Gary S. Davis
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Artwork
G. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 1961
G. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 1961
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961
Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Michael Portman, ill-starred English aristocrat, then staying next door room to William Burroughs at Villa Muniria studying Alpha rhythms, stroboscope “Dream-Machine” illusions and letters with Burroughs and Brion Gysin. Dorian Gray youth, he died in mid-age, alcohol and other dissipations, Tangier 1961.
Michael Portman, ill-starred English aristocrat, then staying next door room to William Burroughs at Villa Muniria studying Alpha rhythms, stroboscope “Dream-Machine” illusions and letters with Burroughs and Brion Gysin. Dorian Gray youth, he died in mid-age, alcohol and other dissipations, Tangier 1961.
Allen Ginsberg
1961, printed 1985
Not on view -
Artwork
Paul Bowles preparing mint tea on our arrival at the market area souk center of the medina, we took train from Tangier, stayed a week in his travel friend Christopher Wanklyn's household, Marrakech, Morocco, July 20, 1961
Paul Bowles preparing mint tea on our arrival at the market area souk center of the medina, we took train from Tangier, stayed a week in his travel friend Christopher Wanklyn's household, Marrakech, Morocco, July 20, 1961
Allen Ginsberg
1961, printed 1989
Not on view -
Artwork
Gregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters.
Gregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
One of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier
One of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Gregory Corso, Paul Bowles, William Burroughs, behind him shades of Ian Summerville, Cambridge mathematics student, Bill’s cut-up tech assistant, and Michael Portman, eighteen-year-old Public School aristocrat admirer of Naked Lunch, the two staying in rooms adjacent to Bill’s, both early deceased — here under the wall of Bill’s garden. All took cameras out beneath blue sky, bright sunny day, Villa Muniria, Tangier August 1961.
Gregory Corso, Paul Bowles, William Burroughs, behind him shades of Ian Summerville, Cambridge mathematics student, Bill’s cut-up tech assistant, and Michael Portman, eighteen-year-old Public School aristocrat admirer of Naked Lunch, the two staying in rooms adjacent to Bill’s, both early deceased — here under the wall of Bill’s garden. All took cameras out beneath blue sky, bright sunny day, Villa Muniria, Tangier August 1961.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Peter Orlovsky legs crossed mysterious-haired, W.S. Burroughs with camera & hat shading Mediterranean sun, Myself white pants earnest, Alan Ansen...visiting from Venezia to help type new apocalyptic cut-up overflow material from Naked Lunch, Gregory Corso sunglasses & Minox’d, a gambler at casino, Ian Sommerville assisting sound-collage electronics & stroboscope alpha-rhythm. Dream Machine experiments with Bill B. & Brian Gysen then in town, Paul Bowles squinting in bright / mid-day light seated on ground, all assembled outside Bill’s single room, Villa Muniria Garden, / my camera in Michael Portman’s hands, Tangier March-July 1961.
Peter Orlovsky legs crossed mysterious-haired, W.S. Burroughs with camera & hat shading Mediterranean sun, Myself white pants earnest, Alan Ansen...visiting from Venezia to help type new apocalyptic cut-up overflow material from Naked Lunch, Gregory Corso sunglasses & Minox’d, a gambler at casino, Ian Sommerville assisting sound-collage electronics & stroboscope alpha-rhythm. Dream Machine experiments with Bill B. & Brian Gysen then in town, Paul Bowles squinting in bright / mid-day light seated on ground, all assembled outside Bill’s single room, Villa Muniria Garden, / my camera in Michael Portman’s hands, Tangier March-July 1961.
Allen Ginsberg
1961, printed 1989
Not on view -
Artwork
Gregory Corso - Tangier 1961 - Peter & my room -
Gregory Corso - Tangier 1961 - Peter & my room -
Allen Ginsberg
1961, printed later
Not on view -
Artwork
William S. Burroughs, time of intense cut-up prose experiments and suspicions of all "apparent sensory phenomena." Tangier 1961.
William S. Burroughs, time of intense cut-up prose experiments and suspicions of all "apparent sensory phenomena." Tangier 1961.
Allen Ginsberg
1961, printed 1990
Not on view -
Artwork
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Artwork
A modest portrait, Allen Ginsberg and Gregory Corso, camera in Peter Orlovsky's hand, our room down-street from Bill Burroughs' Villa Muniria, Tangier 1961
A modest portrait, Allen Ginsberg and Gregory Corso, camera in Peter Orlovsky's hand, our room down-street from Bill Burroughs' Villa Muniria, Tangier 1961
Allen Ginsberg
1961, printed later
Not on view