Provenance

John Stocker

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The image shows an abstract depiction of the upper part of a person's body, concentrating on the head and shoulders. The person's head is slightly tilted upwards, with their eyes looking up. Facial features are abstract and stylized, with exaggerated and angular lines forming the contours of the face, including large eyes. The hair is represented with swirling, curvilinear patterns and integrated into the design with geometric shapes. The person is not wearing traditional clothing and instead, the body is covered with intricate patterns and lines in shades of yellow and gray, suggesting a structural or mechanical appearance. In the background, there is a wash of muted green as a contrasting backdrop to the vibrant lines of the figure.
Henry Moore, Mourlot Fréres, Head of Prometheus, 1950, color lithograph on vélin du Marais wove paper, Gift of John E. Stocker, 2006.125.11

Head of Prometheus

Henry Moore, Mourlot Fréres · 1950 · color lithograph on vélin du Marais wove paper ·  Accession ID  2006.125.11

This is a painting of a crowned figure holding a harp with a cityscape and green creature. A crowned figure dressed in red is holding a harp, depicted in the lower half of the composition. Above the figure, there is a cityscape with faint building outlines set against a blue splotch of color. Within the blue area, a green creature or figure is shown flying or floating.
Marc Chagall, David, 1973, color lithograph, Gift of John E. Stocker, 2006.125.3

David

Marc Chagall · 1973 · color lithograph ·  Accession ID  2006.125.3

Albrecht Dürer, Christ Washing the Feet of the Disciples, 1509/1510, woodcut on laid paper, Gift of John E. Stocker, 2006.125.5

Christ Washing the Feet of the Disciples

Albrecht Dürer · 1509/1510 · woodcut on laid paper ·  Accession ID  2006.125.5

Three figures and a dog are depicted at full length. The figures are standing outside a building. One figure is under an archway slightly facing the other two. The figures have detailed features including beards and mustaches, and wear head coverings and robes with intricate patterns. One figure is gesturing. A small dog is sitting nearby. In the background, there is an architectural structure with an arch and a decorated column. Leafy vines are in the top left. The scene is sketched with fine lines and shading, creating a detailed representation.
Rembrandt van Rijn, Three Oriental Figures (Jacob and Laban?), 1641, etching on laid paper, Gift of John E. Stocker, 2006.125.15

Three Oriental Figures (Jacob and Laban?)

Rembrandt van Rijn · 1641 · etching on laid paper ·  Accession ID  2006.125.15

The image shows swirling lines and shapes creating an abstract scene. There are curving lines suggesting a figure with spherical shapes resembling bubbles near the center, and a large, flowing blue form resembling an arm or wing stretching across the top. In the lower section, a round, vibrant pink shape with textured details is reminiscent of a flower. Linear elements converge to evoke a cityscape, with vertical shapes suggesting towers or columns, and outlines forming house-like structures. The composition combines chaotic curves and robust lines to provide an abstract depiction connecting with recognizable forms like a figure, flowers, and architectural elements.
Marc Chagall, Place de la Concorde, 1952, color lithograph, Gift of John E. Stocker, 2006.125.4

Place de la Concorde

Marc Chagall · 1952 · color lithograph ·  Accession ID  2006.125.4

The image is a line drawing of a person's profile, showing their head and neck. The person is depicted in a side view, facing to the right. Their facial features are minimalistic, with a prominent nose, single outlined eye with eyelashes, and a subtle smile suggested by the curve of the lips. The person has simple, straight hair with a few lines suggesting texture and a headband across their forehead with abstract star-like shapes depicted on it. There is no clothing visible as the drawing focuses solely on the profile of the head and upper neck. The background is plain and unadorned.
Pablo Picasso, Young Girl in Profile, Crowned with Flowers (Jeune Fille de Profil Couronnée de Fleurs), 1944, drypoint in black on laid paper, Gift of John E. Stocker, 2006.125.13

Young Girl in Profile, Crowned with Flowers (Jeune Fille de Profil Couronnée de Fleurs)

Pablo Picasso · 1944 · drypoint in black on laid paper ·  Accession ID  2006.125.13

The image shows a lightly sketched scene from a slightly elevated point of view, depicting a park setting with various figures dispersed across. The horizon is marked by a line of trees with faint architectural details. The sketch features sparse, soft pencil strokes forming figures and elements of the scenery in a monochromatic color palette of shades of gray on a neutral background. Different people are shown seated, standing, conversing, or strolling around, giving a sense of leisure and socialization.
James McNeill Whistler, Nursemaids: "Les Bonnes du Luxembourg", 1894, lithograph in black on wove paper, Gift of John E. Stocker, 2006.125.21

Nursemaids: "Les Bonnes du Luxembourg"

James McNeill Whistler · 1894 · lithograph in black on wove paper ·  Accession ID  2006.125.21

The image shows a body of water, a bridge, and a church tower in the distance. The horizon aligns with the top of the bridge and buildings. Delicate sketch-like strokes create an impressionistic effect, seen in the water reflections and foliage. The color palette is mostly sepia, giving a vintage look. Water reflects structures with thin, horizontal lines. In the distance, a bridge spans left to right and a church tower rises to the right, framed by trees.
James McNeill Whistler, Little Putney No. 1, 1879, etching and drypoint in black on wove paper, Gift of John E. Stocker, 2006.125.19

Little Putney No. 1

James McNeill Whistler · 1879 · etching and drypoint in black on wove paper ·  Accession ID  2006.125.19

The image displays elongated and curved shapes against a muted background. The forms create an abstract dance-like composition, resembling organic tree trunks or sculpted beings. The figures have distinct hollowed sections and textures, mimicking the natural world. The silhouettes suggest a blend of human-like figures and arboreal elements, inviting viewers to see the fusion of nature with form.
Henry Moore, Mourlot Fréres, Trees, 1950, color lithograph on vélin du Marais wove paper, Gift of John E. Stocker, 2006.125.12

Trees

Henry Moore, Mourlot Fréres · 1950 · color lithograph on vélin du Marais wove paper ·  Accession ID  2006.125.12

This is a drawing of an interior scene featuring two figures by a table. The scene depicts a narrow space with rough, textured walls. On the left, there is a hanging cloth. The floor has linear hatching patterns resembling wood texture. The atmosphere is grimy with dark shadows emphasizing the environment. The figures are near the table, set against a shadowed background. The composition is framed by aged walls, capturing a daily occurrence within the space.
James McNeill Whistler, Rag Pickers, Quartier Mouffetard, Paris, 1858, etching and drypoint in black on laid paper, Gift of John E. Stocker, 2006.125.22

Rag Pickers, Quartier Mouffetard, Paris

James McNeill Whistler · 1858 · etching and drypoint in black on laid paper ·  Accession ID  2006.125.22