Provenance

Sandy Dolnier

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This is a drawing of an allegorical figure seated beside a large medallion. The artwork features a figure draped in classical robes, seated beside a large circular medallion. The medallion displays a profile relief of a figure, with the letters "ORB.E..." visible on the circumference. The scene includes foliage in the background, a textured trunk and branches overhanging from the left, and scrolls and floral decorations on the right side in the foreground. The drawing demonstrates meticulous cross-hatching and line work for depth and shading.
Bernhard Rode, Love Mourns at the Tomb of Preacher Bruhn (Am Grabmal des predigers Bruhn trauert die eheliche Liebe), c. 1790, etching, roulette and stipple on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.56

Love Mourns at the Tomb of Preacher Bruhn (Am Grabmal des predigers Bruhn trauert die eheliche Liebe)

Bernhard Rode · c. 1790 · etching, roulette and stipple on laid paper ·  Accession ID  2018.113.56

The image depicts an engraving of two figures, showing a full view of an infant and the upper body of an older man. The older man is seated or standing closely, leaning his head against the infant. Facial features of the older man include a prominent forehead, a Roman nose, and a full beard. The infant has a plump face with curly hair and seems to be lying in the arms of the man. Their clothing is not clearly defined beyond shadows hinting at draped fabric. No jewelry is visible. The figures appear to be illuminated from behind or within, as indicated by the line work representing light rays around the infant's head. The background is mainly crosshatched shading, and the scene is within a rectangular frame on aged paper with handwritten notations above and below the engraved area.
Bartolomeo Biscaino, Saint Joseph in Half-Length, Holding the Christ Child, 1650/1657, etching on laid paper, mounted on an album sheet, Gift of Alessandra Manning Dolnier, 2018.113.17

Saint Joseph in Half-Length, Holding the Christ Child

Bartolomeo Biscaino · 1650/1657 · etching on laid paper, mounted on an album sheet ·  Accession ID  2018.113.17

The image depicts a landscape with a low horizon featuring high mountainous peaks on the left. The terrain close by includes trees, rocks, and rocky formations on the right, leading to a range of hills and valleys in the distance. The artwork has detailed strokes creating texture and depth, particularly in the trees, rocks, and swirling clouds in the sky. The color palette is monochromatic, focusing on black and gray shades to enhance the sense of depth and intricacy.
Étienne Dupérac, Narcissus, late 16th century, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.2

Narcissus

Étienne Dupérac · late 16th century · etching on laid paper ·  Accession ID  2018.113.2

This is an image of a group of figures under a rustic structure. An angelic figure with outstretched wings points towards a seated man, while another figure behind them holds a small child. In the background, there are a few animals, including a goat and an ox. The setting includes architectural elements like columns and arches. Fine lines and shading are used to create texture and depth, emphasizing a moment of revelation or divine communication.
Sébastien Bourdon, The Dream of Saint Joseph, 1653/1657, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.40

The Dream of Saint Joseph

Sébastien Bourdon · 1653/1657 · etching on laid paper ·  Accession ID  2018.113.40

The etching depicts two figures with full bodies visible. The person on the left is seated on the ground, turned slightly towards the right, holding an infant. She has her head bowed and a gentle expression. The person on the right is seated, holding a stringed musical instrument. Both individuals are dressed in flowing garments. The background shows a faint depiction of trees and foliage.
Simone Cantarini, Rest on the Flight into Egypt, 1640s, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.15

Rest on the Flight into Egypt

Simone Cantarini · 1640s · etching on laid paper ·  Accession ID  2018.113.15

The image shows five figures in various positions. A bearded man is seated and leaning on a staff, supporting his head with one hand. Beside him is a woman seated with her body turned slightly to the right. Two children are sitting on a stone ledge, one facing forward and the other reaching out towards a sheep. The setting includes large stone pillars on the left, a stone building with a rounded tower behind the figures, and various architectural elements. In the background, there is a bare tree on the right and clouds in the sky. The scene is rendered in a classical style with emphasis on line work and shading.
Sébastien Bourdon, Holy Family Seated on an Arch, 1642/1652, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.42

Holy Family Seated on an Arch

Sébastien Bourdon · 1642/1652 · etching on laid paper ·  Accession ID  2018.113.42

This is a drawing of a pastoral scene with a traveler, a woman carrying a child, and a donkey. The drawing depicts a serene landscape with a detailed foreground. There is a figure leading a donkey across a stone bridge over a small stream. The person is holding the reins of the donkey, whose head is slightly lowered. Adjacent to them is a woman cloaked in drapery, holding a child securely in her arms, and they are partially concealed by lush foliage. Behind them, the landscape is marked by elegantly drawn trees with plentiful leaves and distant rocky formations, adding depth to the scene. The scene captures a gentle, quiet moment set against a backdrop of undulating hills and sparse vegetation.
Sébastien Bourdon, Flight into Egypt, 1650s, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.41

Flight into Egypt

Sébastien Bourdon · 1650s · etching on laid paper ·  Accession ID  2018.113.41

The image shows three figures in a natural setting. Two adult figures are seated on a rocky or earthy outcrop. One figure has their back to the viewer, embracing the other figure who is seated facing forward. Both have prominent facial features and detailed hairstyles. A smaller figure resembling a cherub with wings and holding a staff or arrow is positioned near the seated figures. All three figures are unclothed. The scene is surrounded by trees with detailed foliage, and a small sleeping dog is shown in the bottom right corner.
Simone Cantarini, Venus and Adonis, 1640s, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.11

Venus and Adonis

Simone Cantarini · 1640s · etching on laid paper ·  Accession ID  2018.113.11

This is a drawing of a mythological scene with intricate details. The central figure is draped in a flowing garment, holding a staff. To the left, another figure seems to be making a gesture. The background features large vases with relief sculptures and natural elements. To the right, a cherub-like figure stands on a plinth, looking towards the main figures. The drawing is detailed with emphasis on texture and form, suggesting the use of shading and line work for depth. The environment combines artistic and natural motifs in a harmonious blend.
Giovanni Benedetto Castiglione, Temporalis Aeternitas [Second Version], 1655, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.25

Temporalis Aeternitas [Second Version]

Giovanni Benedetto Castiglione · 1655 · etching on laid paper ·  Accession ID  2018.113.25

The image shows a group in a natural setting. It includes individuals, horses, and other animals in a lively environment. They are engaged in different activities. The background features trees, mountains, and wide landscapes, indicating a rural setting. The use of lines and shading in the drawing adds depth and detail to the scene.
Andrea De Leone, Giovanni Benedetto Castiglione, Rachel Concealing Laban's Idols, c. 1635, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.29

Rachel Concealing Laban's Idols

Andrea De Leone, Giovanni Benedetto Castiglione · c. 1635 · etching on laid paper ·  Accession ID  2018.113.29