Provenance

Philip Hofer

American, 1898 - 1984

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This is a drawing of an encounter between two individuals. The scene depicts one person kneeling and embracing another person, who is bending forward with open arms. The kneeling figure appears disheveled with torn clothing, while the standing figure is dressed in long robes. In the background, there is intricate architecture and other figures near a doorway. The foreground shows steps leading up to the main figures. The drawing features fine line work and detailed cross-hatching in a classic etching style.
Rembrandt van Rijn, Return of the Prodigal Son, 1636, etching, Gift of Philip Hofer, 1941.3.15

Return of the Prodigal Son

Rembrandt van Rijn · 1636 · etching ·  Accession ID  1941.3.15

This is a drawing of a winged figure entangled in an abstract setting. The artwork portrays a muscular, humanoid figure with detailed, feathered wings extending from its back. The figure is in a dynamic pose, with one arm bent upward and the other supporting its body while partially reclining. The environment around the figure seems abstract with stark contrasts of light and dark areas, creating a dramatic effect. Textures are emphasized, particularly in the figure's musculature and the shading of the wings. The style suggests a dramatic and expressive approach, reminiscent of high-contrast woodcut or etching techniques.
Giuseppe Nicolo Vicentino, Saturn, 1525/1530, chiaroscuro woodcut in four grays, Print Purchase Fund (Rosenwald Collection), 1982.10.1

Saturn

Giuseppe Nicolo Vicentino · 1525/1530 · chiaroscuro woodcut in four grays ·  Accession ID  1982.10.1

This is a drawing of a scene near a well with architectural and landscape details. The foreground shows a well with intricate masonry. One figure is leaning on the side of the well and another is standing beside it holding a large vessel. The lines are detailed, capturing fabric drapery and expressions. In the background, a group of figures and a horse are shown amidst lush trees, set against hilly architecture.
Rembrandt van Rijn, Christ and the Woman of Samaria: an Arched Print, 1658, etching and drypoint, Gift of Philip Hofer, 1941.3.14

Christ and the Woman of Samaria: an Arched Print

Rembrandt van Rijn · 1658 · etching and drypoint ·  Accession ID  1941.3.14

Rembrandt van Rijn, Landscape with a Cottage and a Large Tree, 1641, etching, Gift of Philip Hofer, 1941.3.17

Landscape with a Cottage and a Large Tree

Rembrandt van Rijn · 1641 · etching ·  Accession ID  1941.3.17

This is a drawing of an indoor scene featuring a seated figure holding a small bundle. The figure is seated with a chair nearby, a fabric spread over a surface, and a window behind them emitting light. The artwork showcases intricate line work, typical of etching techniques, reminiscent of Rembrandt's style known for conveying emotional depth and detailed environments.
Rembrandt van Rijn, The Virgin and Child with the Cat and Snake, 1654, etching, Gift of Philip Hofer, 1941.3.13

The Virgin and Child with the Cat and Snake

Rembrandt van Rijn · 1654 · etching ·  Accession ID  1941.3.13

The image shows a drawing from an elevated angle, focusing on classical architectural details. The piece features an ornate structure with inscriptions and decorations, obscured by swirling forms. An urn on a column is visible on the right. The artist uses diverse brushstrokes to depict light and shadow, with a color palette of gray and sepia tones. The foreground includes small figures engaged in activities, while the background fades into a blur.
Giovanni Battista Piranesi, Grottesco with the Tomb of Nero, 1747, pen and gray-brown ink over red chalk, tip of the brush with gray ink, gray wash, Gift of Philip Hofer in memory of his mother, Mrs. Jane Arms Hofer, 1979.6.1

Grottesco with the Tomb of Nero

Giovanni Battista Piranesi · 1747 · pen and gray-brown ink over red chalk, tip of the brush with gray ink, gray wash ·  Accession ID  1979.6.1

The image shows a naked male figure tied to a tree with ropes. The figure appears to have long hair, a beard, and facial features. He is slumped over with his head tilted to the side, and arms and legs stretched out. An arrow is shown piercing his side and underarm. Surrounding the figure are small cherubs with wings, two of which are hovering in clouds on the left. The background features clouds, hills, trees, and a distant house, with a bearded man in draped clothing visible in the upper right among the clouds.
Hans Baldung Grien, Saint Sebastian, 1514, woodcut, Gift of Philip Hofer, 1942.2.1

Saint Sebastian

Hans Baldung Grien · 1514 · woodcut ·  Accession ID  1942.2.1

The image depicts an elderly person from the chest up. The individual is seated upright, with one arm resting across their body, and their other hand appears to be gently cradled. Their facial features include deep-set eyes, a prominent nose, and a long, flowing white beard extending downwards. The person wears a large hat covering their head, and their hair is hidden beneath it. Their attire consists of a long, thick, dark garment that drapes heavily over their shoulders. There is no visible jewelry or objects being held by the person. The background is plain and unadorned, with a simple, textured surface.
Rembrandt van Rijn, Old Man with Beard, Fur Cap, and Velvet Cloak, c. 1632, etching, Gift of Philip Hofer, 1941.3.18

Old Man with Beard, Fur Cap, and Velvet Cloak

Rembrandt van Rijn · c. 1632 · etching ·  Accession ID  1941.3.18

This is a drawing of a mythological figure reclining with symbolic elements. The figure appears muscular and partially winged, positioned with a dynamic posture, facing towards the left. The drawing displays intricate detailing in the body's musculature and wings. An object resembling a scythe is present. The overall tone is monochromatic, utilizing various shades of browns and reds. The background provides minimal context, focusing attention on the central figure.
Giuseppe Nicolo Vicentino, Saturn, 1525/1530, chiaroscuro woodcut in four violets, Print Purchase Fund (Rosenwald Collection), 1982.10.2

Saturn

Giuseppe Nicolo Vicentino · 1525/1530 · chiaroscuro woodcut in four violets ·  Accession ID  1982.10.2

The image shows a female figure standing near a body of water. The horizon is in the upper third of the image, where the water meets dense vegetation. The technique involves soft brushstrokes that create a smudged effect. The color palette is monochromatic in black and white, creating a contrast between light and shadow. Dense foliage frames the scene, and lighter areas lead the eye towards the water. The background features blurred vegetation, adding depth to the landscape.
Camille Pissarro, A Bather, 1894, monotype on wove paper, Ruth and Jacob Kainen Collection, 1977.70.2

A Bather

Camille Pissarro · 1894 · monotype on wove paper ·  Accession ID  1977.70.2