Provenance

D'Lan Contemporary

Explore selected works

This painting features small circular dots scattered across the canvas, forming a dense pattern. The dots are in shades of red, pink, yellow, and orange, with black appearing to show through beneath them. Most of the yellow dots seem to be clustered towards the right, with the red and pink dots scattered throughout.
Emily Kam Kngwarray, Muna – Everything, 1991, synthetic polymer paint on linen, Gift of Funds from Glenstone Foundation, Emily Kam Kngwarray / Copyright Agency, Leslie Howarth, 2024.15.1

Muna – Everything

Emily Kam Kngwarray · 1991 · synthetic polymer paint on linen ·  Accession ID  2024.15.1

Rover Thomas, Massacre Site – Old Texas Downs, 1991, natural earth pigments and bush gums on canvas, Patrons' Permanent Fund, 2025.23.1

Massacre Site – Old Texas Downs

Rover Thomas · 1991 · natural earth pigments and bush gums on canvas ·  Accession ID  2025.23.1

This painting displays a complex network of thick, interwoven, curved lines in warm colors of pink, peach, white, and yellow against a dark background. The abstract composition resembles a chaotic tangle, reminiscent of intertwined ribbons or overlapping pathways crisscrossing each other in a random pattern. The brushstrokes are visible, and the paint is applied unevenly in some areas, creating slight variations in color.
Emily Kam Kngwarray, Kame Colour, 1995, synthetic polymer paint on linen, Patrons' Permanent Fund, Emily Kam Kngwarray / Copyright Agency, Leslie Howarth, 2024.56.1

Kame Colour

Emily Kam Kngwarray · 1995 · synthetic polymer paint on linen ·  Accession ID  2024.56.1