen and brown ink with brown wash over traces of black chalk on laid paper, laid down on a decorative mount ·  Accession ID  2021.53.2

This is a drawing of a winged figure in mid-air with a serpent. The art depicts a muscular, bearded, and winged figure engaged in dynamic motion with a serpent. The figure is entwined with the serpent, which wraps around the legs and is held in both hands. The wings are large and detailed, and the background consists of stylized clouds, creating a sense of depth and movement. The drawing is in tones of gray, emphasizing the contrast between light and shadow on the figure.
Tommaso Minardi, Saturn Wrestling with a Snake, 1800s, pen and black and gray inks with wash over chalk on heavy laid paper, Gift of Jeffrey E. Horvitz, 2008.117.4

Saturn Wrestling with a Snake

Tommaso Minardi · 1800s · pen and black and gray inks with wash over chalk on heavy laid paper ·  Accession ID  2008.117.4

The image is a sketch showing a full-length view of a person standing, positioned slightly turned to the side. The person appears to be a woman with delicate facial features. Her hair is styled in an updo, adorned with what seems to be a crown or a decorative hairpiece. She is dressed in a voluminous gown with wide sleeves and a defined waist that flares out into a full skirt. The hands are elegantly posed. The background is plain.
Jean-Baptiste Oudry, Standing Woman, c. 1730, red chalk, heightened with white chalk, on gray laid paper, Gift of Jeffrey E. Horvitz, 2017.159.6

Standing Woman

Jean-Baptiste Oudry · c. 1730 · red chalk, heightened with white chalk, on gray laid paper ·  Accession ID  2017.159.6

The image depicts multiple figures in various positions. A figure is centrally positioned, partially wrapped in cloth, being lowered from a cross. Other figures are assisting in this process. Surrounding them are several individuals, some on ladders reaching up to the cross, and others supporting from below. The figures wear different types of clothing, ranging from long, flowing garments to draped or historical attire. The individuals have indistinct facial features and varying hairstyles. The overall composition is dynamic, filled with movement and surrounded by abstract elements hinting at architecture or nature.
Thomas Blanchet, The Deposition, 1670s?, red chalk with pen and brown ink and gray wash on laid paper, laid down on old mount, Gift of Jeffrey E. Horvitz, 2017.159.4

The Deposition

Thomas Blanchet · 1670s? · red chalk with pen and brown ink and gray wash on laid paper, laid down on old mount ·  Accession ID  2017.159.4

The image is a drawing of a figure seated in a relaxed posture. The person has a beard, mustache, and short hair. A crown-like headpiece sits on their head. They are dressed in a flowing robe, with one hand on the arm of a chair or throne, and the other hand on the knee. The background is plain.
Agostino Ciampelli, King David (Design for a Lunette), red chalk on cream laid paper, Gift of Jeffrey E. Horvitz, 2021.53.5

King David (Design for a Lunette)

Agostino Ciampelli · · red chalk on cream laid paper ·  Accession ID  2021.53.5

This is a line drawing of a person shown from the waist up. The person is seated with the left arm resting and the right hand partially visible. The facial features are stylized with continuous lines, emphasizing the eyes and mouth. The hair is short and outlined neatly. The person is dressed in a garment with ornate patterns, possibly a robe or shawl, draped over the shoulders. Two detailed necklaces are drawn around the neck. The background is plain.
Henri Matisse, Seated Woman with Short Veil and Pearls, 1927, pen and black ink on off-white wove paper, Gift of Jeffrey E. Horvitz, 2021.53.10

Seated Woman with Short Veil and Pearls

Henri Matisse · 1927 · pen and black ink on off-white wove paper ·  Accession ID  2021.53.10

This is a drawing of a central figure sitting amid clouds and surrounded by other figures. The artwork has a central male figure perched on a cloud and raising one hand. Around this figure are numerous other figures in dynamic poses, with some appearing to have wings. The figures are engaged in various actions, such as reaching out towards each other or in postures of adoration. The drawing is rendered in a warm, monochromatic palette, likely using sanguine chalk or a similar medium, giving it a classic appearance reminiscent of Renaissance or Baroque sketches. The swirling arrangement and light lines convey movement and upward motion, creating a sense of a divine or transcendent scene.
Francesco Allegrini, Christ in Glory with Angels and a Saint Kneeling in Adoration, c. 1650/1660, red chalk on light tan laid paper (artist’s correction for the figure of Christ, redrawn on an attached piece of laid paper), Gift of Jeffrey E. Horvitz, 2021.53.1

Christ in Glory with Angels and a Saint Kneeling in Adoration

Francesco Allegrini · c. 1650/1660 · red chalk on light tan laid paper (artist’s correction for the figure of Christ, redrawn on an attached piece of laid paper) ·  Accession ID  2021.53.1

The image shows an ancient city wall with crenellations and a tower positioned on the left side. The horizon line is low, with no competing elements. The brushstrokes are subtle, suggesting a watercolor technique. The color palette consists of muted earthy tones and pale blue. A path or road leads the eye towards distant architectural structures, creating depth. The city wall extends towards additional towers in the distance under a pale blue sky.
Victor-François-Eloi Biennourry, Porta San Lorenzo, Rome, mid-19th century, watercolor and graphite on blue wove paper, mounted on an album sheet, Gift of Jeffrey E. Horvitz, 2017.159.3

Porta San Lorenzo, Rome

Victor-François-Eloi Biennourry · mid-19th century · watercolor and graphite on blue wove paper, mounted on an album sheet ·  Accession ID  2017.159.3