Provenance

Galerie Glöckner

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The image displays sharp, angular black shapes on a red and white dotted background. The abstract artwork features jagged forms intertwining across the canvas. The textured, dotted background adds depth to the scene. The arrangement of lines and shapes creates a sense of movement.
Erich Müller-Kraus, Kriegsgespenst, 1945, color woodcut printed in red and black on wove paper, Gift of Ruth Cole Kainen, 2012.92.401

Kriegsgespenst

Erich Müller-Kraus · 1945 · color woodcut printed in red and black on wove paper ·  Accession ID  2012.92.401

The image is an etching showing a rural landscape. The viewpoint is slightly elevated, looking over the scene. Tall trees dominate the left side, against the sky. The etching style uses fine lines and cross-hatching for texture. The color scheme is monochromatic, using shades of sepia and black. A pathway with two figures, possibly a woman and a child, is in the foreground. Farther away, fields and more trees lead to the horizon.
Emil Orlik, Thunderstorm (Small), 1896, etching on laid cream paper, Gift of Ruth Cole Kainen, 2012.92.430

Thunderstorm (Small)

Emil Orlik · 1896 · etching on laid cream paper ·  Accession ID  2012.92.430

The image features bold, angular lines and a variety of shapes forming a group of human-like figures. The abstract composition suggests a group of individuals in formal attire, some wearing hats. The figures are depicted in a mixture of light and shadow, creating contrast and drama in the scene.
Friedrich Karl Gotsch, Wedding, 1922, woodcut on buff wove paper, Gift of Ruth Cole Kainen, 2012.92.227

Wedding

Friedrich Karl Gotsch · 1922 · woodcut on buff wove paper ·  Accession ID  2012.92.227

The image depicts a mountainous landscape with rugged peaks, sketched in expressive strokes. The monochromatic color palette uses shades of black and gray. Sloping terrain leads to the peaks and dark sky. The sky is heavily shaded, contrasting with the lighter tones of the mountains. The style suggests an etching or printmaking technique with textures and strong contrast between light and shadow.
Ernst Ludwig Kirchner, Mountain Landscape with Little Mowers, 1919, etching, Gift of Ruth Cole Kainen, 2012.92.716

Mountain Landscape with Little Mowers

Ernst Ludwig Kirchner · 1919 · etching ·  Accession ID  2012.92.716

The image displays a scene with buildings featuring steep rooftops in the foreground. A figure carrying a lantern is near one of the buildings, casting light. In the distance, three boats are visible, with one moored near the shore. A large structure with a tower is on the horizon against a sky filled with scattered lines. The color palette consists of shades of grey and dark brown, creating a moody ambiance.
Karl Hofer, Nocturnal Crossing, 1899, drypoint in black on wove paper, Gift of Ruth Cole Kainen, 2012.92.291

Nocturnal Crossing

Karl Hofer · 1899 · drypoint in black on wove paper ·  Accession ID  2012.92.291

The image features a landscape with tall trees framing the scene. The trees show intricate details along their trunks and branches. In the distance, there is a village or small settlement with a central building featuring a dark roof. The sky dominates the upper portion of the image with patches of light and dark, possibly clouds. The color palette consists of muted earth tones like beige, gray, and dark green.
Carl Thiemann, Bergkirchen, 1909, color woodcut in black, green and brown-green on pale pink paper, attached to a light beige cardboard support, Gift of Ruth Cole Kainen, 2012.92.484

Bergkirchen

Carl Thiemann · 1909 · color woodcut in black, green and brown-green on pale pink paper, attached to a light beige cardboard support ·  Accession ID  2012.92.484

The image is viewed from a slightly elevated perspective, showing a comprehensive view of the scene below. The horizon is high in the composition, with a dark silhouette of a traditional building and trees dominating the lower half of the artwork. The sky is painted in deep, textured blue tones implying a night or twilight setting with subtle brushstrokes for depth. The color palette is dark and moody, with muted greens and browns, contrasting with a bright glow of yellow light from a window. The textured brushwork creates a sense of stillness and quiet, enhancing the serene night-time ambiance.
Emil Orlik, Evening in Fukagawa, 1900, color lithograph in blue, black, brown and yellow on wove paper, Gift of Ruth Cole Kainen, 2012.92.432

Evening in Fukagawa

Emil Orlik · 1900 · color lithograph in blue, black, brown and yellow on wove paper ·  Accession ID  2012.92.432

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An der Kuste (On the Coast)

Carl-Heinz Kliemann · 1981 · color woodcut in black, brown, grey and green on white Japanese paper ·  Accession ID  2012.92.315

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Lavinio

Carl-Heinz Kliemann · 1967 · color woodcut in black, blue, purple and brown on white wove paper ·  Accession ID  2012.92.316

The image depicts a landscape seen from an elevated viewpoint. The horizon is low in the frame, emphasizing the sky above. The sky is filled with dark, swirling clouds and beams of light breaking through. The etching style uses cross-hatching brushstrokes for texture and depth, showing tonal contrast between light and shadow. A silhouette of a figure stands near us, leaning on a staff. Nearby, a water path reflects light in sinuous shapes, leading to a group of darkened shapes. The color scheme is monochromatic with black, gray, and white tones creating a moody atmosphere.
Karl Hofer, Einsamkeit (Loneliness), 1900, drypoint in black on wove paper, Gift of Ruth Cole Kainen, 2012.92.290

Einsamkeit (Loneliness)

Karl Hofer · 1900 · drypoint in black on wove paper ·  Accession ID  2012.92.290