Provenance

Philip Hofer

American, 1898 - 1984

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This is a drawing of a mythological figure reclining with symbolic elements. The figure appears muscular and partially winged, positioned with a dynamic posture, facing towards the left. The drawing displays intricate detailing in the body's musculature and wings. An object resembling a scythe is present. The overall tone is monochromatic, utilizing various shades of browns and reds. The background provides minimal context, focusing attention on the central figure.
Giuseppe Nicolo Vicentino, Saturn, 1525/1530, chiaroscuro woodcut in four violets, Print Purchase Fund (Rosenwald Collection), 1982.10.2

Saturn

Giuseppe Nicolo Vicentino · 1525/1530 · chiaroscuro woodcut in four violets ·  Accession ID  1982.10.2

The image shows a landscape with water, trees, and the sky. The etching depicts detailed natural elements like reeds and reflections in the water. The color palette is monochromatic using black and white to create depth and texture.
Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, Gift of Philip Hofer, 1941.3.12

Shere Mill Pond (The Larger Plate)

Francis Seymour Haden · in or after 1860 · etching with drypoint ·  Accession ID  1941.3.12

The image depicts an elderly person from the chest up. The individual is seated upright, with one arm resting across their body, and their other hand appears to be gently cradled. Their facial features include deep-set eyes, a prominent nose, and a long, flowing white beard extending downwards. The person wears a large hat covering their head, and their hair is hidden beneath it. Their attire consists of a long, thick, dark garment that drapes heavily over their shoulders. There is no visible jewelry or objects being held by the person. The background is plain and unadorned, with a simple, textured surface.
Rembrandt van Rijn, Old Man with Beard, Fur Cap, and Velvet Cloak, c. 1632, etching, Gift of Philip Hofer, 1941.3.18

Old Man with Beard, Fur Cap, and Velvet Cloak

Rembrandt van Rijn · c. 1632 · etching ·  Accession ID  1941.3.18

The image shows two figures. The primary figure is seated on a circular structure, with long hair and a beard. Lines radiate from the head, and the person wears a robe and holds an open book and a staff. The secondary figure kneels at the base, wearing a similar robe and holding a candlestick. Surrounding them are tall candlesticks with candles on stands. The background features swirling clouds.
Albrecht Dürer, The Vision of the Seven Candlesticks, probably c. 1496/1498, woodcut on laid paper, Gift of Philip Hofer, 1941.3.6

The Vision of the Seven Candlesticks

Albrecht Dürer · probably c. 1496/1498 · woodcut on laid paper ·  Accession ID  1941.3.6

The image shows a naked male figure tied to a tree with ropes. The figure appears to have long hair, a beard, and facial features. He is slumped over with his head tilted to the side, and arms and legs stretched out. An arrow is shown piercing his side and underarm. Surrounding the figure are small cherubs with wings, two of which are hovering in clouds on the left. The background features clouds, hills, trees, and a distant house, with a bearded man in draped clothing visible in the upper right among the clouds.
Hans Baldung Grien, Saint Sebastian, 1514, woodcut, Gift of Philip Hofer, 1942.2.1

Saint Sebastian

Hans Baldung Grien · 1514 · woodcut ·  Accession ID  1942.2.1

This drawing features a surreal scene with celestial and terrestrial elements. It shows a landscape with an individual studying a scroll on land, illuminated by light from a radiant celestial face in the sky. Surrounding the central figure are symbolic elements including towering pillars, a sun-like visage, and a figure resembling an angel descending from the clouds. Natural elements such as trees, clouds, water with boats, and an aquatic creature are also depicted. An architectural element resembling a balcony is present in the sky. The drawing is detailed with strong line work and shading, capturing natural textures and fantastical iconography.
Albrecht Dürer, Saint John Devouring the Book, probably c. 1496/1498, woodcut on laid paper, Gift of Philip Hofer, 1941.3.9

Saint John Devouring the Book

Albrecht Dürer · probably c. 1496/1498 · woodcut on laid paper ·  Accession ID  1941.3.9

The image shows a drawing from an elevated angle, focusing on classical architectural details. The piece features an ornate structure with inscriptions and decorations, obscured by swirling forms. An urn on a column is visible on the right. The artist uses diverse brushstrokes to depict light and shadow, with a color palette of gray and sepia tones. The foreground includes small figures engaged in activities, while the background fades into a blur.
Giovanni Battista Piranesi, Grottesco with the Tomb of Nero, 1747, pen and gray-brown ink over red chalk, tip of the brush with gray ink, gray wash, Gift of Philip Hofer in memory of his mother, Mrs. Jane Arms Hofer, 1979.6.1

Grottesco with the Tomb of Nero

Giovanni Battista Piranesi · 1747 · pen and gray-brown ink over red chalk, tip of the brush with gray ink, gray wash ·  Accession ID  1979.6.1

The image depicts a man in a cauldron surrounded by a crowd. The scene includes classical architecture in the background and various characters with distinct expressions and clothing. One man is stoking the fire under the cauldron with a staff.
Albrecht Dürer, The Martyrdom of Saint John, probably c. 1496/1498, woodcut on laid paper, Gift of Philip Hofer, 1941.3.5

The Martyrdom of Saint John

Albrecht Dürer · probably c. 1496/1498 · woodcut on laid paper ·  Accession ID  1941.3.5

This is a drawing of an indoor scene featuring a seated figure holding a small bundle. The figure is seated with a chair nearby, a fabric spread over a surface, and a window behind them emitting light. The artwork showcases intricate line work, typical of etching techniques, reminiscent of Rembrandt's style known for conveying emotional depth and detailed environments.
Rembrandt van Rijn, The Virgin and Child with the Cat and Snake, 1654, etching, Gift of Philip Hofer, 1941.3.13

The Virgin and Child with the Cat and Snake

Rembrandt van Rijn · 1654 · etching ·  Accession ID  1941.3.13

The image depicts multiple figures surrounding a central lamb. The drawing is highly detailed, featuring various figures gathered around a radiant circular motif containing the lamb. Around the lamb are different creatures and numerous figures. Some figures are crowned, while others hold palm fronds. In the lower segment, there are figures on clouds, suggesting a spiritual atmosphere. The drawing is rich in linework and symbolism, typical of intricate religious iconography from medieval or renaissance engravings.
Albrecht Dürer, The Adoration of the Lamb, probably c. 1496/1498, woodcut on laid paper, Gift of Philip Hofer, 1941.3.7

The Adoration of the Lamb

Albrecht Dürer · probably c. 1496/1498 · woodcut on laid paper ·  Accession ID  1941.3.7