Provenance

Carteia Fine Arts

Explore selected works

This is a painting of a scene with a suffering man surrounded by five angels. The man is kneeling in the center of the painting, facing the left, with thin, dark red wounds visible on the pale skin of his back and arms. He is nude except for a white cloth tied around his waist, and he reaches towards a black robe or cloth on the ground. On the floor in front of him are a discarded whip and bundle of thorny twigs. In a semi-circle around him, the angels display different poses of lament and compassion. They have light skin and are dressed in green, red, pink, teal, and gold garments, with wide, feathered wings stretching behind them. The floor appears to be checkered in shades of light red, and the background is dark, with one white, square column visible to the left of center.
Juan Correa, Christ Gathering His Garments after the Flagellation, c. 1670s, oil on canvas, Patrons' Permanent Fund and Gift of Funds from Gerald Spears and Mary Mochary, 2024.4.1

Christ Gathering His Garments after the Flagellation

Juan Correa · c. 1670s · oil on canvas ·  Accession ID  2024.4.1

The sculpture depicts a woman in a flowing robe holding a child. The woman has short, dark hair, rosy cheeks, and wears a serene expression. Her eyes are looking downward. She is dressed in richly patterned and colorful garments with a palette of gold, red, and dark green hues. One of her hands is extended outward, while the other holds a child. The child, dressed in a brown garment, looks directly ahead with wide eyes and a calm demeanor. The child has curly brown hair and extends one arm outward. At the base of the sculpture, four cherubic faces emerge from the bottom of the woman's robes. Two of them look upward, towards the woman, while the other two look off to the sides.
Luisa Roldán, Virgin and Child, c. 1680/1686, painted wood, Pepita Milmore Memorial Fund, Patrons' Permanent Fund and William and Buffy Cafritz Family Sculpture Fund, 2022.39.1

Virgin and Child

Luisa Roldán · c. 1680/1686 · painted wood ·  Accession ID  2022.39.1

""

Batea

Mexican 17th century · c. 1650 · lacquer inlay on wood ·  Accession ID  2026.37.1